Showing results for "Edgar Allan Poe" in Literary Fiction

Lost love and a midnight visit from a raven bring one man to the brink of insanity. A classic poem by a master wordsmith. Narrated by Glenn Hascall.

Enter the haunting world of Edgar Allan Poe's most famous poem, "The Raven," brought to life by the evocative narration of Anthony Pica. This timeless piece of gothic literature tells the story of a grief-stricken man visited by a mysterious raven in the dead of night. As the raven utters its ominous refrain, "Nevermore," the man descends deeper into despair, haunted by memories of his lost love, Lenore.

This is a story from the Murders in the Rue Morgue (The Dupin Stories) collection. Auguste Dupin, investigator extraordinaire, was the remarkable creation of Edgar Allan Poe. Written in the 1840s, Poe presented the acutely observant, shrewd but idiosyncratic character who, with his chronicler, provided the inspiration for the more famous Sherlock Holmes and Dr. Watson.

Auguste Dupin, investigator extraordinaire, was the remarkable creation of Edgar Allan Poe. Written in the 1840s, Poe presented the acutely observant, shrewd but idiosyncratic character who, with his chronicler, provided the inspiration for the more famous Sherlock Holmes and Dr. Watson.

Greetings! Welcome to the Language Magic™ dual-language learning series. After you’ve learned the basics from the classroom or one of the many excellent language learning programs out there, it's time to get fluent! Discover that you can relax and enjoy the story while absorbing the language as you listen, and you can listen to it over and over until you find you can understand it completely in the language you are learning.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. In this volume the Mad Scientist takes centre stage. Naturally the stories come in all shapes and sizes and in the pens of our classic authors the scientists more usually arrive as dark, twisted and evil as they go about their work illuminating humanity as only a mad scientist can.

Many authors have been cited as inventing the detective genre. Perhaps the strongest claimant is the American Edgar Allan Poe. His creation of the Parisian sleuth C. Auguste Dupin with his quite astounding analysis and deductive powers allied to Poe’s great imagination and wit create a literary tour de force.

This is a story from the Fall of the House of Usher collection. The horrors of the Spanish Inquisition, with its dungeon of death, and the overhanging gloom on the House of Usher demonstrate unforgettably the unique imagination of Edgar Allan Poe. Unerringly, he touches upon some of our greatest nightmares: Premature burial, ghostly transformation, words from beyond the grave. Written in the 1840s, they have retained their power to shock and frighten even now.

"The Imp of the Perverse" is a short story by 19th-century American author and critic Edgar Allan Poe. Beginning as an essay, it discusses the narrator's self-destructive impulses, embodied as the symbolic metaphor of The Imp of the Perverse. The narrator describes this spirit as the agent that tempts a person to do things "merely because we feel we should not." The narrator explains at length his theory on "The Imp of the Perverse", which he believes causes people to commit acts against their self-interest.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

The narrator is in deep sorrow, mourning his lost love, and is slowly sinking into despair when he is visited by a talking raven from whom he seeks comfort and hope, but whose only utterance is a single portentous word - "nevermore."

When the prefect of police comes to Dupin seeking help he explains how a letter has been stolen that could cause considerable discomfort to a certain powerful person. Strangely, they know who stole the letter, but arresting the culprit is not the issue; recovering this precious letter is the goal.

"The Masque of the Red Death", originally published as "The Mask of the Red Death: A Fantasy" (1842), is a short story by American writer Edgar Allan Poe. The story follows Prince Prospero's attempts to avoid a dangerous plague, known as the Red Death, by hiding in his abbey. He, along with many other wealthy nobles, hosts a masquerade ball within seven rooms of the abbey, each decorated with a different color. In the midst of their revelry, a mysterious figure disguised as a Red Death victim enters and makes his way through each of the rooms.

The blue, veiled eye of an old man is an object that drives the main character to madness. Every time he sees it, aggression and a desire to murder arise within him. He decides to commit a crime. He carefully plans it, and for a week, every night, he peeks into the adjacent room where the old man lives and observes him silently so as not to wake him up - he keeps repeating that he cannot be considered a madman because in his opinion, no madman would plan a murder with such precision.

"The Raven" is a narrative poem by American writer Edgar Allan Poe. First published in January 1845, the poem is often noted for its musicality, stylized language, and supernatural atmosphere. It tells of a talking raven's mysterious visit to a distraught lover, tracing the man's slow fall into madness. The lover, often identified as being a student, is lamenting the loss of his love, Lenore. Sitting on a bust of Pallas, the raven seems to further distress the protagonist with its constant repetition of the word "Nevermore".

This is a story from the Fall of the House of Usher collection. The horrors of the Spanish Inquisition, with its dungeon of death, and the overhanging gloom on the House of Usher demonstrate unforgettably the unique imagination of Edgar Allan Poe. Unerringly, he touches upon some of our greatest nightmares: Premature burial, ghostly transformation, words from beyond the grave. Written in the 1840s, they have retained their power to shock and frighten even now.

The Narrative of Arthur Gordon Pym of Nantucket, Poe's only full novel, is one of his most unusual works. A riveting story, toldl in the first person, it tells of a disastrous sea voyage involving storms, mutiny, starvation, thirst - and a mysterious conclusion. Jorge Luis Borges and Baudelaire were among those who rated it highly. This recording was timed to mark the 200th anniversary of Poe's birth.

"La Carta Robada" de Edgar Allan Poe es una historia de detectives clásica protagonizada por C. Auguste Dupin. La narrativa gira en torno al ingenioso robo y recuperación de una carta robada, demostrando el poder de la deducción y las verdades ocultas.