Showing results for "Proof" in Traditional Detectives

London, summer 1920. An unidentified body appears to have been run down by a motorcar and Ian Rutledge is leading the investigation to uncover what happened. While the signs point to murder, vital questions remain: Who is the victim? And where, exactly, was he killed? One small clue leads Rutledge to a firm built by two families, famous for producing and selling the world's best Madeira wine. Lewis French, the current head of the English enterprise, is missing. But is he the dead man? And does either his fiancée or his jilted former lover have anything to do with his disappearance - or possible death?

These aren’t typical Sherlockian pastiches - the listener won’t find new investigations in the traditional manner. Rather, these stories take the inconsistencies and contradictions to be found in those original 12 canonical adventures and pull them apart, twist them, double back on them, and construct them into something that’s sly and new and thoroughly thought-provoking. These efforts are dense with material and are filled with Easter Eggs for the perceptive Sherlockian. The author’s subtle sense of humor and affection for Holmes and Watson peeks through at every turn.

When a man is found in the middle of Alfreton Road in the early hours of a Sunday morning, stark naked and bleeding heavily from a chest wound, he is the latest victim in a series of vicious attacks on men. But enquiries in the mean streets of Nottingham's red-light district have brought the investigations to a dead end. But Charlie Resnick is the man for the job.

William Conrad plays a detective named Conrad. The country’s largest news magazine wrote him up under crime described as massive, soft spoken, and methodical. Howard Martine was all of these and more. He was a man who believed in a planned existence whether it was business, matrimony, or murder. Howard Martine never took chances....