Showing results for "Kim" in Cultural & Regional

Half-Korean, half-Japanese, Masaji Ishikawa has spent his whole life feeling like a man without a country. This feeling only deepened when his family moved from Japan to North Korea when Ishikawa was just thirteen years old, and unwittingly became members of the lowest social caste. His father, himself a Korean national, was lured to the new Communist country by promises of abundant work, education for his children, and a higher station in society. But the reality of their new life was far from utopian.

This book will give you a lighthearted view of an American who cannot speak or read any Korean but chooses to travel to volunteer and teach English for one month in the city of Gwangju in South Korea. The author returned the following year to volunteer in Seoul, at the Jogyesa Temple. This temple is the headquarters for the largest order of Korean Buddhism, the Jogye Order. Along with her struggles over the language, culture, and lifestyle, the author includes her findings on the achievements of today's South Korea.

Almost every Latina has heard the phrase calladita te ves más bonita—you look most beautiful when you are silent. It's a message rooted in machismo passed from generation to generation, and one that poet and Latine therapist, Kim Guerra, grew up on. In Badass Bonita, Guerra tells a story of coming into her own power, and guides listeners through the process of finding their own. Rejecting what she was taught as a girl, she learned to use her voice and the more she listened to that inner niña, the more she unearthed her inner guerrera.

Kimi’s Obaachan, her grandmother, had always been a silent presence throughout her youth. Sipping tea by the fire, preparing sushi for the family, or indulgently listening to Ojichan’s (grandfather’s) stories for the thousandth time, Obaachan was a missing link to Kimi’s Japanese heritage, something she had had a mixed relationship with all her life. Growing up in rural Pennsylvania, all Kimi ever wanted to do was fit in, spurning traditional Japanese cuisine and her grandfather’s attempts to teach her the language.

Asian-American Life Stories is a very important audiobook for the study of Asian-Americans in the United States of America. This audiobook contains autobiographical writings by 11 young Asian-American leaders, who represent various segments of the Asian immigrant population in the United States. Many of the autobiographies, therefore, contain very valuable historical and sociological date for understanding the Asian experience in the United States.

Designer, activist, and educator Cheryl D. Holmes-Miller is legendary for her decades of scholarship and advocacy, and as a touchstone and conscience for the design profession. In HERE: Where the Black Designers Are, Holmes-Miller documents the history of—and answers to—the question she has been asking for decades: “Where are the Black designers?” Holmes-Miller explores this essential question through the lens of her own development as a designer and leader, beginning with her own family and its rich multiethnic history.

This audiobook contains touching accounts of struggles and achievements of Korean Americans and serves an important primary source material for understanding the Korean teenage experience in the United States. This audiobook contains biographical accounts of a diverse group Korean Americans. Kenny Yoon, a junior at Horace Mann School in New York, is a part of the gifted music program at The Julliard School. Kenny describes how he came to play violin and how he hopes to bring joy to people through music.

On November 11, 2004, security guards stormed into the Cambridge University Law Faculty Library and pushed Christian Kim out in an act of official coercion. There was no justifiable cause. Due process was bypassed. A serious act of injustice was carried out along with much humiliation. In this audiobook, Christian Kim shares his thoughts on the experience, particularly in light of the historical struggles of people of color. Christian Kim discusses the implications of such acts of official coercion for individual rights and institutional discrimination.

Prieta is a term of endearment. When I tell people who don’t speak Spanish what prieta means—dark or the dark one—their eyes pop open and a small gasp escapes. I see the offense they feel for me sprinkled on their faces like the freckles I will never have. How do I tell them that when I heard Ita say Prieta, I felt the caress of her strong hands on the top of my head as she braided my hair?