Showing results for "Hollywood" in State & Local

Until now, Hollywood's political history has been dominated by a steady stream of films and memoirs decrying the nightmare of the Red Scare and how it victimized political innocents. But Ronald and Allis Radosh tell for the first time the “backstory” behind this myth. They show how the Soviet Comintern targeted the film capital in the late 1920s, taking us inside the cells and discussion groups that Communist Party members formed, the guilds and unions they tried to take over, and the studios they aimed to influence.

Raymond Sarlot bought the Chateau Marmont in 1975, but what was originally a business purchase became a love affair as he delved into the hotel's incredible history. From its perch overlooking the Sunset Strip, the glamorous Marmont reigned for decades as the spot for artists, writers, musicians, and actors of every stripe and remains a home-away-from-home for A-listers like Scarlett Johansson and Johnny Depp. Here, Sarlot and coauthor Fred E. Basten share a wealth of scandalous and intriguing tales about them all.

No American city was more important to the Nazis than Los Angeles, home to Hollywood, the greatest propaganda machine in the world. The Nazis plotted to kill the city's Jews and to sabotage the nation's military installations: plans existed for hanging 20 prominent Hollywood figures such as Al Jolson, Charlie Chaplin, and Samuel Goldwyn; for driving through Boyle Heights and machine-gunning as many Jews as possible; and for blowing up defense installations and seizing munitions from National Guard armories along the Pacific Coast.

It was an explosion that reverberated across the country—and into the very heart of early-twentieth-century America. On the morning of October 1, 1910, the walls of the Los Angeles Times Building buckled as a thunderous detonation sent men, machinery, and mortar rocketing into the night air. When at last the wreckage had been sifted and the hospital triage units consulted, twenty-one people were declared dead and dozens more injured. But as it turned out, this was just a prelude to the devastation that was to come.

The gruesome murder of hopeful starlet Elizabeth Short, in the noir-tinged Los Angeles of 1947, has a permanent place in American lore as one of the most inscrutable of true-crime mysteries. Now, Piu Eatwell - relentless legal sleuth and atmospheric stylist - cracks the case after 70 years. With recently unredacted FBI files, newly released sections of the LAPD files, and explosive new interviews, Eatwell has unprecedented access to primary evidence and a persuasive culprit.

Have you ever heard the phrase “Lifestyles of the Rich and Famous”? Well—here’s a new twist for you: What about “Deathstyles of the Rich and Famous”? Because here in this book, we go down the list of some of the most notorious murders of the fabulously wealthy, famous, or just downright infamous individuals that you’ll likely ever hear of. We ask, for example, what really happened to rapper and entrepreneur extraordinaire, Nipsey Hussle? One could ask the same about the hit on British journalist Jill Dando. And what about The Voice contestant Christina Grimmie?

The 1920s was a bustling time in Hollywood, as starry-eyed young women sought fame and fortune—only to discover that their dreams did not match the reality of the film industry. Edgcumb Pinchon was there to report on it all. He interviewed women who worked as “extras” in Hollywood, and was himself involved in the film business as a screenwriter and author. He describes here the hierarchy of those on set (in front of and behind the camera) with first-hand knowledge and humor.

Hollywood and Christianity often seem to be at war. Indeed, there is a long list of movies that have attracted religious condemnation, from Gone with the Wind with its notorious "damn," to The Life of Brian and The Last Temptation of Christ. But the reality, writes William Romanowski, has been far more complicated - and remarkable. In Reforming Hollywood, Romanowski, a leading historian of popular culture, explores the long and varied efforts of Protestants to influence the film industry.