Showing results for "Girl" in Literature & Fiction

Welcome to 1990s Norway. White picket fences run in neat rows, and Christian conservatism runs deep. But as the Artist considers her work, things start stirring themselves up. In a corner of Oslo, a coven of witches begin cooking up some curses. A time-traveling Edvard Munch arrives in town to join a death-metal band, closely pursued by the teenaged subject of his painting Puberty, who has murder on her mind. Meanwhile, out deep in the forest, a group of school girls get very lost and things get very strange. And awful things happen in aspic.

In their lovely old Cotswolds village, Janet and Susan are known to all the other villagers as “the girls”—a fixture. Partners in love and work, co-proprietors of a picturesque shop specializing in the work of local artisans and farmers, they lead an enviable, enviably settled life. So it’s no catastrophe when Sue, the younger of the two, feels the need to take a month to travel on her own, leaving Jan alone to run their stall at the Inland Waterways Rally Craft Fair.

Fern's mother is a social climber and a former ballet dancer who lives a plush life in a London townhouse. Fern's father only climbs if there's a bottle at the top, has an IQ of 133 and lives hand-to-mouth in Californian motels. Aged 14, Fern has spent equal time with each of her parents. That is, until an unexpected visitor triggers a life-changing dilemma – whether she should get on a plane to London to be with her mother, or stay in California with her father. Here, Fern's narrative splices in two.

Pearl is a trans woman writer on the cusp of literary greatness... or so she thought until her agent informs her that her first book has sunken like a stone for its failure to "connect with normal people". Normal people. Heterosexual people. Cisgender people. Jaded from the knowledge that this industry rarely lets in people like her, Pearl comes up with a plan: write a commercial male/male romance. Except the market's all about authenticity these days, isn't it?

Eighteen years old, pregnant and working as a pizza delivery girl, our dysfunctional heroine is deeply lost and in complete denial about it all. She’s grieving the death of her father, avoiding her loving boyfriend and flagrantly ignoring her future. Her world is further upended when she becomes obsessed with Jenny, a stay-at-home mother new to the neighbourhood, who comes to depend on weekly deliveries of pickle-covered pizzas for her son’s happiness.

From spoken word poet Jasmine Mans comes an unforgettable poetry collection about race, feminism, and queer identity. With echoes of Gwendolyn Brooks and Sonia Sanchez, Mans writes to call herself - and us - home. Each poem explores what it means to be a daughter of Newark, and America - and the painful, joyous path to adulthood as a young, queer Black woman. Black Girl, Call Home is a love letter to the wandering Black girl and a vital companion to any woman on a journey to find truth, belonging, and healing.

In 1968 we meet six teens confined at the Good Shepherd—a dark and secretive institution controlled by Sisters of Charity nuns—locked away merely for being gay, pregnant, or simply unruly. Wayward Girls is a haunting but thrilling tale of hope, solidarity, and the enduring strength of young women who find the courage to break free and find redemption...and justice.

It’s 1993, and Paul Polydoris tends bar at the only gay club in a university town thrumming with politics and partying. He studies queer theory, has a dyke best friend, makes zines and is a flâneur with a rich dating life. But Paul’s also got a secret: he’s a shape-shifter. Oscillating wildly from Riot Grrrl to leather cub, Women’s Studies major to trade, Paul transforms his body at will in a series of adventures that take him from Iowa City to Boystown to Provincetown and finally to San Francisco - a journey through the deep queer archives of struggle and pleasure.

Thirteen-year-old Byron needs to get away and doesn't care how. Sick of being beaten up by lads for 'talkin' like a poof' after school. Sick of dad - the weightlifting, womanising Gaz - and Mam, who selfishly pissed off to Turkey. Sick of the people who shuffle about Hucknall like the living dead, going on about kitchens they're too skint to do up and marriages they're too scared to leave. It's a new millennium, Madonna's Music is top of the charts and there's a whole world to explore - and Byron's happy to beg, steal and skank onto a rollercoaster ride of hedonism.

For Addison Fairchild, success is a guarantee. Groomed since childhood to run a division of Fairchild Enterprises, she takes her birthright seriously. Maybe a little too seriously, if you ask her friends. But work is so much easier than the rest of her life. For Katie Cooper, money has never been important. That is, until her father gets dementia and needs full-time care. As the bills start to pile up, Katie takes a second job as a temporary personal assistant. Two minutes and one spilled cup of coffee later, she's sure she's not ready for Addison Fairchild.

