Showing results for "Das Testament" in Literary Fiction

More than 15 years after the events of The Handmaid’s Tale, the theocratic regime of the Republic of Gilead maintains its grip on power, but there are signs it is beginning to rot from within. At this crucial moment, the lives of three radically different women converge, with potentially explosive results. Two have grown up as part of the first generation to come of age in the new order. The testimonies of these two young women are joined by a third voice: a woman who wields power through the ruthless accumulation and deployment of secrets.

When a dispute over her parents’ will grows bitter, Bergljot is drawn back into the orbit of the family she fled 20 years before. Her mother and father have decided to leave two island summer houses to her sisters, disinheriting the two eldest siblings from the most meaningful part of the estate. To outsiders, it is a quarrel about property and favoritism. But Bergljot, who has borne a horrible secret since childhood, understands the gesture as something very different - a final attempt to suppress the truth and a cruel insult to the grievously injured.

For Gideon Mack, faithless minister, unfaithful husband, and troubled soul, the existence of God, let alone the Devil, is no more credible than that of ghosts or fairies - until the day he falls into a gorge and is rescued by someone who might just be Satan.

Years after her son’s crucifixion, Mary finds herself alone, fearful, while attempting to reconstruct the events leading to her son's cruel death. With no interest in collaborating with the authors of the Gospel and during a time fraught with upheaval and transition, she tries to tell the truth, revealing herself as a figure of towering moral integrity, and a historical woman portrayed in all her humanity.

Eva finds the letter in the Blue Room. She spent the happier days of her childhood here, in her grandfather's painting studio. After his death, she is responsible for his legacy - a legacy threatened by the letter. It is from the Jewish Museum in Berlin. They have found the testimony he gave after surviving the death march across Serbia and Hungary, and they want to exhibit it. But the famous Joseph Silk - who came to England as a refugee - remade himself long ago. As Eva unravels what happened to him and to the woman he loved, she is confronted by the lies that have haunted her family....

"Today I had word that my brother Ya'aqôb is dead." When this news reaches Mariam, living in exile in the province of Gaul, memories of her girlhood in faraway Palestine are painfully awakened. For years she has blocked them from her mind, but as illness and old age overtake her, she begins to relive the time when she defied all propriety and convention and followed her charismatic brother Yeshûa and her betrothed Yehûd'a in their daring but perilous adventure.

Nuri is a beekeeper, his wife, Afra, an artist. They live a simple life, rich in family and friends, in the beautiful Syrian city of Aleppo - until the unthinkable happens. When all they care for is destroyed by war, they are forced to escape. But what Afra has seen is so terrible she has gone blind, and so they must embark on a perilous journey through Turkey and Greece towards an uncertain future in Britain.

Women are dying in their millions. Some blame scientists, some see the hand of God, some see human arrogance reaping the punishment it deserves. Jessie Lamb is an ordinary girl living in extraordinary times: As her world collapses, her idealism and courage drive her towards the ultimate act of heroism. If the human race is to survive, it’s up to her. But is Jessie heroic? Or is she, as her father fears, impressionable, innocent, and incapable of understanding where her actions will lead?

Relocated to New York for The Clockwork Testament, or, Enderby's End, Enderby has to defend himself and his first film scenario, which he based on a poem by Gerald Manley Hopkins but - shades of Burgess's A Clockwork Orange - was transmogrified into an X-rated movie.

Cuando las puertas de la furgoneta se cerraron de golpe tras Defred al final de El cuento de la criada, los lectores no tenían forma de saber cuál iba a ser su futuro: la libertad, la prisión o la muerte. Con la publicación de Los testamentos, la espera ha terminado. Margaret Atwood recupera la historia 15 años después de que Defred se adentrara en lo desconocido, con los testimonios asombrosos de tres narradoras del mundo de Gilead.

In this version of London, there is a small, private clinic. Behind its layers of security, procedures are taking place on poor, robust teenagers from northern estates in exchange for thousands of pounds - procedures that will bring the wealthy dead back to life in these young, supple bodies for 14 days. It's an opportunity for wrongs to be righted, for fathers to meet grandsons, for scientists to see their work completed. Old wine in new bottles. But at what cost?

Bathsheba is a woman who longs for love. With her devout husband away fighting the king's wars for many months at a time, discontent and loneliness dog her steps - and make it frighteningly easy to succumb to King David's charm and attention. Though she immediately regrets her involvement with the powerful king, the pieces are set in motion that will destroy everything she holds dear. Can she find forgiveness at the feet of the Almighty? Or has her sin separated her from God - and David - forever?

After losing her husband, Harold, and her beloved grandson, Cody, within the past year, Louisa has two choices. She can fade away on her Indiana family farm, where her companionship comes courtesy of her aging chickens and an argumentative cat. Or, she can concoct a plan. Louisa, a retired schoolteacher who's as smart, sassy, and irreverent as ever, isn't the fading away type.

"Ich dachte, heute sei vergangener Montag" - Nachdem der einsam und verlassen in der Schweiz verstorbene Zauberer Tenor dem Ewigen Buddha seinen letzten großen Trick vermacht hat, muss dieser sich nicht nur mit chinesischen Banken und den elendigen Monotheisten herumschlagen, sondern löst mit diesem Missverständnis eine Kette von Verwicklungen aus.

Cuando las puertas de la furgoneta se cerraron de golpe tras Offred al final de El cuento de la criada, los lectores no tenían forma de saber cuál iba a ser su futuro: la libertad, la prisión o la muerte. Con la publicación de Los testamentos, la espera ha terminado. Margaret Atwood recupera la historia quince años después de que Offred se adentrara en lo desconocido, con los testimonios asombrosos de tres narradoras del mundo de Gilead.