Showing results for "Me" in Black & African American

Muhammad Ali, never afraid to express himself loudly and boldly, stays true to form in Ali in Me, an eight-part audio series that explores his life and legacy, guided by his own words through never-before-heard audio recordings. Hosted by Muhammad’s widow, Lonnie Ali, and his close friend, award-winning broadcaster John Ramsey, Ali in Me goes beyond the boxing ring to delve deeply into the extraordinary life and lasting contributions The Champ made to individuals around the world.

I forget things too. It makes me sad. Or it makes me the saddest. The sadness is not really about George W. or our American optimism; the sadness lives in the recognition that a life can not matter. The award-winning poet Claudia Rankine, well known for her experimental multigenre writing, fuses the lyric and the essay in this politically and morally fierce examination of solitude in the rapacious and media-driven assault on selfhood that is contemporary America.

Writer John Howard Griffin (1920-1980) decided to perform an experiment in order to learn from the inside out how one race could withstand the second class citizenship imposed on it by another race. Through medication, he dyed his skin dark and left his family and home in Texas to find out.

"The Year of Birmingham", 1963, was a cataclysmic turning point in America's long civil rights struggle. Child demonstrators faced down police dogs and fire hoses in huge nonviolent marches against segregation. Ku Klux Klansmen retaliated by bombing the Sixteenth Street Baptist Church, killing four young Black girls. Diane McWhorter, daughter of a prominent Birmingham family, weaves together police and FBI records, archival documents, interviews with Black activists and Klansmen, and personal memories into an extraordinary narrative....

Can’t Nothing Bring Me Down is the memoir of 104-year-old world-record-holding runner Ida Keeling. Miss Ida, as she’s known throughout her Bronx community, isn’t your typical runner. Her fierce independence helped her through the Depression and the civil rights movement. But her greatest trials were yet to come.

Black Panther and Cuban exile, Assata Shakur, has inspired multiple generations of radical protest, including our contemporary Black Lives Matter movement. Drawing its title from one of America’s foremost revolutionaries, this collection of thought-provoking essays by award-winning Panther scholar Donna Murch explores how social protest is challenging our current system of state violence and mass incarceration. Assata Taught Me offers a fresh and much-needed historical perspective on the fifty years since the founding of the Black Panther Party.

How It Feels To Be Colored Me was first published in The World Tomorrow in May 1928. In this autobiographical piece that focuses on race and 1920s America, Hurston reflects on her early childhood in an all-black Florida town and her first experiences in life where she felt "different." Hurston focuses on the similarities we all share and on her own self-identity in the face of difference. "Through it all," she says, "I remain myself."

This dissertation is an effort to think through the complexities of how African American literature interacts with what I am terming the notion of uncalling made visible by the heterodox Christianities that fall out of the scope of the Black. In other words, I analyze Black religiosity as an enactment of radical Black collectivity in counterdistinction to a politics of recognition. I argue it is this figure of the uncalled, operating out of heterodox Black religiosities, that can offer an alternative model for liberation and healing that is not bound up in outward cries for recognition.

Smartly dressed and smiling, Canada’s black train porters were a familiar sight to the average passenger - yet their minority status rendered them politically invisible, second-class in the social imagination that determined who was and who was not considered Canadian. Drawing on the experiences of these influential black Canadians, Cecil Foster’s They Call Me George demonstrates the power of individuals and minority groups in the fight for social justice and shows how a country can change for the better.

Caliph Washington's life was never supposed to matter. As a Black teenager from the vice-ridden city of Bessemer, Alabama, Washington was wrongfully convicted of killing an Alabama policeman in 1957. Sentenced to death, he came within minutes of the electric chair - nearly a dozen times. A Kafka-esque legal odyssey in which Washington's original conviction was overturned three times before he was finally released in 1972, his story is the kind that pervades the history of American justice.

Alisado. Estigmatizado. «Domado». Celebrado. Borrado. Gestionado. Apropiado. Siempre incomprendido. El pelo negro nunca es «solo pelo». Este libro trata de por qué el cabello negro es importante y de cómo puede considerarse un modelo de descolonización. A lo largo de una serie de ensayos irónicos e informados, Emma Dabiri nos lleva desde el África precolonial, pasando por el Renacimiento de Harlem, el Black Power y hasta el actual movimiento del pelo natural, la apropiación cultural y más allá.

On August 28, 1963, over a quarter-million people - two-thirds black and one-third white - held the greatest civil rights demonstration ever. In this major reinterpretation of the Great Day - the peak of the movement - Charles Euchner brings back the tension and promise of the march. Building on countless interviews, archives, FBI files, and private recordings, this hour-by-hour account offers intimate glimpses into the lives of those key players and ordinary people who converged on the National Mall to fight for civil rights in the March on Washington.

L'île de Gorée est un lieu symbolique, un des sites d'embarquement des esclaves lors de la traite négrière. Elle demeure vivante dans la mémoire pendant cette période de célébration du "Mois de l'histoire des Noirs". Ce livre nous promène dans cet univers-là avec envie de bâtir un avenir plein d’espoir pour les communautés noires sur les cendres brûlantes du passé.

Otis Lee begins this story in the most innocuous of locations: a train from Charlottesville, Virginia, to Penn Station in New York City. But for Otis this journey brings to mind another train, from long ago and far away—representative of a past to which there can be no return.

After the Civil War, African Americans placed poignant “information wanted” advertisements in newspapers, searching for missing family members. Inspired by the power of these ads, Heather Andrea Williams uses slave narratives, letters, interviews, public records, and diaries to guide listeners back to devastating moments of family separation during slavery when people were sold away from parents, siblings, spouses, and children. Williams explores the usually unsuccessful journeys toward reunification.