Showing results for "Inferno" in Classics

The epic grandeur of Dante's masterpiece has inspired readers and listeners for 700 years and has entered the human imagination. But the further we move from the late medieval world of Dante, the more a rich understanding and enjoyment of the poem depends on knowledgeable guidance.

"Abandon all hope you who enter here." ( "Lasciate ogne speranza voi ch’intrate.") Dante’s Hell is one of the most remarkable visions in Western literature. An allegory for his and future ages, it is, at the same time, an account of terrifying realism. Passing under a lintel emblazoned with these frightening words, the poet is led down into the depths by Virgil and shown those doomed to suffer eternal torment for vices exhibited and sins committed on earth.

After being thrown out of the window of his luxury apartment, science-fiction writer Allen Carpentier wakes to find himself at the gates of Hell. Feeling he's landed in a great opportunity for a book, he attempts to follow Dante's road map. Determined to meet Satan himself, Carpentier treks through the nine circles of Hell, led by Benito Mussolini, and encounters countless mental and physical tortures.

Have you ever heard the sounds of Hell? Felt the darkness and the ice? Tasted the burnt air on your tongue? Dante’s Inferno will give you a flavor of the wretchedness of sin that you will never forget. The images and action that bring you down into the very center of judgment and consequence, into that eternal realm of woe, will stick to the ribcages of your mind, and change the way you see the world, the devil, and your own flesh.

This critically acclaimed translation was awarded the Los Angeles Times Book Prize for Poetry and the Harold Morton Landon Translation Award given by the Academy of American Poets. Well versed, rapid, and various in style, the Inferno is narrated by Pinsky and three other leading poets: Seamus Heaney, Frank Bidart, and Louise Glück.

This original and refreshingly different dramatisation follows Dante, "lost in a dark wood", who is met by Virgil, who takes him on a tour of the underworld: a place he could end up if he decides to take his own life. Corin Redgrave is the voice of Dante.

Learn about the story of Dante’s Inferno with iMinds insightful knowledge series. “Midway upon the journey of our life, I found myself in a forest dark, For the straightforward pathway had been lost.” So begins the classic text of the Inferno, a medieval poem written in 14th century Italy. Along with its sequels, Purgatorio and Paradiso, it makes up the classic Divine Comedy. But what is the poem about? In the Inferno, the narrator of the tale travels through hell.

Il cammino di Dante attraverso il primo dei tre regni dipinti nella Commedia si trasforma in un viaggio sonoro accompagnato dalla voce di Massimiliano D'Aloiso che legge le magnifiche terzine del Poeta restituendole alla loro vocazione armonica. La struttura musicale della Cantica viene evocata dalla lettura concertata e senza artifici e le atmosfere via via cupe, malinconiche, romantiche ed impetuose dell'"Inferno" emergono forti e folgoranti.

Auf der Suche nach den großen Antworten des Seins, des Lebens und aller Existenz erforscht der Ich-Erzähler wissenschaftliche und religiöse Disziplinen, prominente und weniger bekannte Teilgebiete derselbigen und stößt kontinuierlich auf unerklärliche Wunder und faszinierende Rätsel. Dämonen manifestieren sich, Ängste brechen aus, Erklärungen werden im Mantel dieser und jener Fachbereiche formuliert. Gleichzeitig versucht er Gold zu produzieren. Ist es Schicksal, dass sich mysteriöse Ereignisse in regelmäßigen Abständen ereignen oder nur eine Aneinanderreihung unbedeutender Zufälle?

Nell'estate del 1940, un ragazzo di undici anni ascoltò il padre che leggeva e spiegava ai fratelli maggiori "l'Inferno" di Dante; le due estati seguenti toccò a "Purgatorio" e "Paradiso". Proprio quel ragazzo, che all'epoca capiva meglio il concerto delle cicale che non le terzine del poeta, mezzo secolo più tardi avrebbe spiegato e letto Dante ai microfoni della radio e in più di cinquecento letture pubbliche.

