Showing results for "Fathers and Sons" in Art & Literature

On 11 June 2011, three days short of his sixth-ninth birthday, Jonathan Raban suffered a stroke which left him unable to use the right side of his body, wheelchair-bound in a rehab facility and endlessly frustrated by his newfound physical limitations. As he resisted the overbearing ministrations of the nurses helping him along the road to recovery, Raban began to reflect not only on the measure of his own life but the extraordinary story of his parents’ early marriage, conducted for three years by letter while his father fought in the Second World War.

"This story is the record of a struggle between two temperaments, two consciences and almost two epochs. It ended, as was inevitable, in disruption. Of the two human beings here described, one was born to fly backward, the other could not help being carried forward. The affection of these two persons was assailed by forces in comparison with which the changes that health or fortune or place introduce are as nothing.

Hisham Matar was 19 when his father was kidnapped and taken to prison in Libya. He would never see him again. Twenty-two years later, after the fall of Gaddafi, Hisham was finally able to return to his homeland for the first time. In this heartbreaking, illuminating memoir, he describes his return to a country and a family he thought he would never see again. The Return is at once a universal and an intensely personal tale of loss. It is an exquisite meditation on history, politics and art.

When 81-year-old Jay Mendelsohn decides to enrol in the undergraduate seminar on The Odyssey that his son Daniel teaches at Bard College, the two find themselves on an adventure as profoundly emotional as it is intellectual. For Jay, a retired research scientist who sees the world through a mathematician's unforgiving eyes, this return to the classroom is his 'one last chance' to learn about the great literature he'd neglected in his youth - and, even more, a final opportunity to understand his son.

Staring the modern world in the eye, Richard Wagamese confronts its snares and perils. He sees people coveting without knowing why, looking for roots without understanding what constitutes home, searching for acceptance without extending reciprocal respect, and longing for love without knowing how to offer it. He sees this because he lived it. For Joshua is Wagamese's love letter to his estranged son. Ojibway tradition calls for fathers to walk their children through the world and teach them their place in it. To teach them they belong.

Pat Conroy's father, Donald Patrick Conroy, was a towering figure in his son's life. The Marine Corps fighter pilot was often brutal, cruel, and violent; as Pat says, "I hated my father long before I knew there was an English word for 'hate.'" As the oldest of seven children who were dragged from military base to military base across the South, Pat bore witness to the toll his father's behavior took on his siblings, and especially on his mother, Peg. She was Pat's lifeline to a better world - that of books and culture.

At the age of 11, Michael Keith left a stable life with his mother and sisters and set off to cross the country with his irresponsible hobo of a father - a real bum. The memoir, narrated without sentimentality by this funny, world-wise little boy, describes their life on the road - the characters they meet hitching rides, their adventures with bed bugs in Salvation Army bunks, the joys of finally encountering a decent meal.

Dan Robson's father is a builder, a fixer. When he dies, nothing in his son's world feels steady anymore. Dan knows he is not the man his father was. Dan never learned the blue-collar skills he admired, because his father wanted him to pursue his dream of becoming a writer. Now that his father is gone, the acknowledgment of his sacrifices and the sheer longing to be close to him again in some way draw Dan to the tools that lie unused in the garage. So begins Dan’s year of learning the skills his father’s hands had long mastered, and trying to fill the steel-toe boots left behind.

On the first day of the Battle of Gettysburg in July 1863, Union artillery lieutenant Bayard Wilkeson fell while bravely spurring his men to action. His father, Sam, a New York Times correspondent, was already on his way to Gettysburg when he learned of his son's wounding but had to wait until the guns went silent before seeking out his son, who had died at the town's poorhouse. Sitting next to his dead boy, Sam Wilkeson then wrote one of the greatest battlefield dispatches in American history.

In the tradition of Geoffrey Wolf’s The Duke of Deception and Jeanette Walls’ The Glass Castle, John-Ivan Palmer’s Master of Deception takes listeners on the road with his magician father and his mother, the lovely assistant, as they travel from Elks Lodges to County Fairs, performing alongside contortionists, ventriloquists, and every manner of screwball act that passed for variety entertainment before television drove us all indoors and away from one another.