Showing results for "Pleasure" in Gender Studies

How do we make social justice the most pleasurable human experience? How can we awaken within ourselves desires that make it impossible to settle for anything less than a fulfilling life? Author and editor Adrienne Maree Brown finds the answer in something she calls “pleasure activism,” a politics of healing and happiness that explodes the dour myth that changing the world is just another form of work. Drawing on the black feminist tradition, she challenges us to rethink the ground rules of activism.

At the heart of this history is the female body. The century-span between the crinoline and the bikini witnessed more mutations in the ideal western woman's body shape than at any other period. In this richly detailed account, Virginia Nicholson takes us to the Frontline of Beauty to reveal the power, the pain and the pleasure involved in adorning the female body. Encompassing two world wars and a revolution in women's rights, All the Rage tells the story of western female beauty from 1860 to 1960.

More Orgasms Please is an open, honest and at moments hilarious dive into all aspects of sex for women. It covers feminist porn, body image, menopause and much more. Like the podcast that inspired it, More Orgasms Please is like the best sort of chat between friends: punchy and playful, normalising and educating. It is an eye-opening listen that puts women’s bodies and our right to pleasure firmly on the map. Think of it as ‘Couch to 5k’...for orgasms.

"Was macht eigentlich das Unterschichtskind auf dem Roten Teppich?", fragt eine Besucherin auf dem Münchner Filmfest in meine Richtung. Ja, was macht sie da? Sie ist auf einer Mission. Die Tussi suggeriert durch ihre Erscheinung ein grenzüberschreitendes Begehren. Es geht um Kitsch, Glamour, Trash, es geht um Camp. Es geht um Körper, Identitäten. Es geht um Strass, um Klasse und um künstliche Fingernägel. Pleasure ist eine atemberaubend eloquente Tour de Force durch die Luxus-Triade Schlaf (meterlange Hotelbett-Laken!), Nahrung (Schlemmermaus!) und Kleidung (Dior, aber fake!).

In The Pleasure Gap, Katherine Rowland rejects the idea that women should settle for diminished pleasure; instead, she argues women should take inequality in the bedroom as seriously as we take it in the workplace and understand its causes and effects. Drawing on extensive research and interviews with more than 100 women and dozens of sexual health professionals, Rowland shows that the pleasure gap is neither medical malady nor psychological condition but rather a result of our culture's troubled relationship with women's sexual expression.

In her remarkable literary debut, Taylor (AKA Self Esteem) will explore the devolution of a woman. As Self Esteem, Rebecca Taylor has given voice to the feelings of insecurity and misogyny-induced frustration whilst emboldening a whole new audience with powerful, truth-telling lyricism. Her latest album 'Prioritise Pleasure' was voted the Guardian's top album of 2021. She has written the music for Prima Facie, Jodie Comer's theatre debut and music for Dolly Alderton's TV Adaptation for the BBC of Everything I Know About Love.

Proud Flesh chronicles how birth and postpartum helped heal Gray from trauma, thrive in her marriage, and find surprise in the joy of her body. Told in two parallel narratives, Gray weaves her postpartum healing journey with the story of her young womanhood, sharing the arc of an abusive relationship and the healthy love she built in its aftermath.

Sugar substitutes have been a part of American life since saccharin was introduced at the 1893 World's Fair. In Empty Pleasures, the first history of artificial sweeteners in America, Carolyn de la Pena blends popular culture with business and women's history, examining the invention, production, marketing, regulation, and consumption of sugar substitutes such as saccharin, Sucaryl, NutraSweet, and Splenda.