Showing results for "Kurt" in Science Fiction

Breakfast of Champions (1973) provides frantic, scattershot satire and a collage of Vonnegut's obsessions. His recurring cast of characters and American landscape was perhaps the most controversial of his canon; it was felt by many at the time to be a disappointing successor to Slaughterhouse-Five, which had made Vonnegut's literary reputation.

Galapagos takes the listener back one million years to A.D. 1986. A simple vacation cruise suddenly becomes an evolutionary journey. Thanks to an apocalypse, a small group of survivors stranded on the Galapagos Islands are about to become the progenitors of a brave new, and totally different, human race.

Cat's Cradle is Vonnegut's satirical commentary on modern man and his madness. An apocalyptic tale of this planet's ultimate fate, it features a little person as the protagonist; a complete, original theology created by a calypso singer; and a vision of the future that is at once blackly fatalistic and hilariously funny.

The richest, most depraved man on Earth, Malachi Constant, is offered a chance to take a space journey to distant worlds with a beautiful woman at his side. Of course, there's a catch to the invitation...

Eliot Rosewater, a drunk volunteer fireman and president of the fabulously rich Rosewater Foundation, is about to attempt a noble experiment with human nature, with a little help from writer Kilgore Trout. The result is Kurt Vonnegut's funniest satire, an etched-in-acid portrayal of the greed, hypocrisy, and follies of the flesh we are all heir to.

Kurt Vonnegut's first novel spins the chilling tale of engineer Paul Proteus, who must find a way to live in a world dominated by a supercomputer and run completely by machines. Paul's rebellion is vintage Vonnegut – wildly funny, deadly serious, and terrifyingly close to reality.

Meet Rabo Karabekian, a moderately successful surrealist painter who we meet late in life and see struggling (like all of Vonnegut's key characters) with the dregs of unresolved pain and the consequences of brutality. Loosely based on the legend of Bluebeard (best realized in Bela Bartok's one-act opera), the novel follows Karabekian through the last events in his life that is heavy with women, painting, artistic ambition, artistic fraudulence, and as of yet unknown consequence.

Deadeye Dick is Kurt Vonnegut's funny, chillingly satirical look at the death of innocence. Amid a true Vonnegutian host of horrors - a double murder, a fatal dose of radioactivity, a decapitation, an annihilation of a city by a neutron bomb - Rudy Waltz, aka Deadeye Dick, takes us along on a zany search for absolution and happiness. Here is a tale of crime and punishment that makes us rethink what we believe...and who we say we are.

Welcome to the Monkey House is a collection of Kurt Vonnegut's shorter works. Originally printed in publications as diverse as The Magazine of Fantasy and Science Fiction and The Atlantic Monthly, what these superb stories share is Vonnegut's audacious sense of humor and extraordinary range of creative vision.

Perhaps the most autobiographical (and deliberately least disciplined) of Vonnegut's novels, Slapstick (1976) is in the form of a broken family odyssey and is surely a demonstration of its eponymous title. The story centers on brother and sister twins, children of Wilbur Swain, who are in sympathetic and (possibly) telepathic communication and who represent Vonnegut's relationship with his own sister who died young of cancer almost two decades before the book's publication.

According to Kurt Vonnegut's alter ego, the old science fiction writer Kilgore Trout, a global timequake will occur on February 13, 2001, at 2:27 p.m. It will be the moment when the universe suffers a crisis of conscience: Should it go on expanding indefinitely or collapse and make another great big BANG? For its own cosmic reasons, it decides to back up a decade to 1991, giving the world a 10-year case of deja vu, making everybody and everything do exactly what they'd done during the past decade.

One could understand why Liam was angry. He was orphaned at the age of two by a group of giant carnivorous insects called the chitin. Taken in by High Councilor Marcus and his wife, Lidia, Liam was raised with their older son, Randolf, in New Olympia, the last remaining city on the planet Etrusci.

