Showing results for "Sex" in Writing & Publishing

In this revealing compendium, acclaimed writer Diana Gabaldon shares her invaluable lessons for creating an immersive reading experience, from evoking a mood to using the power of emotions to communicate physical intimacy. You'll learn the difference between gratuitous sex and genuine encounters that move the story forward and how to handle less-than-savory acts that nevertheless serve a narrative purpose. Gabaldon also notes that sex can be conveyed instead of described.

Susie Bright is the first and reigning queen of contemporary erotica. In How to Write a Dirty Story she reveals her tricks of the trade and shows you how to heat up sex scenes in everything from traditional novels and romances to science fiction and humor. Easing the aspiring writer into the creative process, she tells you how to write the steamy plots and sensual characters that publishers and readers (and listeners) are looking for.

"Questions are posed," writes Norman Mailer, "in the hope they will open into richer insights, which in turn will bring forth sharper questions." In this series of conversations, John Buffalo Mailer, 27, poses a series of questions to his father, challenging the reflections and insights of the man who has dominated and defined much of American letters for the past sixty years.

This first volume of Best Sex Writing of the Year features a number of significant bloggers and some of the most important stories of the past two years. Alexandria Goddard is the blogger who made the important connections in the historic Steubenville Rape Case; Epiphora is the most renowned and saucy sex toy reviewer who has legions of dedicated followers; Lux Alptraum has recently sold the wildly successful Fleshbot and taken an editorial position at Nerve.

What makes a book sexy? I’m not talking about erotica per se, but what is the difference between a book you eagerly devour and a book you slum your way through? While there are individual exceptions, the most objective difference between a good story and a downright terrible one is simple—it all comes down to the writing. It’s either good writing, and we can forgive the technical flaws a little more easily, or it’s bad writing, and bad writing is just bad. Good writing is more than just good writing. Good writing is sexy.

Men and women think, talk, and act differently - which causes problems for writers who are trying to create characters of the opposite sex. When we understand the difference between masculine and feminine qualities and habits, we can use those behaviors and patterns to create characters who are plausible and unique, but not stereotypical. Writing between the Sexes will help you to identify your own gender-specific behaviors, notice those of the opposite sex, and use both to make your characters believable.

The Best Sex Writing series has fundamentally changed the way people think - and what they say - about sexuality. Once again, Rachel Kramer Bussel has collected the year’s most challenging and provocative nonfiction articles on this endlessly evocative subject. The essays here comprise a detailed, direct survey of the contemporary American sexual landscape. Major commentators examine the many roles sex plays in our lives in these literate and lively essays.