Showing results for "Hollywood" in Literature & Fiction

My Favorite Husband hit the CBS Radio airwaves in 1948, starring Lucille Ball and Richard Denningas Liz and George Cugat - who later became Liz and George Cooper when confusion with bandleader Xavier Cugat prompted a name change. Set in the fictitious town of Sheridan Falls, the show follows the happily married couple, residents of 321 Bundy Drive, through mischief and various predicaments, from faked illnesses to trouble with exes.

William Henry Devereaux, Jr., spiritually suited to playing left field but forced by a bad hamstring to try first base, is the unlikely chairman of the English department at West Central Pennsylvania University. Over the course of a single convoluted week, he threatens to execute a duck, has his nose slashed by a feminist poet, discovers that his secretary writes better fiction than he does, suspects his wife of having an affair with his dean, and finally confronts his philandering elderly father, the one-time king of American Literary Theory, at an abandoned amusement park.

Morgan Beale is a pop icon - and hates every second of it. He begins adapting the latest best seller, The Chihuahua in the Blue Prada Bag, into a blockbuster movie just before his celebutante wife starts remodeling their Hollywood home, driving Beale to a hotel. Dodging the paparazzi one morning on his way to Starbucks, he spots his writing partner, Luke, who has been dead for over a decade, and who is staring into a mysterious hole in the ground....

Newly minted doctor Jane McGill is in hell. Not literally, of course. But between her drug addict patients, sleepless nights on call, and battling wits with the sadistic yet charming Sexy Surgeon, Jane can’t imagine an afterlife much worse than her first month of medical internship at County Hospital. And then there’s the devil herself: Jane’s senior resident Dr. Alyssa Morgan. When Alyssa becomes absolutely hell-bent on making her new interns pay tenfold for the deadly sin of incompetence, Jane starts to worry that she may not make it through the year with her soul or her sanity still intact.

Sie brauchte ein Kindermädchen. Ich brauchte eine Hauptdarstellerin. Irgendwie wurde ich Mr. Nanny. Ich habe schon nicht mehr daran geglaubt, als Drehbuchautor in L.A. durchzustarten. Aber zu meinem Glück hat mein Agent vor ein paar Wochen einen Investor gefunden. Hurra, alle meine Probleme sind gelöst! Der Haken? Der Investor ist nur bereit, meinen Film zu finanzieren, wenn ich eine bestimmte Schauspielerin verpflichte. Und natürlich muss es dieselbe Schauspielerin sein, die ich vor ein paar Monaten über den Tisch gezogen habe. Aber dieses winzige Detail braucht sie ja nicht zu wissen, oder?

Getting our hands on this source material was dangerous, legally questionable, and career-threatening, but I felt it was worth the risk–these aren’t just Hollywood outtakes, folks, these are far-out-takes. Did Duke and JFK have a reckoning in the Oval Office? Did Yoda have anger issues? Did Sean Connery struggle with crappy dentures? The answers to these–and many more unanswered questions–lay within the treasure trove of The Lost Recordings, Vol. 1: Hollywood.

Once Upon a Time in Hollywood is a revisionist history of Hollywood's Golden Era and the tabloid press that covered it. Harry Pennypacker was a prolific and revered newspaper columnist; a colleague of Louella Parsons, Walter Winchell, and the other great columnists of the day.

Unfortunately, nobody has ever heard of him because the papers never ran his articles. They were too hot. Too dangerous. Too likely to tarnish the delicate image of silver screen icons. The newspaper syndicate couldn't fire him because he had an ironclad contract, so Pennypacker wrote his stories...and the editors buried them. Until now.

Lucille Ball and Lee Bowman auditioned for the roles of a married couple in a radio pilot for a new comedy, My Favorite Husband, based on the novel Mr. and Mrs. Cugat by Isabel Scott Rorick. The concept was very well received and within a few weeks the weekly sitcom was established. Bowman was replaced by Richard Denning and during the first season, the Cugats were renamed the Coopers, who lived “in a little white two-story house” in the bustling, small suburb of Sheridan Falls.

Gleich zum Auftakt unseres Hollywood-Quartetts wird's richtig haarig. Denn schließlich steht nichts weniger als Weihnachten auf dem Spiel! "Wer hat dem Christkind die Haare geklaut?" fragt sich unser aufgeweckter Erzähler, gesprochen von der deutschen Stimme von Robert Downey Junior. Schließlich droht ohne die himmlische Lockenpracht das ganze Weihnachtsfest ins Wasser zu fallen.

