Showing results for "Me" in Gender Studies

June 1987: Diane Abbott makes history as the first elected Black female MP in the UK. Since then, she has survived more than three decades in parliament, campaigning tirelessly for a better future for Britain, from increasing access to education through the Black Child Initiative, to consistently voting in favour of higher disability benefits. With her trademark frankness and humour, her memoir, A Woman Like Me, will celebrate an extraordinary life and encourage a new generation to surpass expectations, just as she has done.

Based on seven years of ground-breaking research and hundreds of interviews, I Thought It Was Just Me shines a long-overdue light on an important truth: Our imperfections are what connect us to each other and to our humanity. Our vulnerabilities are not weaknesses; they are powerful reminders to keep our hearts and minds open to the reality that we're all in this together.

This is a manifesto for the 99 percent. Unaffordable housing, poverty wages, inadequate healthcare, border policing, climate change - these are not what you ordinarily hear feminists talking about. But aren't they the biggest issues for the vast majority of women around the globe? This manifesto makes a simple but powerful case: feminism shouldn't start, or stop, with the drive to have women represented at the top of their professions. It must focus on those at the bottom and fight for the world they deserve. Feminism must be anti-capitalist, eco-socialist, and anti-racist.

Others Like Me is the story of fourteen women around the world, from different walks of life, who don't have children. It's also the story of why Nicole Louie had to find them and what they taught her. Part memoir, part exploration of childlessness through candid conversations, this book showcases the many ways in which people find fulfilment outside of parenthood.

Rebecca Solnit's essay 'Men Explain Things to Me' has become a touchstone of the feminist movement, inspired the term 'mansplaining', and established Solnit as one of the leading feminist thinkers of our time - one who has inspired everyone from radical activists to Beyonce Knowles. Collected here in print for the first time is the essay itself, along with the best of Solnit's feminist writings.

Brown Girl Like Me is an inspiring memoir and empowering manifesto that equips women with the confidence and tools they need to navigate the difficulties that come with an intersectional identity. Jaspreet Kaur unpacks key issues such as the media, the workplace, the home, education, mental health, culture, confidence and the body, to help South Asian women understand and tackle the issues that affect them and help them be in the driving seat of their own lives.

Sophie Passmann hat mit "Pick me Girls" nicht nur ihr persönlichstes Buch geschrieben, sondern auch eine kluge Auseinandersetzung mit dem männlichen Blick. Ihr Memoir zeichnet ein stellvertretendes Frauenleben nach und wirft die Frage auf: Welche Version von ihr selbst hätte Sophie Passmann sein können, wenn das Patriarchat nicht existieren würde? Warum wir alle "pick me girls" sind und welche Unmöglichkeiten Sophie Passmann und höchstwahrscheinlich auch jede andere Frau im Laufe ihres Lebens ertragen muss, das seziert Sophie Passmann so scharf und klug wie keine andere.

This deeply personal and illuminating memoir about her 15-year struggle with heroin, Khar sheds profound light on the opioid crisis and gives a voice to the over two million people in America currently battling with this addiction. Growing up in LA, Erin Khar hid behind a picture-perfect childhood filled with excellent grades, a popular group of friends and horseback riding. After first experimenting with her grandmother’s expired painkillers, Khar started using heroin when she was thirteen.

Longtime feminist activist and writer Lynne Segal searches for hope in her own life and in the world around her, and finds it in our intimate commitments to each other and our shared collective engagements, the two being intertwined. Issues of care, intimacy, education, alongside meaningful work, and social engagement, lie at the core of our ability to understand the world and its possibilities for human flourishing. Segal looks at our shared lifelong dependence on care and the well-being of others.

In the fall of 2010, Abby Norman's strong dancer's body dropped 40 pounds, and gray hairs began to sprout from her temples. She was repeatedly hospitalized in excruciating pain, but the doctors insisted it was a urinary tract infection and sent her home with antibiotics.

As she closes the door on her stunningly successful television show, Rosie O' Donnell opens her heart to share the amazing experience that changed her life forever. "An enormously powerful story," says Publishers Weekly, "about how forces strong enough to shatter one person can make another shine like a diamond."

In Family Abolition, author M. E. O'Brien uncovers the history of struggles to create radical alternatives to the private family. O'Brien traces the changing family politics of racial capitalism in the industrial cities of Europe and the slave plantations and settler frontier of North America, explaining the rise and fall of the housewife-based family form.

The message of Created for Connection is simple: Forget about learning how to argue better, analyzing your early childhood, or making grand romantic gestures. Instead, get to the emotional underpinnings of your relationship by recognizing that you are attached to and dependent on your partner in much the same way that a child is on a parent and we are on the Heavenly Father for nurturing, soothing, and protection.

The Me Too movement, started by Black feminist Tarana Burke in 2006, went viral as a hashtag 11 years later after a tweet by White actor Alyssa Milano. Mainstream movements like #MeToo have often built on and coopted the work of women of color, while refusing to learn from them or center their concerns. Far too often, the message is not "Me, Too" but "Me, Not You". Me, Not You argues that the mainstream movement against sexual violence expresses a political whiteness that both reflects its demographics and limits its revolutionary potential.

Whatever became of the youth of the 60s, the turbulent era of sex, drugs and rock & roll? Kid Me Not, a new collection of intimate stories by women from the first generation ever to have access to The Pill, offers a unique perspective on the decade before Roe v. Wade, when free love wasn't always free. As the women's movement spread, these women faced a future of extraordinary possibilities possibilities seen by today's youth as commonplace.

In Believe Me, contributors ask and answer the crucial question: What would happen if we didn't just believe women, but acted as though they matter? If we take women's experiences of online harassment seriously, it will transform the internet. If we listen to and center survivors, we could revolutionize our systems of justice. If we believe Black women when they talk about pain, we will save countless lives.

Let Me Be Frank illuminates with a wry warmth the incredible stories of a diverse group of women from different ethnicities and cultural backgrounds who have defied the patriarchy, refusing to allow men or the status quo to define their lives or break their spirit. An often sardonic and thoroughly impassioned homage to female ingenuity and tenacity, the women profiled in this inspiring anthology broke the rules to reach their goals and refused to take “no” for an answer.

For too long, women have been told that we are terrible at being friends, that we can't help being cruel or competitive, or that we inevitably abandon each other for romantic partners. But we are rejecting those stereotypes and reclaiming the power of female friendship. In Text Me When You Get Home, journalist Kayleen Schaefer interviews more than 100 women about their BFFs, soul mates, girl gangs, and queens while tracing this cultural shift through the lens of pop culture.

This program is read by the author. Blythe Roberson’s sharp observational humor is met by her openhearted willingness to revel in the ugliest warts and shimmering highs of choosing to live our lives amongst other humans. She collects her crushes like ill-cared-for pets, skewers her own suspect decisions, and assures listeners that any date you can mess up, she can top tenfold. And really, was that date even a date in the first place?

It is clear that the author is madly in love, not only with her partner for whom she writes both idiosyncratic and sultry poems, but in love with language, in love with queerness, in love with the therapeutic process of bankrupting the politics of shame. These poems tackle gun violence, toxic masculinity, LGBTQ* struggles, suicidality, and the oppression of women’s bodies, while maintaining a vivid wildness that the tongue aches to speak aloud.