Showing results for "James" in Library & Museum Studies

The fascinating and little-known story of the Louvre, from its inception as a humble fortress to its transformation into the palatial residence of the kings of France and then into the world's greatest art museum.

Libraries are much more than mere collections of volumes. The best are magical, fabled places whose fame has become part of the cultural wealth they are designed to preserve. Some still exist today; some are lost, like those of Herculaneum and Alexandria; some have been sold or dispersed; and some never existed, such as those libraries imagined by J. R. R. Tolkien, Umberto Eco and Jorge Luis Borges, among others.

This book contains an interview by Sarah Batiste recorded in 1989 with Jill Dunkerton, senior conservator of Italian Painting at the National Gallery London. In it she considers works by Duccio, Jacopo Di Cione and other early Trecento painters from 1270 to 1370 exhibited in Art in the Making at The National Gallery 1989-90.

In June 2015 Alberto Manguel prepared to leave his centuries-old village home in France's Loire Valley and reestablish himself in a one-bedroom apartment on Manhattan's Upper West Side. Packing up his enormous, 35,000 volume personal library, choosing which books to keep, store, or cast out, Manguel found himself in deep reverie on the nature of relationships between books and readers, books and collectors, order and disorder, memory and reading.

This book considers the work of the celebrated 17th century court painter Diego Velázquez (1599-1660) presented in a comprehensive exhibition at The National Gallery London from October to January 2006-2007. It follows the phases of development charted from rooms one to four in the Getty Wing, ranging from the initial scenes of workers in bars and domestic scenes to the paintings made at the Court of King Philip IV in Madrid.

A recorded visit to Elizabethan Treasures during the press view at the National Portrait Gallery London. Inspect miniature portraits by Nicholas Hilliard and Isaac Oliver of Sir Walter Raleigh, Sir Francis Frake, Henry Wriothesley and others, and the celebrated icon of Queen Elizabeth I.

Cv/VAR 66 interviews Dr. Michael Ryan of the National Museum Dublin recorded at the opening of the exhibition The Work of Angels at the British Museum in 1989. He describes pieces found at Derrynaflan dating from the eighth century including an ecclesiastical paten, jewelry, accessories, and domestic artifacts. It carries a detailed account of Celtic and Pictish craftsmanship and iconography.

An interview recorded with Dr. Christopher Brown, director of the Ashmolean Museum in Oxford, in which he describes the major renovation and expansion of Britain's oldest museum, adding 39 galleries to house its collection of Egyptian, Persian, Japanese, Saxon, and Indian artefacts.

Dr. Stephen Deuchar, director of the Art Fund, gives an interview to Cv/VAR, first published in Curators and Collections Volume Three 2010. He describes the history of the Art Fund, its foundation, aims and initiatives, and work as a major benefactor, enabling museums and galleries to preserve and develop their collections, including recently discovered treasure troves, and individual works saved for the future.

Pamela Roberts, curator of the Royal Photographic Society, Bath, gives an interview to Cv/VAR in 1994, which charts the development of photography from its primary innovation in the 1840s by Hill & Adamson, Fox Talbot, through Roger Fenton in the Crimea War, leading to Royal Patronage of Prince Albert and development of the society into the 20th century.