Showing results for "Mason" in Victorian

Christine Daaé ventures into the underground world of The Phantom of the Opera, a mysterious man named Erik who brought her fame and ecstasy as The Angel of Music. Now she must learn to trust her teacher as a man if she is to survive the cutthroat intrigues of the opera above. Despite the horror of Erik's face and the darkness of his past, Christine is drawn to the man who awakens her soul with his music…as well as her desire.

Hugo Dodds is numb, grief-stricken, and haunted by the memories of a life taken from him all too soon. He tries to move forward, but cannot let go of Elizabeth—his beloved wife—after her passing. A late-night backyard encounter introduces Hugo to his eccentric new neighbor, Alice Primrose. She’s secretly a witch with the ability to make magical wine. Alice hides in Hugo’s small town after the betrayal of a former lover causes her to flee from the life she knows and loves.

Christine Daaé arrives penniless and hopeless at the steps of the great Paris Opera House, in search of an angel. What finds her instead is a man in a mask named Erik, a tortured soul masquerading as a ghost. Fascinated by Christine, Erik dons a new mask to be close to her: that of the Angel of Music. This strange patron awakens Christine's voice and soul...as well as desires she cannot understand. Their adoration growing, Erik and Christine remain separated by deception and darkness, tangled in a web of lust and lies.

Abducted, held captive by unknown men for unknown reasons, Mary Mason had to use all of her resourcefulness to escape what would surely have been a terrible fate. But in the course of her escape, she encounters new dangers in the form of a mysterious man. Is he friend or foe? Can he be trusted, or will she prove to be just a pawn in whatever game he is playing?

When stable hand Nolan Price learns from his dying mother that he is actually the son of the Earl of Stainsby, his plans for a future with kitchen maid Hannah Burnham are shattered. Once he is officially acknowledged as the earl's heir, Nolan will be forbidden to marry beneath his station.

Blossoming in a Victorian slum is an impossible dream. Hopes and dreams come here to die, not to be born. But Daphne is an unusually determined dreamer. Despite the disappearance of her parents and siblings, she holds to her goal. The workhouse can't stop her. The slums won't prevent her. Disaster and degradation only fuel her intentions.