Showing results for "The Boat House" in Literature & Fiction

A dark secret. A deadly obsession. No place to hide. Max Hunter, my boyfriend, booked the beautiful boat house on the Norfolk Broads as a surprise autumn break. A week away to heal after a fraught few months following my father’s death. A chance to put the lies and secrets behind us and to start afresh. But in the silence it feels like someone is out there. Watching, waiting and taunting me.

As a kid, Nina O'Brien spent all her summers at her grandparents' cabin by the beach at Stepping Stone Bay. Long, sunny days full of fun and laughter with her best friends, Leo, the boy from the boatyard next door, his older brother, Adrian, and local girl Maeve - and, as Nina grew older, the magic of falling in love with Leo. But one summer night changed everything, and those glorious days came to an abrupt end for them all.

One of Jon Fosse’s most acclaimed novels, Boathouse is told from the perspective of an unnamed narrator leading a largely hermit-like existence until he unexpectedly encounters a long-lost childhood friend and his wife. Told partially in a stream-of-consciousness style and with an atmosphere reminiscent of a gripping crime novel, Boathouse slowly unravels the story of a love triangle leading to jealousy, betrayal, and eventually death.

Emily Winters would do anything for her best friend Josie. Every week they meet for a catch-up at the Old Boathouse - an idyllic little café by the Thames where Josie’s boyfriend Jack works. As the summer draws on, life seems perfect. Emily’s writing career is taking off and she’s throwing herself into the dating scene. There’s just one problem: she compares all the men she meets to Jack. And none of them measure up.

In 2004, boldly original poet Lisa Robertson published a chapbook, Rousseau’s Boat, poems culled from years of notebooks that are, nevertheless, by no means autobiographical. In 2010, she expanded the work into a full-length book, R’s Boat. During the pandemic, she was drawn back into decades of journals to shape Boat. These poems bring fresh vehemence to Robertson’s ongoing examination of the changing shape of feminism, the male-dominated philosophical tradition, the daily forms of discourse, and the possibilities of language itself.

The quiet that hung over the moss-ridden water was almost disturbing in its deafening silence. The purpose of this trip had been to escape the stress-filled, hectic city life, but Sam didn't feel any less stressed sitting on the deck of the boathouse overlooking the murky depths below as the sun lingered halfway up in the sky.

New York, 2005. Chinese expatriate Feng Danlin is a fiercely principled reporter at a small news agency that produces a website read by the Chinese diaspora around the world. Danlin's explosive exposés have made him legendary among readers - and feared by Communist officials. But his newest assignment may be his undoing: investigating his ex-wife, Yan Haili, an unscrupulous novelist who has willingly become a pawn of the Chinese government in order to realize her dreams of literary stardom.

When Kate Campbell is forced to return to Sea Point, the small town full of quirky locals, quaint bungalows, and beautiful beaches where she grew up. She knows she won’t be home for long; she’s got every intention (and a three-point plan) to win back everything she thinks she’s lost. Meanwhile, Miles Hoffman - aka “The Prince of Sea Point” - has also returned home to prove to his mother that he’s capable of taking over the family business, and he’s promised to help his childhood best friend, Ziggy Miller, with his own financial struggles at the same time.

This is the story of Jeremy, a teenaged boy who loses both his parents in a tragic car wreck. His attorney has found an estranged uncle who has agreed to take Jeremy in. Uncle Bud is a science fiction writer who lives on a houseboat on Lake Cumberland in Kentucky. While Jeremy and his Uncle Bud gradually learn to get along, Jeremy finds love but must deal with loss again. Jeremy becomes a reluctant hero and faces twists and turns in his relationship with Uncle Bud.

It’s the 1970s, and the “houseboat wars” erupt in Sausalito on the site of Marinship, the abandoned World War II shipyard. Hippies and squatters are living free and easy on houseboats in a ramshackle shantytown, and greedy developers are determined to evict them and build new docks to attract affluent residents.

Patty is on the way to a relaxing summer vacation, when it turns into the fight of her life. Kids off to college and a summer trip left her alone to do whatever she wanted to or the summer. Little did she know she would be in the middle of a kidnapping and saving other women’s lives.

From the beloved New York Times best-selling Luanne Rice comes a heartwarming yet heart-wrenching portrait of three far-flung sisters who come home to Martha's Vineyard one last time. Their mother's beach house is the only place any of them ever found true happiness and they need to begin the difficult process of letting go. Memories of their grandmother, mother, and their Irish father, who sailed away the year Dar turned 12, rise up and expose the fine cracks in their family myth.

After her husband’s unexpected death at the age of 36, Gina Melrose becomes a “live-aboard” on his boat, docked at a marina in coastal South Carolina, near the home she and Ben once shared. In this temporary, borrowed existence on the water, she settles into numb survival. But Gina finds her life taking yet another dramatic turn late one night when a woman named Reese disrupts her quiet world.

Orson Welles both starred in and directed The Campbell Playhouse, a radio drama (1938-40) produced by Welles and John Houseman. The episodes include adaptions of classic novels and plays, as well as radio versions of the era's popular films.