Showing results for "Moby Dick" in World Literature

"Call me Ishmael." Thus starts the greatest American novel. Melville said himself that he wanted to write "a mighty book about a mighty theme" and so he did. It is a story of one man's obsessive revenge-journey against the white whale, Moby-Dick, who injured him in an earlier meeting. Woven into the story of the last journey of The Pequod is a mesh of philosophy, rumination, religion, history, and a mass of information about whaling through the ages.

American writers have long sought to compose "the great American novel", or "America's epic", Mark Twain's Huckleberry Finn and F. Scott Fitzgerald's The Great Gatsby have been advanced as plausible contenders for the title, but no work can mount a more substantial claim than Herman Melville's Moby Dick, or The Whale.

The New York Times best-selling author of seagoing epics now celebrates an American classic.Moby-Dick is perhaps the greatest of the Great American Novels, yet its length and esoteric subject matter create an aura of difficulty that too often keeps readers at bay. Fortunately, one unabashed fan wants passionately to give Melville's masterpiece the broad contemporary audience it deserves.

Ismael, un joven con experiencia en la marina mercante, decide que su siguiente viaje será en un ballenero. El joven entabla amistad con el arponero Queequeg, con quien se enrola en el Pequod, dirigido por el misterioso y autoritario capitán Ahab, un viejo lobo de mar con una pierna construida con la mandíbula de un cachalote.

Herman Melville's epic tale of obsession has all the ingredients of a first rate drama - fascinating characters in solitude and society, battles between good and evil, a thrilling chase to the death - and yet its allusions, digressions, and sheer scope can prove daunting to even the most intrepid listener. George Cotkin's Dive Deeper provides both a guide to the novel and a record of its dazzling cultural train. It supplies easy-to-follow plot points for each of the novel's 135 sections before taking up a salient phrase, image, or idea in each for further exploration.

A decade and a half before surprising the world with a book of Civil War poetry, Herman Melville was already confident of what was “poetic” in his prose. As Hershel Parker demonstrates in this book, Melville was steeped in poetry long before he called himself a poet. Here Parker, the dean of Melville studies, gives a compelling, in-depth account of how one of America’s greatest writers grew into the vocation of a poet.