Was, wenn man dem Weihnachtsmann schreibt... und der auch noch antwortet? Für die kleine Lu startet so eine ungewöhnliche Brieffreundschaft, die zeigt, was passiert, wenn wir unsere Augen und Herzen ein bisschen weiter öffnen. Denn das schönste Weihnachtswunder liegt oft viel näher, als man denkt - vielleicht sogar fast vor der eigenen Haustür. Erzählt wird diese Kurzgeschichte von der deutschen Stimme von Jennifer Lawrence, Maria Koschny.

Diesmal wird es brandgefährlich: Lauert der Tod im Zug? Für Auftragskiller gelten besondere Regeln: keine Frauen, keine Kinder... und keine unerledigten Aufträge. Wer diese ungeschriebenen Gesetze bricht, muss sich um seine Rente garantiert keine Sorgen machen. Zwischen den Stationen beginnt schleichend ein Wettlauf gegen die Zeit, erzählt von der deutschen Stimme von George Clooney.

In Why We Suck, Dr. Denis Leary uses his common sense, and his biting and hilarious take on the world, to attack the politically correct, the hypocritical, the obese, the thin - basically everyone who takes themselves too seriously. He does so with the extra oomph of a doctorate bestowed upon him by his alma mater Emerson College. "Sure it's just a celebrity type of thing - they only gave it to me because I'm famous." Leary explains.

Benny’s radio and television shows entertained audiences for more than three decades and is generally regarded as the high-water mark in twentieth century American comedy.

Our Miss Brooks was a highly popular radio sitcom that was eventually adapted for both television and film. It starred Hollywood film and New York stage veteran Eve Arden, who specialized in playing the wisecracking friend. She often did it better than anyone else, receiving an Oscar nomination for the 1945 film Mildred Pierce. Since her skill with the wicked one-liner was beginning to lead to typecasting, Arden signed on for the lead in radio's Our Miss Brooks to find a new image.

Liza Day’s mother isn’t dead, but leave it to Darla Day to throw herself a funeral anyway. It’s the kind of attention grab Liza left behind to build a quiet life for herself and rebellious teenage daughter, Avery. But between her students discovering her old daytime TV show and putting her teaching job at risk to her mother’s unexpected funeral invitation, Liza’s life feels truly like a soap opera.

Someone in town has a macabre passion for beautiful young men. Healthy, gym-toned male bodies keep turning up, tortured, drained of blood, missing parts, and quite, quite dead. Someone is using the Creative City as a canvas of gruesome, sadistic creativity. Someone... or something. At the end of her investigative rope, WeHo city coroner Becky O’Brien calls upon the aid of an old college friend, Christopher Driscoll, who is an expert on serial killers.

A lost literary gem of Hollywood in the 1930s, I Lost My Girlish Laughter is a thinly veiled send-up of the actors, producers, writers, and directors of the Golden Age of the studio system.

In his youth, Adam Peppers wanted nothing more than the spotlight. The fame, the fortune, and the glory that came with celebrity. Until his brother stole his dream from him. Angry and bitter, he lets the doldrums of suburban life eat away at him. Until one night, it all changes. He finds his parents dead, himself attacked by a mysterious hooded figure, and his house burned down. With nothing left, he seeks an opportunity to take from his brother what he always knew should have been his.

Após uma década de trabalho mediana, Rick Dalton acha difícil engolir a ideia de que a indústria cinematográfica passa muito bem sem ele, obrigado. Sentindo que sua carreira de ator está cada vez mais próxima do fim e mergulhado em uma crise existencial, Rick está disposto a se submeter ao lobby cruel de Hollywood para tentar adiar sua ruína. Para isso, vai cogitar uma investida no cinema italiano, encarnar um vilão controverso em uma série de faroeste e aceitar conselhos profissionais de uma respeitada atriz de oito anos de idade.

Sometimes the sweetest things in life don’t have anything to do with dessert. Gwynn Flannigan wants respect from her father and freedom from her big, loud family. The icing on her cake would be to win a decorating competition hosted by her favorite food magazine writer. Cole Marshall's one outlet from the stress of business life is writing his Cooking in the Buff feature. Who cares if he never has time for fun? The answer for them both lies in the deep freeze at Sweet Endings, the struggling ice cream shop Gwynn manages and the one property Cole needs to secure a big promotion.