Waldo Packwood has had a rough time of things lately. He's lost his job, his friends, and finally his family. At 50 years old, he's living alone in a small apartment wondering what's happened to his life. He's unexpectedly asked to travel to Hector 1, a lone asteroid in the Jupiter Trojans, to investigate the missing crew. His trip is a struggle from the beginning, as he discovers more about those around him and what they're willing to do to keep Hector 1 to themselves.

Perry Rhodan ist mit der MARCO POLO in den Schwarm eingedrungen, der mit seiner Verdummungsstrahlung und den Gelben Eroberern, die ganze Planeten entvölkern, weiterhin eine nie gekannte Gefahr für die Milchstraße darstellt. Sonderkommandos versuchen, die empfindlichen Stellen innerhalb des seltsamen kosmischen Gebildes auszumachen. Als Anführer eines dieser Kommandos gerät der Arkonide Atlan in eine verzweifelte Situation. Er muss mit seinen Gefährten ums nackte Überleben kämpfen. Dabei stoßen sie zum ersten Mal auf einen der geheimnisvollen Götzen.

"The last man on Earth sat alone in a room. There was a knock on the door." A new crop of writers emerged from the dawning of the nuclear age, grappling with humankind's place in the universe. While imagining the wonders of space exploration and the rise of technological advancements, they questioned whether we were prepared to encounter aliens, or even control the machines and weapons we'd built ourselves.

Mit dem Generationenraumschiff SOL reisen Perry Rhodan und der Arkonide Atlan auf wichtiger Mission durch das Universum: Sie suchen die Erde und den Mond, die es auf ihrer beispiellosen Odyssee in eine fremde Region des Kosmos verschlagen hat. Dabei treffen sie auf die Kaiserin von Therm, eine sogenannte Superintelligenz, deren Entstehung auf ein kosmisches Ereignis vor Jahrmillionen zurückzuführen ist. Diese Begegnung wird zum Prüfstein für die Besatzung der SOL. Als Perry Rhodan und seine Gefährten aber nach langem Flug endlich ihr Ziel erreichen, finden sie die Heimatwelt der Menschheit entvölkert vor.

Ende des Jahres 3583 halten die menschenähnlichen Laren und ihr Konzil der Sieben nach wie vor die Milchstraße besetzt. Nur das Neue Einsteinsche Imperium der Menschheit, das sich in einer Dunkelwolke versteckt, leistet unter Atlans Führung noch Widerstand. Hotrenor-Taak, der Statthalter des Konzils, lässt deshalb ein Netz des Todes in der Galaxis errichten. Sein Ziel: Mit Hilfe des Netzes will er die Zellaktivatoren ausschalten und so die Unsterblichen töten.

During a scorching August in Kyoto, our protagonist and his worst friend, Ozu, are locked in a glaring contest in a four-and-a-half-tatami-mat room. Ozu has spilled Coke on the air conditioner’s remote control—the only AC in Shimogamo Yusuisuiso, their famously shabby sweatbox of an apartment building. Vengeful and despairing, our protagonist discusses countermeasures with his secret crush, the reliably blunt Akashi, when Tamura, a strange young man with a bad haircut, appears.

Perry Rhodan und seine Begleiter an Bord des Fernraumschiffs SOL haben sich ein Ziel gesetzt: Sie wollen unter allen Umständen die in der Unendlichkeit verschwundene Erde wiederfinden! Offensichtlich kann ihnen ein hohes kosmisches Wesen wichtige Hinweise für ihre Mission geben.

Im Jahr 2328 hat die Menschheit unter Perry Rhodans Führung bereits Hunderte von Planeten besiedelt. Der lange Krieg gegen die fremdartigen Blues ist vorüber; die Terraner hoffen nun auf Frieden und einen wirtschaftlichen Aufschwung. Doch zwischen den Sternen der Milchstraße machen sich neue Feinde breit. Sie bedrohen das Vereinte Imperium von Terranern und Arkoniden von innen, indem sie Unruhen schüren und eigene Sternenreiche gründen.