Showing results for "Kurt" in Women's Fiction

Stacey McKinley doesn't have to love what she does, she just has to do it. She's in Fairhaven to collect from a mark, some sucker who got in way over his head with the wrong people. She and her partner have one job: get the money out of him any way they can. They have come to the wilderness to gain information about his assets by any means necessary. To play her part in this, Stacey will do whatever she has to in order to gain the mark's trust. She did not count on him approaching her. Nor did she expect the chemistry.

In True Believers, Kurt Andersen—the New York Times best-selling and critically acclaimed author of Heyday and Turn of the Century—delivers his most powerful and moving novel yet. Dazzling in its wit and effervescent insight, this kaleidoscopic tour de force of cultural observation and seductive storytelling alternates between the present and the 1960s—and indelibly captures the enduring impact of that time on the ways we live now.

London, 1944/45. Kate Henderson is an energetic and spirited young woman. As a trained paramedic and ambulance driver she does her work courageously and with determination, even though underneath she is still wrestling with grief after witnessing the shooting death of her diplomat father seven years earlier. Her father’s murder was never properly investigated and it remains unsolved. Kate’s life is interrupted once more when she wakes up one night to the sound of the air raid alarm and the terror whistles of a bomb’s stabilizers screaming toward the roof of her house.

In diesem Stück, das Horváth unter Mitarbeit des Gerichtsberichterstatters Lukas Kristl schrieb, soll - wie er selbst sagt - am Schicksal eines Mädchens, das in den Selbstmord getrieben wird, "der gigantische Kampf zwischen Individuum und Gesellschaft" gezeigt werden, "dieses ewige Schlachten, bei dem es zu keinem Frieden kommen soll, höchstens dass mal ein Individuum für einige Monate die Illusion des Waffenstillstandes genießt". Bearbeitung: Heinz Huber, Regie: Franz Peter Wirth, Musik: Otto-Erich Schilling.

Aaron Blake has no intention of falling for anyone. He’s pretty sure he missed out on the love gene. And certainly never, ever Alice Montgomery. She’s his only friend-who-is-a-girl, and he has no intention of messing that up. But when Alice agrees to be Aaron's fake girlfriend to help him land a job at a top legal firm, Aaron soon finds out that friendship plus attraction is an equation he's never done the math on. And when secrets from the past surface with dramatic consequences, both Alice and Aaron will have to re-do the sums on this crazy little thing called love.