Showing results for "Matthew Green" in Literature & Fiction

Ingenious. Incredible. Invisible. My name is Budo. I have been alive for 5 years, a very long time for someone like me to be alive. MAX gave me my name. Max is 8 years old. He is the only human person who can see me. I know what Max knows, and some things he doesn't. I know that Max is in danger. And I know that I am the only one who can save him.

Ishmael Jones is someone who can’t afford to be noticed, someone who lives under the radar, who drives on the dark side of the road. He’s employed to search out secrets, investigate mysteries, and shine a light in dark places. Sometimes, he kills people. Invited by his employer, the enigmatic Colonel, to join him and his family for Christmas, Ishmael arrives at the grand but isolated Belcourt Manor in the midst of a blizzard to find that the Colonel has mysteriously disappeared.

The Carnacki institute exists to do something about ghosts. Lay them to rest, send them packing, or kick their nasty ectoplasmic arses with extreme prejudice. The institute’s operatives are the best of the best. JC Chance: sharp, brave, charming, and almost unbearably arrogant; Melody Chambers: science geek, techno-wizard extraordinaire who keeps the antisupernatual equipment running smoothly; and Happy Jack Palmer: the telepath with the gloomy disposition, the last person anyone would want navigating through their head.

"Sono in questa vita da cinquant'anni, ne scruto l'enigma da quarantadue, e da trentacinque tengo un diario pieno di idee su come risolverlo. Appunti su successi e fallimenti, gioie e dolori, cose che mi hanno stupito o che mi hanno fatto ridere di cuore. Appunti su come essere sereno. Come stressarmi di meno. Come godermela. Come fare meno male agli altri. Come fare meno male a me stesso. Come diventare un brav'uomo. Come dare un significato alla mia vita. Come essere più io."

The one he loves most, is the one he knows least. Thirteen-year-old Michael Parsons is dealing with a lot. His father's sudden death; his mother's new husband, Glen, who he loathes; his two younger siblings, who he looks after more and more now his mother works extra shifts. And then one day, Michael wakes up and his mother is gone. In her place is an exact, duplicate mother. The 'other mother'. No one else seems to notice the real version is missing. His brother, his sister and even Glen act as if everything's normal.

Based on the true story of renowned social psychologist Stanley Milgram, Please Continue recounts the infamous obedience experiments at Yale in the 1960s. In that study, participants were asked to administer strong electric shocks to a subject who gave the wrong answer to a question, not knowing that the shocks were fake, and they were the real subject of the study. The play examines how the experiments gave insight into the nature of authoritarianism and individual morality.

Fitzgerald is widely regarded as one of the greatest American writers of the 20th century. His works mainly revolved around the themes of society and class, materialism, and romantic idealism. The Curious Case of Benjamin Button, The Beautiful and The Damned, and This Side of Paradise are critically acclaimed writings of Fitzgerald that are still very relevant and popular today.

Lucas Carr went to Glenbury Hall, an old country manor house turned hotel. He signed in at reception, took his key, and went upstairs to his room. But he never got there. Somehow he vanished along the way, with not a single clue to suggest what might have happened to him. Lucas belonged to the same mysterious organization that employs Ishmael and Penny, so they are sent in to solve the mystery. But when they arrive at grim and isolated Glenbury Hall, they discover it has a reputation as one of the most haunted old houses in England.

When Ishmael Jones and his partner Penny are asked to escort a VIP on the late-night train to Bath, it would appear to be a routine case. The Organisation has acquired intelligence that an attempt is to be made on Sir Dennis Gregson’s life as he travels to Bath to take up his new position as Head of the British Psychic Weapons Division. Ishmael’s mission is to ensure that Sir Dennis arrives safely. How could anyone orchestrate a murder in a crowded railway carriage without being noticed and with no obvious means of escape?

Although he hasn’t seen Robert Bergin for 40 years, Ishmael feels duty bound to respond when his old friend calls for help. Robert’s daughter Gillian is about to be married, and he is afraid she’ll fall prey to the ancient family curse. Arriving in rural Yorkshire, Ishmael and his partner Penny learn that the vicar who was to perform the ceremony has been found dead in the church, hanging from his own bell rope.

Set in a world similar to our own, during a war that parallels World War II, a young boy who is sent to stay at his grandmother's for the summer in a serene fishing village is met with the adventure of a lifetime. Their tranquility is shattered by the crash of a bullet-riddled enemy plane, the arrival of grandmother's friend, Mr. Girandole - a man who knows the true story of Cinderella's slipper - and the discovery of a riddle in the sacred grove of ruins behind grandmother's house.

Set high on top of Widows Hill, Harrow House has remained empty for years. Now, on behalf of an anonymous prospective buyer, Ishmael and Penny are spending a night there in order to investigate the rumors of strange lights, mysterious voices, unexplained disappearances, and establish whether the house is really haunted.

It Came From the Darkness is a unique collection of drabbles (stories of 100 words exactly) and artwork, compiled by Red Cape Publishing and Philip Rogers 101 PR in aid of the Max the Brave Fund. A huge number of horror writers, poets, artists, and film makers have come together to support the cause and offer the listener something special. Each piece of writing begins with the same five words, but the stories themselves are all wonderfully varied. So dig in, take each tale one bloody bite at a time, and beware of what comes from the darkness.

With the Battle of Regrets firmly in the past, Captain Timothy Hillbow feels as though something is wrong. There’s a gnawing inside his head that there are pieces missing in his memories but he can’t figure out what they are. Creating questions that he doesn’t fully understand. Almost as if he is caught in a loop in time that he can’t escape. Before Tim can answer the questions before him, a threat to all the commanders arises.

In the heart of New York City, Emily discovers a portal to the enigmatic fifth dimension of Atlantis, where eternal life reigns. Yet, hidden beneath its utopian surface lies a dark secret—the Forsaken, tortured souls who sustain this realm. As Emily becomes the bridge between two worlds, she must confront the malevolent Forsaken leader and discover the true power of empathy. This epic tale of compassion, sacrifice, and redemption unveils an extraordinary journey that will forever alter the destiny of Atlantis and Earth.

Sam Floyd leads a normal life until Special Detective Erica Sayles unexpectedly appears one day and asks for his help to catch a killer. But not just any killer. In an alternate universe, Erica’s been pursuing Thomas Weir, Sam’s homicidal other self. Despite Sam’s reservations, Erica convinces him to accompany her to a different version of Earth. Sam soon finds himself in a technologically advanced society where high-ranking police officers can change their appearance at will and the president holds daily televised dance parties.

One of the best-known Arthurian stories—adapted many times into verse, prose, games, and film. It recounts an adventure undertaken by King Arthur’s famous nephew, Sir Gawain, who is brave and the model of knightly grace. When a mysterious knight in green armor issues a challenge to the Round Table, the gallant Gawain volunteers to do battle for his king, beginning an adventure that explores chivalric tradition, loyalty, and the virtue of forgiveness, as well as alchemical symbolism and the psychological process of individuation.

In the shadows, away from the petty squabbles of man sit the gods of Redwater, watching their subjects fight like children. Yet, they do nothing to stop them. Perhaps they don't deem it a significant enough war to intervene. Maybe it isn't that they aren't doing anything—rather, that they can't do anything.