With Professor Esolen you will enter the terrible gates of Hell and progress level by infernal level to its diabolical depths. Professor Esolen places a special emphasis on the drama of the poem, leading you through each canto in succession. Professor Esolen will more than satisfy your curiosity about Hell and the fate of the damned. He will reveal in all its starkness the horror of sin and awaken in your heart a longing for divine love.

"Det var med en känsla av vild glädje jag återvände till Nordbanans station, sedan jag där avlämnat min lilla hustru, vilken skulle fara till vårt barn, som insjuknat i fjärran land. Fullbordat var alltså offret av mitt hjärta! En aning sade mig att det var för alltid vi nu hade skilts ..." "Inferno" är en självbiografisk roman av August Strindberg som skildrar Strindbergs vistelse i Paris och Österrike under åren 1894-1896.

The Inferno is the first part of The Divine Comedy, Dante’s epic poem describing man's progress from hell to paradise. In it, the author is lost in dark woods, threatened by wild beasts and unable to find the right path to salvation. Notable for its nine circles of hell, the poem vividly illustrates the poetic justice of punishments faced by earthly sinners. The Inferno is perhaps the most popular of the three books of The Divine Comedy, which is widely considered the preeminent work in Italian literature.

Inferno follows Dante through hell, with only an roman poet named Virgil to guide him. Dante loses his way in a forest and stumbles across Hell; but Virgil tells him that if he ventures through hell he can reach Heaven where his beloved awaits....

The spectrum of all of human life, as portrayed in the poem, will unfold with breathtaking variety, drama, thought, and beauty: In the middle of the journey of our life / I found myself in a dark wood, where the straight path was lost. The process of listening to Dante’s Comedy is a journey into not just literature but into the mysteries of human nature and its capacity for unhappiness and happiness, folly and wisdom, rejection and wonder over the miracles of creation and existence.

"Abandon hope all ye who enter here." Dante, our young, naive hero, has woken from a deep sleep to find himself in a cold, dark wood. Before he can begin to work out where he is, his path is blocked by a leopard, a lion, and a she-wolf. Things get worse from there, and our pilgrim finds himself on a journey through the very depths of hell. Why is he there, and will he ever make it out alive?

"Abandon all hope you who enter here." Dante's Hell is one of the most remarkable visions in Western literature. An allegory for his and future ages, it is, at the same time, an account of terrifying realism.

Nell'estate del 1940, un ragazzo di undici anni ascoltò il padre che leggeva e spiegava ai fratelli maggiori l'Inferno di Dante; le due estati seguenti toccò a Purgatorio e Paradiso. Proprio quel ragazzo, che all'epoca capiva meglio il concerto che facevano le cicale che non le terzine del poeta, mezzo secolo più tardi avrebbe letto e spiegato Dante ai microfoni della radio e in più di cinquecento letture pubbliche.

The dark one has risen, and all hell is threatening to explode upon us. But hope is not lost, as the Elven-Trinity has been restored. Not only have I begun to master my magic, but I fight alongside three beautiful elves: Aliana with her djinn magic. Norel with her dragon and noble connections. Braire with her ability to summon monsters. All of them are powerful and deadly. With them on my side, we will charge in head-first to take on the enemy, and might just stand a chance.

Kästners berühmte Komödie Drei Männer im Schnee - und dazu der 'Urtext' Inferno im Hotel, eine Erzählung Kästners, die 1927 in einer Zeitung erschien und ihm später als Vorlage für den Roman diente. Dieser Text war seit über 80 Jahren vergessen. Im Sommer 1927 saß Erich Kästner in einer Zeitungsredaktion und musste Einsendungen zu einem Preisausschreiben prüfen. Gut möglich, dass Kästner dabei erfuhr, dass die Gewinner eines Preisausschreibens nicht immer den Erwartungen derer entsprechen, die die Preise aussetzen.