In the summer of 1973, teenage Ruth and her four friends are obsessed with pre-Raphaelite paintings and a little bit obsessed with each other. They spend the scorching summer days in the river by Ruth's grand family home, pretending to be the drowning Ophelia and recreating tableaus of other tragic mythical heroines. But by the end of the summer, real tragedy has found them. Twenty-four years later, Ruth is a wife and mother of three children and moves her family into her still-grand, but now somewhat dilapidated, childhood home following the death of her father.

Grace has what one might call a 'full and interesting life', which is code for not married and has no kids. Her life is the envy of her straight friends, but all this time she has been waiting in secret for love to hit her so hard that she would run out of breath, like the way a wave in a rough sea bowls you over, slams you into the sand and nearly drowns you.

Jodi Chenault has a lot of things going for her; she has a successful business, looks, and intelligence. And she's a master flirt. She has no problem meeting women or getting dates. She just can't hold on to any of the women she goes out with. It's not because she's unlikeable, she simply can't handle commitment. Val Mason is hoping to find the right woman to build a life with. At her best friend's weeklong pre-wedding party, she meets one who appears to have potential, and she's hooked. The only problem is, she's unknowingly hanging her hopes on the Temporary Girl.

Newspaper publisher and world traveler JJ Cavendish continually feels pressured to live up to her "Miracle Girl" nickname. Not many people know she’s living a carefully crafted lie. She may not hide ties to the LGBT community, but she does hide past struggles with addiction. When the Colorado native is handpicked to take the helm at a dying Denver newspaper, she ends up reconnecting with her long lost love in this contemporary lesbian romance. Only there’s a catch. If JJ fires the most belligerent editor at the paper, she risks losing the love of her life.

JJ Cavendish thought she’d escaped her dark past. After publishing her tell-all memoir, she’s ready to settle down with Claire and devote her attention to running a scrappy online news venture. But when her new business partner exploits JJ’s notoriety to keep the company afloat, avoiding the limelight becomes impossible. As JJ keeps hungry movie producers at bay, she fields an intriguing offer from an old enemy who could help her expose a cyberbully, stop a string of suicides, and get her company the scoop it needs.

Introvert Gina Mulley is determined to become a tattoo artist, and to find somewhere she belongs in her conventional Long Island town. But this is 1985, when tattooing is still a gritty, male-dominated fringe culture, and Gina’s whimsical style is far from the norm. Luck is on her side: Gina’s older brother Dominic owns a tattoo shop, and he reluctantly grants her one year to prove herself.

She’s the most beautiful girl Henry has ever seen, and sitting alone at the counter of the hotel bar likely means she can give him the fantasy he’s hoping for. Buying Jenna a drink gets the ball rolling, but it’s a shock when she tells him the kind of clientele the hotel caters to. The chance to be with a t-girl escort isn’t what Henry expected, but being away from home lets him try a kinky experience, and it turns out to be the night of his life when Jenna shows him everything she can offer.

Black Girl Magic continues and deepens the work of the first BreakBeat Poets anthology by focusing on some of the most exciting Black women writing today. This anthology breaks up the myth of hip-hop as a boys’ club and asserts the truth that the cypher is a feminine form.

I'm a good girl. I work hard, look like your average girl next door, do everything in moderation, and I certainly don't make a habit of going into a stranger's hotel room dressed in sexy lingerie and killer heels. That is, until I meet her. When a mysterious woman buys me a drink at a hotel bar in New York, I never expect her to impact my life the way she does. From the moment she lays eyes on me, there's little point fighting my desires, because she seems to know them better than myself....

It’s the summer of ’96 and best friends (and secret girlfriends), Hannah and Sam are driving across the country from Long Beach, New York, to the fabled queer paradise of San Francisco, free from the harsh gazes of their neighbors and the stifling demands of Hannah’s devout Orthodox Jewish mother. In San Francisco, they will finally be together as a real couple, out in the open, around other queer people. Even if the move means leaving behind Hannah’s beloved Bubbe.