Showing results for "Noir" in Magical Realism

Chicago, 1954. When his father, Montrose, goes missing, 22-year-old army veteran Atticus Turner embarks on a road trip to New England to find him, accompanied by his uncle George - publisher of The Safe Negro Travel Guide - and his childhood friend Letitia. On their journey to the manor of Mr. Braithwhite - heir to the estate that owned one of Atticus’ ancestors - they encounter both mundane terrors of white America and malevolent spirits that seem straight out of the weird tales George devours.

Although the Green Dolphin is a bar of ill repute, it is there that Tancred Palmieri, a thief with elegant and erudite tastes, meets Willow Azarian, an aging heroin addict. She reveals to Tancred that her very wealthy father has recently passed away, leaving each of his five children a mysterious object that provides one clue to the whereabouts of a large inheritance. Willow enlists Tancred to steal these objects from her siblings and solve the puzzle.

Most of the things Pillow really liked to do were obviously morally wrong. He wasn't an idiot; clearly it was wrong to punch people in the face for money. But there had been an art to it, and it had been thrilling and thoughtful for him. The zoo was also evil, a jail for animals who'd committed no crimes, but he just loved it. The way Pillow figured it, love wasn't about goodness, it wasn't about being right, loving the very best person, having the most ethical fun. Love was about being alone and making some decisions.

Dans un village des Caraïbes, la légende d'un trésor disparu vient bouleverser l'existence de la famille Otero. À la recherche du butin du capitaine Henry Morgan, dont le navire aurait échoué dans les environs trois cents ans plus tôt, les explorateurs se succèdent. Tous, dont l'ambitieux Severo Bracamonte, vont croiser le chemin de Serena Otero, l'héritière de la plantation de cannes à sucre qui rêve à d'autres horizons.

Being a teen witch is no sitcom with canned laugh tracks. It's especially hard when your crush's family is old school burn the witches at the stake type. Leah decides not to mention her membership in the black hat society if it will score her points with Dylan. If only life was that easy. Best friend Stella pulls her in to a tolerance project that tests Leah's beliefs by sending her hurtling through time where people really do burn witches. If that isn't enough, everyone back in times old and smelly recognize her as the local mean girl.

Pace's voyage is outward, among strangers, and inward into the fifth direction that is the up-down, in a sweeping, voracious human tale that takes no prisoners, witnesses extreme brutalities and expresses a childlike amazement. Here the route goes from New Orleans, to Chicago to Wyoming to Bay St. Clement, North Carolina, but the geography he is charting is always first and foremost unchartable.

Aaron Poochigian’s Mr. Either/Or is an ingenious debut, a verse novel melding American mythology, noir thriller, and classical epic into gritty rhythms, foreboding overtones, and groovy jams surrounding the listener in a surreal atmosphere. Imagine Byron’s Don Juan on a high-stakes romp through a Raymond Chandler novel. Think Hamlet in Manhattan with a license to kill.