Showing results for "Edgar Allan Poe" in Genre Fiction

Lost love and a midnight visit from a raven bring one man to the brink of insanity. A classic poem by a master wordsmith. Narrated by Glenn Hascall.

This rousing sea adventure follows New England boy Pym, who stows away on a whaling ship with its captain’s son, Augustus. The two boys repeatedly find themselves on the brink of death or discovery and witness many terrifying events, including mutiny, cannibalism and frantic pursuits. Poe imbued this deliberately popular tale with such allegorical richness, biblical imagery and psychological insights that the tale has come to influence writers as various as Melville, James, Verne and Nabokov.

Enter the haunting world of Edgar Allan Poe's most famous poem, "The Raven," brought to life by the evocative narration of Anthony Pica. This timeless piece of gothic literature tells the story of a grief-stricken man visited by a mysterious raven in the dead of night. As the raven utters its ominous refrain, "Nevermore," the man descends deeper into despair, haunted by memories of his lost love, Lenore.

This is a story from the Murders in the Rue Morgue (The Dupin Stories) collection. Auguste Dupin, investigator extraordinaire, was the remarkable creation of Edgar Allan Poe. Written in the 1840s, Poe presented the acutely observant, shrewd but idiosyncratic character who, with his chronicler, provided the inspiration for the more famous Sherlock Holmes and Dr. Watson.

Auguste Dupin, investigator extraordinaire, was the remarkable creation of Edgar Allan Poe. Written in the 1840s, Poe presented the acutely observant, shrewd but idiosyncratic character who, with his chronicler, provided the inspiration for the more famous Sherlock Holmes and Dr. Watson.

Greetings! Welcome to the Language Magic™ dual-language learning series. After you’ve learned the basics from the classroom or one of the many excellent language learning programs out there, it's time to get fluent! Discover that you can relax and enjoy the story while absorbing the language as you listen, and you can listen to it over and over until you find you can understand it completely in the language you are learning.

We are all driven by needs, desires, ambitions and many other forces. Life runs as normal with the obligatory ups and downs. In this volume such literary leviathans as Nathaniel Hawthorne, Nikolai Gogol, Edgar Allan Poe, Charlotte Perkins Gilman and many others provide tales from pens that seep with wisdom and worry.

Wenn das Licht des Tages stirbt und sich das Totenhemd der Nacht auf Pflastersteine und Asphaltstraßen herabsenkt, geht ein Raunen durch alte Ziegelmauern. Es ist die Zeit des Zwielichts, in welcher die Gebäude im Mondlicht zu träumen beginnen... Die schiefen Palazzi von Venedig flüstern einander längst vergessene Geheimnisse zu. In den verfallenen Häuserblocks von Berlin ertönt ein Wispern. Beide Städte erzählen dem Leser unheimliche Geschichten. Grotesk, bizarr, durchwoben von Schmerz und Angst.

La Máscara de la Muerte Roja de Edgar Allan Poe es una escalofriante historia ambientada en un reino ficticio asolado por una plaga mortal conocida como la Muerte Roja. El príncipe Próspero, junto con un selecto grupo de nobles, se retira a su apartada abadía para evitar el contagio. Dentro de la abadía, Prospero organiza un lujoso baile de máscaras, donde los invitados se deleitan con la decadencia y el libertinaje. Sin embargo, en medio de las festividades, aparece una figura misteriosa vestida con una túnica manchada de sangre, que simboliza la inevitabilidad de la muerte.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. In this volume the Mad Scientist takes centre stage. Naturally the stories come in all shapes and sizes and in the pens of our classic authors the scientists more usually arrive as dark, twisted and evil as they go about their work illuminating humanity as only a mad scientist can.

Many authors have been cited as inventing the detective genre. Perhaps the strongest claimant is the American Edgar Allan Poe. His creation of the Parisian sleuth C. Auguste Dupin with his quite astounding analysis and deductive powers allied to Poe’s great imagination and wit create a literary tour de force.

This is a story from the Fall of the House of Usher collection. The horrors of the Spanish Inquisition, with its dungeon of death, and the overhanging gloom on the House of Usher demonstrate unforgettably the unique imagination of Edgar Allan Poe. Unerringly, he touches upon some of our greatest nightmares: Premature burial, ghostly transformation, words from beyond the grave. Written in the 1840s, they have retained their power to shock and frighten even now.

"The Imp of the Perverse" is a short story by 19th-century American author and critic Edgar Allan Poe. Beginning as an essay, it discusses the narrator's self-destructive impulses, embodied as the symbolic metaphor of The Imp of the Perverse. The narrator describes this spirit as the agent that tempts a person to do things "merely because we feel we should not." The narrator explains at length his theory on "The Imp of the Perverse", which he believes causes people to commit acts against their self-interest.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

The narrator is in deep sorrow, mourning his lost love, and is slowly sinking into despair when he is visited by a talking raven from whom he seeks comfort and hope, but whose only utterance is a single portentous word - "nevermore."

When the prefect of police comes to Dupin seeking help he explains how a letter has been stolen that could cause considerable discomfort to a certain powerful person. Strangely, they know who stole the letter, but arresting the culprit is not the issue; recovering this precious letter is the goal.

"The Masque of the Red Death", originally published as "The Mask of the Red Death: A Fantasy" (1842), is a short story by American writer Edgar Allan Poe. The story follows Prince Prospero's attempts to avoid a dangerous plague, known as the Red Death, by hiding in his abbey. He, along with many other wealthy nobles, hosts a masquerade ball within seven rooms of the abbey, each decorated with a different color. In the midst of their revelry, a mysterious figure disguised as a Red Death victim enters and makes his way through each of the rooms.