Showing results for "Politics and the English Language" in Literature & Fiction

Within this essay, Orwell criticises the 'ugly and inaccurate' written English of his time and examines the connection between political orthodoxies and the debasement of language. The essay focuses on political language, which, according to Orwell, 'is designed to make lies sound truthful and murder respectable, and to give an appearance of solidity to pure wind'. Bad English, he believed, was a vehicle for oppressive ideology.

Biographer Michael Shelden called Orwell’s Politics and the English Language “his most important essay on style”. First published in 1946, the essay exploded the language trends of the time and served as an inflection point in the debate about communication in the 20th century. This collection of essays published 1946-48 provides a comprehensive critique of the status of politics and speech in the mid-century.

With a language disappearing every two weeks and neologisms springing up almost daily, an understanding of the origins and currency of language has never seemed more relevant. In this charming volume, a narrative history written explicitly for a young audience, expert linguist David Crystal proves why the story of language deserves retelling. From the first words of an infant to the peculiar modern dialect of text messaging, A Little Book of Language ranges widely, revealing language's myriad intricacies and quirks.

The history of a language is the history of the people who speak it, those who read and write it, and those who come into contact with it. Now, this series invites you to explore your heritage from an unconventional angle: through the origin and development of the English language. Leading your expedition is Christopher R. Fee, an award-winning professor and medievalist whose expertise spans Old English, Old Norse, and historical linguistics. With flair and gusto, he draws from this well of knowledge to help you trace the evolution of English across a fascinating range of cultures.

When a handsome young man begins to court Catherine Sloper, she feels she is very lucky. She is a quiet, gentle girl, but neither beautiful nor clever; no one had ever admired her before, or come to the front parlour of her home in Washington Square to whisper soft words of love to her. But in New York in the 1840s young ladies are not free to marry where they please. Catherine must have her father’s permission, and Dr Sloper is a rich man.

All they could hear was the wind, and the waves crashing on to the rocks. All they could see was the night. They could not see the ship, broken in two. They could not see the people holding on to the dark wet rock, slowly dying of cold. And they could not hear the cries for help - only the wind. How could they save the people on the rock? Was their wooden boat stronger than the iron ship?

All effective debaters, whether they know it or not, employ Aristotle's 3 basic principles of effective argument that form the spine of Rhetoric. In Poetics, Aristotle draws a dramatic distinction between poetry and history. This collection also includes Aristotle's body of work that has come to be identified as Logic.

Do you worry that you've lost patience for anything longer than a tweet? If so, you're not alone. Digital-age pundits warn that as our appetite for books dwindles, so too do the virtues in which printed, bound objects once trained us: the willpower to focus on a sustained argument, the curiosity to look beyond the day's news, the willingness to be alone. The shelves of the world's great libraries, though, tell a more complicated story. Examining the wear and tear on the books that they contain, English professor Leah Price finds scant evidence that a golden age of reading ever existed.

Soon I felt something alive moving along my leg and up my body to my face, and when I looked down, I saw a very small human being, only 15 centimetres tall . . . I was so surprised that I gave a great shout. ’But that is only the first of many surprises which Gulliver has on his travels. He visits a land of giants and a flying island, meets ghosts from the past and horses which talk. An Oxford Bookworms Library reader for learners of English, adapted from the Jonathan Swift original by Clare West.

Narrative Structures and the Language of the Self by Matthew Clark offers a new way of thinking about the interrelation of character and plot. Clark investigates the characters brought together in a narrative, considering them not as random collections but as structured sets that correspond to various manifestations of the self. The shape and structure of these sets can be thought of as narrative geometry, and various geometries imply various theories of the self.

"Anything can be literature, and anything which is regarded as unalterably and unquestionably literature - Shakespeare, for example - can cease to be literature". These are the words of Terry Eagleton, the working-class Irish Marxist critic of English literature who believes that all literary theory is political. Not only is his observation quite banal, but it does not qualify as literary criticism. It is journalistic writing, and its validity depends merely upon our definition of literature. Perhaps his definition is so generic as to encompass any random piece of published writing.

When Black Beauty is trained to carry a rider on his back, or to pull a carriage behind him, he finds it hard at first. But he is lucky - his first home is a good one, where his owners are kind people, who would never be cruel to a horse. But in the 19th century many people were cruel to their horses, whipping them and beating them, and using them like machines until they dropped dead. Black Beauty soon finds this out, and as he describes his life, he has many terrible stories to tell.

Dartmoor. A wild, wet place in the south-west of England. A place where it is easy to get lost, and to fall into the soft green earth which can pull the strongest man down to his death. A man is running for his life. Behind him comes an enormous dog - a dog from his worst dreams, a dog from hell. Between him and a terrible death stands only one person - the greatest detective of all time, Sherlock Holmes.

"When we are happy, we are always good," says Lord Henry, "but when we are good, we are not always happy." Lord Henry’s lazy, clever words lead the young Dorian Gray into a world where it is better to be beautiful than to be good; a world where anything can be forgiven - even murder - if it can make people laugh at a dinner party. Oxford Bookworms Library reader for learners of English, adapted from the Oscar Wilde original by Jill Nevile.

William Shakespeare. Born April 1564, at Stratford-upon-Avon. Died April 1616. Married Anne Hathaway: two daughters, one son. Actor, poet, famous playwright. Wrote nearly forty plays. But what was he like as a man? What did he think about when he rode into London for the first time... or when he was writing his plays Hamlet and Romeo and Juliet... or when his only son died? We know the facts of his life, but we can only guess at his hopes, his fears, his dreams.

After 40 years of making a living using words in every medium, print or electronic, Roy Blount Jr. still can't get over his ABCs. In Alphabet Juice, he celebrates the juju, the sonic and kinetic energies of letters and their combinations. Blount does not prescribe proper English. The franchise he claims is "over the counter" and concentrates more on questions such as these: Did you know that both mammal and matter derive from baby talk? Have you noticed how wince makes you wince?

Scarlet is the colour of sin, and the letter ’A’ stands for ’Adultery’. In the 1600s, in Boston, Massachusetts, love was allowed only between a husband and a wife. A child born outside marriage was a child of sin. Hester Prynne must wear the scarlet letter on her dress for the rest of her life. How can she ever escape from this public shame? What will happen to her child, growing up in the shadow of the scarlet letter? The future holds no joy for Hester Prynne.

"We must leave for Zenda at once, to find the King!" cried Sapt. "If we’re caught, we’ll all be killed!" So Rudolf Rassendyll and Sapt gallop through the night to find the King of Ruritania. But the King is now a prisoner in the Castle of Zenda. Who will rescue him from his enemies, the dangerous Duke Michael and Rupert of Hentzau? And who will win the heart of the beautiful Princess Flavia? An Oxford Bookworms Library reader for learners of English, adapted from the Anthony Hope original by Diane Mowat.

In a hole under the floorboards Silas Marner the linen-weaver keeps his gold. Every day he works hard at his weaving, and every night he takes the gold out and holds the bright coins lovingly, feeling them and counting them again and again. The villagers are afraid of him and he has no family, no friends. Only the gold is his friend, his delight, his reason for living. But what if a thief should come in the night and take his gold away?

All he wanted to do was to marry the woman he loved. But his country said ’No!’ He was Edward VIII, King of Great Britain, King of India, King of Australia, and king of 39 other countries. And he loved the wrong woman. She was beautiful and she loved him - but she was already married to another man. It was a love story that shook the world. The king had to choose: to be king, or to have love... and leave his country, never to return.