Showing results for "The Art of War" in Artists, Architects & Photographers

In January 1939, Pablo Picasso was renowned in Europe but disdained by many in the United States. One year later, Americans across the country were clamoring to see his art. How did the controversial leader of the Paris avant-garde break through to the heart of American culture? The answer begins a generation earlier, when a renegade Irish American lawyer named John Quinn set out to build the greatest collection of Picassos in existence. His dream of a museum to house them died with him, until it was rediscovered by Alfred H. Barr, Jr.

Capturing history was Jonathan Alpeyrie's job, but he never expected to become a news story himself. For a decade, the French-American photojournalist weaved in and out of over a dozen conflict zones. But, during his third assignment to Syria, Alpeyrie was betrayed by his fixer and handed over to a band of Syrian rebels. For 81 days, he was bound, blindfolded, and beaten. Over the course of his captivity, Alpeyrie kept his spirits up and strived to see, without his camera lenses, the humanity in his captors.

War photographer Lynsey Addario’s memoir It’s What I Do is the story of how the relentless pursuit of truth, in virtually every major theater of war in the twenty-first century, has shaped her life. What she does, with clarity, beauty, and candor, is to document, often in their most extreme moments, the complex lives of others. It’s her work, but it’s much more than that: it’s her singular calling.

We've heard the name "Condoleezza Rice" over and over again as the spokesperson for President George W. Bush in matters of national security and foreign affairs. She presented a balanced, firm, unafraid presence to the country after the terrible events of September 11, 2001, as she spoke to the media and the public on behalf of the President. And, when the President has something to say about our friends and foes overseas, "Condi," as she is known to her friends, is usually standing in the background.

A unique joint memoir by a US marine and a conflict photographer whose unlikely friendship helped both heal their war-wounded bodies and souls.

Tom Karen is the Vimp, an Aircruiser and a Water Line Ship; he's a 'Big Fat Peace Bomb', a Bond Bug and the Marble Run; he's the Chopper bike and the 'man that designed the 1970s'; he's every one of his thousands of sketches contained in London's Victoria & Albert Museum - each a testament to a lifetime of artistry and creativity. He's also a living embodiment of a life immersed in inventiveness, imagination and thought.

Роберт Капа - один из величайших фотографов мира, оставивший после себя тысячи потрясающих снимков, которые до сих пор изучают студенты фотографии.

Harry Truman and Pablo Picasso were contemporaries and were both shaped by and shapers of the great events of the twentieth century—the man who painted Guernica and the man who authorized the use of atomic bombs against civilians. But in most ways, they couldn’t have been more different. Picasso was a communist, and probably the only thing Truman hated more than communists was modern art. Picasso was an indifferent father, a womanizer, and a millionaire. Truman was utterly devoted to his family. How did they come to be shaking hands in front of Picasso’s studio in the south of France?

Walter Frentz var en af Hitlers topfotografer, og han kommer til Danmark sommeren 1943 efter ordre fra Føreren. Hans opgave er at dokumentere, hvor langt tyskerne er nået med den såkaldte Atlantvold langs den jyske vestkyst. Men i takt med, at Walter Frentz rejser rundt i et postkortskønt Danmark, bliver Atlantvolden mindre vigtig. For fotografen havner i en af de mest skelsættende måneder i den danske besættelseshistorie.

Remington’s name remains recognizable today, and his work continues to impress viewers more than a century after he was active. From the bronze statuettes of anonymous Western heroes in crisis to large-scale actions set against vast backdrops, his works found their form through mythology and by "merging his experiences and memories." Both commercially and nostalgia-driven, the dualistic personality of Frederic Remington as a person is at times a problem for modern sensibilities.

Many of the first artists in the West were assigned to exploration and geological parties, working as archivists and obedient to demands of cold accuracy. However, a few were driven by an imaginative mix of real events and fantastical visions to whet the appetite of Eastern consumers and preserve their own nostalgia on canvas. Among the most prominent artists depicting the "old" West was Charles Marion Russell, a prolific painter, sculptor, writer, and storyteller based in the heart of the Montana country.