Showing results for "The Cask of Amontillado" in Anthologies & Short Stories

The bloody-minded Montresor leads the pompous Fortunato deep into the catacombs, seeking the famed Amontillado wine. Here we have one of Poe’s most terrifying, and most “beloved” tales. Revenge and pomposity commingle beneath the river’s bed, leading to a delightfully sinister conclusion.

"The Cask of Amontillado" is Edgar Allan Poe's short but enigmatic masterpiece. Set in an unnamed Italian city, we hear the story of how Montresor lures Fortunato through the catacombs into the Montresor family vault and there chains him up and bricks him in for eternity. Why he does it we will never know, but he does so with a casual savagery that is truly chilling.

This is a story from the Fall of the House of Usher collection. The horrors of the Spanish Inquisition, with its dungeon of death, and the overhanging gloom on the House of Usher demonstrate unforgettably the unique imagination of Edgar Allan Poe. Unerringly, he touches upon some of our greatest nightmares: Premature burial, ghostly transformation, words from beyond the grave. Written in the 1840s, they have retained their power to shock and frighten even now.

The story is set in an unnamed Italian city (perhaps Venice) at carnival time in an unspecified year, and is about a man taking fatal revenge on a friend who, he believes, has insulted him. Like several of Poe's stories, and in keeping with the 19th-century fascination with the subject, the narrative revolves around a person being buried alive - in this case, by immurement. As in "The Black Cat" and "The Tell-Tale Heart", Poe conveys the story from the murderer's perspective.

Edgar Allan Poe (1809-1849) is celebrated for his tales of the macabre and the supernatural. “The Cask of Amontillado” is one of his terrifying tales of premature burial. In it, the narrator, Montresor, has suffered from “insults and injuries” from his “friend” Fortunato and plans to murder him while he is drunk at the carnival by luring him to a wine tasting in the cellars of his palazzo. He chains him to the wall in a niche that he seals up with mortar, thus entombing him alive.

Award winning narrator Mike Vendetti reads Edgar Allan Poe's classic tale about a man taking fatal revenge on a friend who, he believes, has insulted him. Like several of Poe's stories, and in keeping with the 19th-century fascination with the subject, the narrative revolves around a person being buried alive - in this case, by immurement.

First published in the November 1846 issue of Godey's Lady's Book, the story is set in 19th century Italy and concerns the deadly revenge taken by the insane narrator on a friend he claims has insulted him. Like several of Poe's stories, and in keeping with the 19th century fascination with the subject, the narrative revolves around a person being buried alive.

What would you do in the name of revenge? In The Cask of Amontillado, our narrator Montresor feels that the pompous Fortunado has insulted him one too many times. Join us as Motresor takes advantage of his enemy's love of wine to exact an unspeakable revenge.

The narrator in this story vows revenge upon a man named Fortunato. He takes advantage of Fortunato's ego and lures him down into the recesses of an underground vault to taste a rare wine, a cask of Amontillado.

Uno de los más renombrados clásicos del gran Poe, «El barril de amontillado» es el virtuoso logro de convertir el pecado de la venganza en una historia rebosante de terrorífico encanto y perfección narrativa.

The revenge-minded Montresor convinces Fortunato to join him deep in the catacombs, ostensibly to sample some rare wine. The conclusion to this suspenseful story is memorable, to say the least.

"El Barril de Amontillado" es una joya inigualable del género de terror, considerada una de las obras más impactantes del inigualable Edgar Allan Poe. En este relato, la atmósfera opresiva y la intriga constante nos llevan por un camino oscuro y misterioso, donde cada paso revelará las sombrías intenciones y los ocultos resentimientos de sus personajes.

Montresor ha planeado durante mucho tiempo una forma de reparar las injurias del vanidoso Fortunato. La fiesta del carnaval será el momento ideal para que Fortunato se encuentre con Montresor y le pida que lo ayude a saber si un barril de un exquisito vino que le están por vender es auténtico.

Montressor es tan buen actor, que su buen amigo Fortunato no se da cuenta ni por un momento de lo que hay realmente tras su fachada de amabilidad y cortesía.Aparte de los juegos de palabras que el autor hace con los nombres de los personajes que en realidad representan los dos lados de una moneda. (Montressor – mi tesoro) (Fortunato – afortunado), se produce una constante antítesis entre ellos, mientras Montressor va con máscara negra y atuendo de caballero, Fortunato está vestido a la usanza de la locura del carnaval como un bufón. Mientras el primero está completamente sobrio, el segundo está totalmente ebrio.

"El barril del amontillado" es un cuento maestro del género de suspense. No se puede ser más moderno en 1846. Tampoco puede generarse tanto dramatismo con tan pocos recursos, con elementos tan ligeros. "El barril de amontillado" es uno de los relatos de la etapa final en la vida de Poe, escrito sólo poco tiempo antes del inicio de su declive definitivo, marcado por la muerte de su mujer, Virginia Clemm, en enero de 1847.

This is a story from the Fall of the House of Usher collection. The horrors of the Spanish Inquisition, with its dungeon of death, and the overhanging gloom on the House of Usher demonstrate unforgettably the unique imagination of Edgar Allan Poe. Unerringly, he touches upon some of our greatest nightmares: Premature burial, ghostly transformation, words from beyond the grave. Written in the 1840s, they have retained their power to shock and frighten even now.

This is a story from the Fall of the House of Usher collection. The horrors of the Spanish Inquisition, with its dungeon of death, and the overhanging gloom on the House of Usher demonstrate unforgettably the unique imagination of Edgar Allan Poe. Unerringly, he touches upon some of our greatest nightmares: Premature burial, ghostly transformation, words from beyond the grave. Written in the 1840s, they have retained their power to shock and frighten even now.

This is a story from the Fall of the House of Usher collection. The horrors of the Spanish Inquisition, with its dungeon of death, and the overhanging gloom on the House of Usher demonstrate unforgettably the unique imagination of Edgar Allan Poe. Unerringly, he touches upon some of our greatest nightmares: Premature burial, ghostly transformation, words from beyond the grave. Written in the 1840s, they have retained their power to shock and frighten even now.

It's midnight. Turn out the lights, cuddle with your true love, and shiver to fright-meisters Edgar Allan Poe, Robert Louis Stevenson, and H. P. Lovecraft. Quicken your pulse with the elegant terror of Henry James, Edith Wharton, and Guy de Maupassant. Chortle at the black glee of H. H. Munro and Ambrose Bierce.

One Voice Recordings presents amazingly versatile voice actor David Ian Davies performing 10 of Edgar Allan Poe's most famous short stories: "The Cask of Amontillado", "The Sphinx", "The Descent into the Maelstrom", "Hop-Frog", "The Man of the Crowd", "Some Words With a Mummy", "The Murders in the Rue Morgue", "The System of Doctor Tarr and Professor Fether", "Shadow: A Parable", and "Silence: A Fable".