Showing results for "Last Words" in Mystery

Natalka from Ukraine has quit her job as a carer and joined up with retiree, Edwin, to run a detective agency on England's south coast. Despite a steady stream of minor cases, Natalka is frustrated, longing for a big juicy investigation such as murder to come the agency's way. Edwin is a big reader of obituaries, so when a local obit writer, Dan Haynes, dies, Edwin decides to look further, only to discover a series of unexpected deaths. Are the clues in the obits themselves? Edwin decides to write an obit to see what clues it throws up. Then he disappears.

Arbuthnot ‘Arbie’ Swift arrives at Dashwood House, a glamorously modern hotel in the up-and-coming resort of Galton-next-the-Sea, but all plans for a relaxing stay are scuppered when one of the guests is found dead. The body is found in the writing room, the victim part of a set visiting the seaside town for an engagement party, which happens to include Arbie’s old friend, Val. Familiar with Val and Arbie’s previous experience in solving puzzling crimes, the bride asks the pair to investigate.

Markus Novak just wants to come home. An investigator for a Florida-based death-row defense firm, Novak's life derailed when his wife, Lauren, was killed in the midst of a case the two were working together. Two years later her murderer is still at large, and Novak's attempts to learn the truth about her death through less-than-legal means and jailhouse bargaining have put his job on the line.

He caught him once before. Can he do it again? With Harry McNeil’s life changed forever, he is thrust back into work when a serial killer dies in prison. Harry helped bring him to justice, but even in death, the man has something to say. A message is found at the man’s post mortem. A message for Harry. It isn’t over. An informant in prison claims that the killer bragged about more victims, but none were ever found. Until now. But these victims aren’t from the past. They’re from the present. Just because the mentor is dead, doesn’t mean his spirit doesn’t live on…

Thisbe Chisholm wants to be a writer. It’s 2007, a time of digital revolution and skyrocketing property prices, but she’s an old-fashioned girl. She longs only to tell the stories written on her heart. While her best friends, Penny and Jane, and her darling boyfriend, John, seem set for stellar careers in their chosen fields, Thisbe works nights as a hostess at a glitzy harbourside Sydney club - a job she despises but has paid the rent for the last three years since university graduation.

It's August and the Edinburgh International Book Festival is in full swing. The world of books is focused on Charlotte Square Gardens, so it's a considerable embarrassment when a successful crime writer, and key member of the Scottish Parliament, is found dead in the author tent. But is it natural causes? DCC Bob Skinner, on the edge of a career-defining moment, doesn't need this in his life.

A victim. A mutilated body. A single word. A young woman is found dead on the streets of London. Her throat slashed, her body mutilated, and one word carved into her flesh: “DON’T.” Detective Superintendent Ray Paterson is assigned to the case. Young, handsome and from a wealthy background, he’s tipped for the top. He joins a team based out of Bermondsey, South London. It’s meant to be a stepping stone to his next promotion, but this case will threaten to bring down his career and everything he thought he knew about policing.

Fourteen years ago, Kaitlin Roe was the lone witness to the abduction of her cousin Gina. She still remembers that lonely Virginia road. She can still see the masked stranger and hear Gina’s screams. And she still suffers the guilt of running away in fear and resents being interrogated as a suspect in the immediate aftermath. Now Kaitlin has only one way to assuage the pain and nightmares—by interviewing everyone associated with the unsolved crime for a podcast that could finally bring closure to a case gone cold.

It's summer in Bliss Bay. Ladybirds have descended upon the village, and event organizer Megan Fallon has a diary as clear as the sky. Although her wedding to American fiance Jack Windsor is a year away, excitement surrounding the biggest event of her life (after the birth of her daughter Evie, of course) is already building, and she's determined that nothing will take the edge off it. However, when a visitor to the village is found dead in suspicious circumstances, the police are left scratching their heads.

