Showing results for "Guy De Maupassant" in Genre Fiction

Amid the serene beauty of the French countryside, a man begins to feel the unraveling threads of his mind. An unseen presence—a shadow, a whisper—lurks in his tranquil home, bringing with it dread, madness, and questions too terrifying to answer. Is it merely his imagination, or has something unimaginable crossed into his world? With his sanity teetering on the edge, he must confront an entity that defies comprehension and challenges humanity's place in the universe.

Guy de Maupassant is revered for his naturalistic fiction, which brilliantly captures flesh-and-blood characters as it evokes the most telling details of everyday life. Considered one of the finest French novels ever written, Bel Ami follows journalist Georges Duroy and his increasing stature among the Paris elite. With an immense thirst for power, Georges is not above an almost gleeful use of wealthy mistresses to achieve his ends.

À dix-sept ans, radieuse, prête à toutes les joies, à tous les hasards, Jeanne quitte enfin le couvent. Dans le désœuvrement des jours et la solitude des espérances, de tous ses rêves, le plus impatient est celui de l'amour... Oh ! Elle en sait des choses sur le frémissement des cœurs, l'élan des âmes. Elle les a si souvent pressentis, espérés, ces bonheurs-là. Aussi, lorsqu'il paraît, le reconnaît-elle sans peine. L'être créé pour elle...

Beautifully simple and marvelously strong, the stories of Guy de Maupassant have enchanted generations around the world. One of the finest short story writers of all time, de Maupassant believed that the most heart-wrenching and powerful moments in life lay in the simple events of daily life, and he proved it by turning those moments into timeless stories.

Life has the capacity of great moments and attainment, of lives well lived, fulfilling for ourselves and for those we touch. But for others life is arduous. There is no spark to ignite the curiosity, to explore and achieve a stability and a growth to their lives. Indeed their lives, in their own eyes, become almost meaningless, their sense of themselves subsumed under a myriad of problems, whether real or imagined. Seismic events in a life might crush them; the loss of a loved one for instance. Coping is difficult, support hard to find and isolation abounds.

A vague jealousy, one of those dormant jealousies which grow up between brothers or sisters and slowly ripen till they burst, on the occasion of a marriage perhaps, or of some good fortune happening to one of them, kept them on the alert in a sort of brotherly and non-aggressive animosity. They were fond of each other, it is true, but they watched each other. Pierre, five years old when Jean was born, had looked with the eyes of a little petted animal at that other little animal which had suddenly come to lie in his father's and mother's arms and to be loved and fondled by them.

"Gli sembrò di essere davvero distinto, camminava in modo elegante. E il suo animo si riempì di una grande fiducia in sé stesso. Certo, tutte le porte gli sarebbero state spalancate, grazie a quella sua presenza, alla smania di avere successo, alla fermezza dei suoi propositi e al suo spirito d'indipendenza.

First published in 1888 in France, this novel is usually considered Maupassant's best. It is a piercing study of jealousy and suspicion. Pierre and Jean are the sons of a retired Parisian jeweler, M. Roland, living at Le Havre. Pierre is a doctor, whose temperament is somewhat nervous and unsteady. Jean, the younger, has a placid nature and is a lawyer. Both love the widowed young Mme. Rosemilly, who seems to prefer Jean. When Jean inherits a fortune from M. Marechal...

En ¿Quién sabe? de Maupassant, el personaje principal nos conduce por un camino que quizás esconde su propia condición. Un camino de unos cuantos privilegiados. El camino de la locura. Este escalofriante relato forma parte de una serie de cuentos que Maupassant dedicó al tema de la locura.

Monsieur Saval blickt auf sein Leben zurück, und was er dort sieht, gefällt ihm ganz und gar nicht. Seit seine Mutter gestorben ist, hat er niemanden mehr - und über sechzig ist er auch mittlerweile. Er wird einsam sterben, das wird ihm klar. Aber warum ist alles so gekommen? Hätte er nicht auch eine Frau haben können? Aber es hat sich nie ergeben. Bis auf das eine Mal, als er mit der Frau seines Freundes alleine am Fluss war... Eine wunderbar-wehmütige Novelle über das menschliche Leben, verpasste Chancen und die immer wiederkehrende Frage des "Was wäre, wenn...".

Es ist schon ein Kreuz mit den Orden: Alle Welt hat einen, nur man selbst nicht. Monsieur Sacrement, der Held unserer Geschichte, hat schon seit seiner Kindheit auf die Knopflöcher der Passanten gestarrt, in denen das kleine rote Band die Zugehörigkeit einer besonderen Kaste verriet. Er will unbedingt dazugehören - doch wie? Endlich hat er eine Idee: Seine Frau soll ihm helfen! Das tut sie auch - und Sacrement lernt, dass nichts auf der Welt ohne Preis ist.

Rouen is occupied by the Prussian army and a group of ten residents decides to leave town. Although it is not that easy, they manage to get on a carriage. The group is quite colorful as every person represents a different part of the French population during the Franco-Prussian War of the late 19th century. A prostitute is a part of the group and although the others are filled with prejudices towards her, she is the one who could save them all when they find themselves in a Prussian-held territory.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Most religions also have 3 this and 3 that and, of course, in these more modern times, three’s a crowd may be too many, except when it’s a ménage à trois. It seems good things usually come in threes. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

Guy de Maupassant is justly revered as one of the strongest proponents of the short story. The miniature gems he created are woven from the many worlds and strata of society that surrounded him. From feuds and revenge to tales of avarice and friendship de Maupassant is the master of all and second to none.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that are difficult to achieve elsewhere. The City of Lights may be one of the glories of the world but for those whose three score and ten have passed it is the final resting place for some of the very finest of literary talents.

The diary is that most intimate of journals, of records. Within its pages the writer records and gives expression to their thoughts, their feelings, their emotional state on all the things that make up and surround them in this world. With authors of the calibre of Bulgakov, Woolf, Tolstoy, Twain and many others this volume explores characters whose lives seem dominated by these diaries, and the events that unfold are both compelling and literary journeys into the very personal and intimate side of their characters’ lives.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that are difficult to achieve elsewhere. The Gothic short story is one of the most enduring of genres. In this volume we explore works by classic authors from all corners of Europe as they explore and exploit narratives with their undeniable talents.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.