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This chilling tale of one man’s descent into madness was published shortly before the author was institutionalized for insanity, and so The Horla has inevitably been seen as informed by Guy de Maupassant’s mental illness. While such speculation is murky, it is clear that de Maupassant—hailed alongside Chekhov as father of the short story—was at the peak of his powers in this innovative precursor of first-person psychological fiction.

"The Horla" is the chilling tale of one man's descent into madness. Maupassant established a reputation in France as an absolute master of the short story, before himself succumbing to the mental illness that ravaged his later life. This story is the terrifying tale of an invisible vampire, told by a narrator himself on the brink of insanity, and written by a master of the macabre clearly at the peak of his powers.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that are difficult to achieve elsewhere. The Gothic short story is one of the most enduring of genres. In this volume we explore works by classic authors from all corners of Europe as they explore and exploit narratives with their undeniable talents.