When Detective Amanda Steele is called to the brutal murder scene of successful local author Felicity Kelley, her blood runs cold. Because Amanda not only knew the victim, but was the last person Felicity called moments before she was murdered. Plagued with guilt that she never answered, Amanda is left wondering whether she could have prevented the murder and vows to catch the killer, no matter what.

PI Martina and Detective Hirsch accept the new sheriff’s request to reopen a ten-year-old serial killer case. Not that they could refuse. One victim was the sheriff’s brother, a married father of two. The case is strange. Someone has murdered three successful men within a six-month time period. There were no suspects and no motive. The only connection is their cause of death. The links are thin and the motive is unknown, but Martina and Hirsch know better than to ignore the similarities.

Within months of having taken control of the family detective business, Izzy Spellman is accused of embezzling from a former client, the ridiculously wealthy Mr. Slayter, who happens to have Alzheimer's, which Izzy and he are diligently trying to keep under wraps. Not only is Slayter's business and reputation on the line, but if Izzy gets indicted for embezzlement, she'll lose everything - her business, her license, and her family's livelihood. Is this the end of Izzy Spellman, PI?

In March of 1975, as New York City hurtles toward bankruptcy and the Bronx burns, newsman Coleridge Taylor roams police precincts and ERs. He is looking for the story that will deliver him from obits. A break comes at Bellevue, where Taylor views the body of a homeless teen picked up in the Meatpacking District. Taylor smells a rat: The dead boy looks too clean, and he's wearing a distinctive army field jacket.

When the ATF gets a lead on a much-sought-after cache of illegal guns near the Canadian border, they call millionaire private detective Rushmore McKenzie in to help them track down the gunrunners. Their only lead is a guy who is part of a small-time gang of armed robbers working north of the Twin Cities. Their idea is for McKenzie to infiltrate the group and wait for them to lead him to the guns. Which seemed like a bad idea to McKenzie at the time, but even he had no idea just how bad things were going to get.

Sisters Ellie and Meg Christie share a love of books, reading, and the Book Chalet - their family's historic bookshop tucked midway up a scenic Colorado mountain. But romance? That's another story. So when their cousin signs them up for her newest business venture - matchmaking based on bookish tastes - the sisters approach their blind double dates with foot-dragging dread. And while Ellie's date meets her low expectations, Meg's match, a book-loving romantic straight out of classic literature, is a charming surprise...until he turns up murdered the next morning.

Big-shot ad exec Dan Steele feels entitled to the best life has to offer - even if he has to live way beyond his means to acquire it. But there's hope on the horizon. Dan has just stolen what's sure to be an award-winning idea for a multimillion-dollar account. If he can keep the creditors at bay long enough, he'll get the keys to the executive restroom and all his problems will be solved.

Trent's Last Case, published when Conan Doyle and Chesterton were both at the pinnacle of their respective literary careers, was the first detective story to use finger-printing as a means of detecting the criminal. The book was intended to be a gentle parody of the detective genre, only for it to be quickly hailed as a classic.

Gracie Michaels owns a publishing company in Hollywood. She specializes in publishing the manuscripts of recently deceased authors. Sometimes getting their projects to the finish line can be murder. Annie Forsberg met her soulmate online. When he’s killed in a plane crash, she inherits his unfinished book. But what Scott wrote will put her own life - and Gracie’s - in jeopardy.

Jorma arbetar som låssmed. Han har en egen firma som blomstrar och en familj som han älskar, så allting hade varit bra om det inte vore för en sak: hans förtjusning i spel och dobbel. Varje gång han satsar pengar är han övertygad om att kamma hem storvinsten, men det slutar alltid med att han får på sig fler skulder. Personerna han är skyldig pengar blir alltmer otåliga och till slut ställs Jorma inför ett val: ”Gör som vi säger eller dö!”

Depending on your point of view, Fender Benders is either a skewed look at the country music industry or a clear-eyed view of a damn screwy business. It's a Grand Old Opera complete with murder, treachery, greed, drugs, twangy music, a love triangle, and the best fried swimps you'll ever put in your mouth.