Showing results for "The Dead" in Coming of Age

In between the space of time when Ezra lights themself on fire and when Ezra dies, the world of this book flashes before their eyes. Everyone Ezra’s ever loved, every place they’ve felt queer and at home, or queer and out of place, reveals itself in an instant. Unfolding in fragments of memory, Ezra dissolves into the family, religion, desire, losses, pains, and joys that made them into the person that’s decided on this final act of protest.

Bud Stanley is an obituary writer who is afraid to live. Yes, his wife recently left him for a “far more interesting” man. Yes, he goes on a particularly awful blind date with a woman who brings her ex. And yes, he has too many glasses of Scotch one night and proceeds to pen and publish his own obituary. The newspaper wants to fire him. But now the company’s system has him listed as dead. And the company can’t fire a dead person. The ensuing fallout forces him to realize that life may be actually worth living.

Life began again for Dylan Styles when his beloved wife Maggie awoke from a coma. A coma brought on by the intense two-day labor that resulted in heartbreaking loss. In this poignant love story that is redolent with Southern atmosphere, Dylan and Maggie must come to terms with their past before they can embrace their future.

With his mother in jail, Sequoyah, a 15-year-old Cherokee boy, is placed in foster care with the Troutt family. Literally and figuratively scarred by his unstable upbringing, Sequoyah has spent years mostly keeping to himself, living with his emotions pressed deep below the surface - that is, until he meets the 17-year-old Rosemary, another youth staying with the Troutts. Sequoyah and Rosemary bond over their shared Native American backgrounds and paths through the foster care system, but as Sequoyah's feelings toward Rosemary deepen, the precariousness of their lives and the scars of their pasts threaten to undo them both.

The year is 1983, and Scott Bradley is 17, unemployed, and on the dole. Drifting through life, he and his friends love nothing more than to sit around drinking, talking about girls, and watching horror movies. But things are about to change. As the "video nasty" media storm descends, their desire to find a copy of the ultimate horror film - The Evil Dead - is going to lead them to the most significant days of their young lives. As the law tightens and their way of life comes under threat from all quarters, they come to learn what truly matters to them.

Alex Bushnell's life was bland, carefree, and safe, working for a medium-sized San Francisco newspaper, until one night it went all wrong. A chance meeting with a girl at a party, a single night of excess, and suddenly Alex's life spiraled out of control. Hooked on heroin and a girl he can't shake, Alex battles to find himself and the life he so quickly lost. All The Hippes Are Dead is a drug-fueled, sex-crazed coming-of-age novel like no other, placing Henning firmly in the cult-classic district of the literary map.

Living Dead Lovers follows the life and times of famed psychic-medium, half-Romani gypsy, Valentina ‘Cabbage’ Moone, from her mute infancy trawling the roads of Europe to a fiery-tongued, hard-drinking, speed-loving clairvoyant with a complete disregard for human life, including her own of late…

Getting dumped just before Christmas is her worst nightmare. And her greatest blessing.... Bailey Houston has spent so many years thinking Preston Wright was “The One” that when he says it’s over, it’s like he flipped her entire world upside down and shook her up like a snowglobe. The last thing she expects is for a guy like Judd Kohler to come crashing into her life. Literally. He was coming out. She was going in. Her face got in the way. You get the picture. It was an accident. Running into him twice in one day, though? That was starting to feel like fate.

In a nameless Hungarian town, teenagers on a competitive swim team occupy their after-training hours with hard drinking and fast cars, hash cigarettes and marathons of Grand Theft Auto, the meaningless sex and late-night exploits of a world defined by self-gratification and all its attendant recklessness. Invisible to their parents and subject to the whims of an abusive coach, the crucible of competition pushes them again and again into dangerous choices. When a deadly accident leaves them second-guessing one another, they’re driven even deeper into violence.

Adults insist that you never completely remember your childhood. They say that as the years pass by, those little details that once captured your undivided attention become fuzzy around the edges. As time marches on, the sharp memories start crinkling up like a piece of newspaper burning in a campfire; first you can just make out the sentences, and then, the white hot fire laps at the pages, blurring them and obscuring the actual words. Until all that you are left with is a fine white ash and the vague memories of what used to be.

Living on the streets is hard enough, so when Mama drags me out in the middle of the night, I know we’re in trouble. Big trouble. Her so-called secret mission to help a “friend” is a crap-sandwich if I ever saw one and I almost talk Mama into going home.... Then we find that first dead body.

Derrick, Linda, Luther, and Jenny go to the local cemetery to try and contact the restless spirit of Kyra Talbot to find out who her killer really was.

Todos le dijeron a Lupe que no escribiera sobre ella, ni de Monterrey ni de Houston y, mucho menos, de su más reciente decepción amorosa. Pero Lupe no sabe hacer otra cosa que no sea hablar de su vida, contar cómo, sin importar el lugar al que huya, el destino le echa a perder todos sus planes. De rapera famosa a operadora de call center, de la ilusión al amor no co-rrespondido, entre visados, trayectos y mucha música pop, Lupe busca convertirse en una gran escritora.