Showing results for "Dirt" in Literary Fiction

Ebby Freeman travels to France to take a three-month hiatus from her complicated home life, the last person she expects to find is her ex-fiancé Henry, with his new girlfriend in tow. Nearly twenty years earlier, the Freemans were the only African American family living in a wealthy coastal enclave in Connecticut when armed robbers invaded their family home and tragedy changed their lives forever. Then, just as Ebby thought she had a new chance at happiness, her storybook romance with Henry fell apart. Now, this unexpected encounter with Henry will force Ebby to reckon with her past.

Lydia Quixano Pérez lives in the Mexican city of Acapulco. She runs a bookstore. She has a son, Luca, the love of her life, and a wonderful husband who is a journalist. And while there are cracks beginning to show in Acapulco because of the drug cartels, her life is, by and large, fairly comfortable. When Lydia’s husband’s tell-all profile of Javier, the jefe of the newest drug cartel that has gruesomely taken over the city, is published, none of their lives will ever be the same.

The Aylward women of Nenagh, Tipperary, are mad about each other, but you wouldn't always think it. You'd have to know them to know—in spite of what the neighbours might say about raised voices and dramatic scenes—that their house is a place of peace, filled with love, a refuge from the sadness and cruelty of the world. Their story begins at an end and ends at a beginning. It involves wives and widows, gunrunners and gougers, sinners and saints. It's a story of terrible betrayals and fierce loyalties, of isolation and togetherness, of transgression, forgiveness, desire and love.

Meadow Reed used to get confused when explaining that she had grandparents from Australia, Tonga and Great Britain. She'd say she was full-White and full-Tongan, thinking that so many halves made separate wholes. Despite the Anglo-Saxon genetics that gave Meadow a narrow nose and light-brown skin, everybody who raised her was Tongan. Everybody who loved her was Tongan. This was what made her Tongan.

Le roman en tête des ventes aux USA ! Des coups de feu, des cris, des pleurs, des bruits de pas... Lydia tente d'étouffer les bruits en pressant la paume de ses mains sur les oreilles de son petit garçon, Luca. Ils n'ont aucune idée de ce qu'il se passe au-delà de la porte des toilettes dans lesquels ils se sont réfugiés. Quand le silence revient, ils sortent et découvrent le massacre. La fête de famille a viré au drame, tous les convives de la quinceanera sont morts, baignant dans leur sang, transpercés par les balles du cartel le plus puissant d'Acapulco.

In the Piedmont of North Carolina, two families' paths become unexpectedly intertwined over 20 years. Jade and Lacey May are two mothers determined to give their children the opportunities they never had. After a harrowing loss, Jade wants to hand down the tools her son, Gee, will need to survive in America as a sensitive young Black man. Meanwhile, Lacey May, having left the husband she loves, strives to protect her three half-Latina daughters from their charming father's influence.

Expansive.., and eloquent.., at once grave and majestic. In the final volume of the 'Home' trilogy, it is 1974 and we are in the windswept territories of the southwest USA. Written with terse lyricism, and cinematic detail, and wry humor, Dirt and Snakes is a tale of the American West like no other in contemporary literature. This searing, extraordinarily evocative narrative opens with Gus Alamo, a wayfarer; a Cowboy.

This work is intended to stand unto itself as more a living, breathing portrait of art painted with carefully chosen words, than just as a really interesting story told. The intent here is for the listener to view the landscape through the eyes of the main character, to feel what he does as he ambles along in this adventure. When the main character feels the pain and pleasures of the old dirt road, then all will only be right if the listener feels these same identical experiences.