Showing results for "Chambers" in Literary Fiction

Croydon, 1964. Helen Hansford is in her thirties and an art therapist in a psychiatric hospital where she has been having a long love affair with Gil: a charismatic, married doctor. One spring afternoon they receive a call about a disturbance from a derelict house not far from Helen's home. A thirty-seven-year-old man called William Tapping, with a beard down to his waist, has been discovered along with his elderly aunt. It is clear he has been shut up in the house for decades, but when it emerges that William is a talented artist, Helen is determined to discover his story.

The Mitchells and the O'Haras have been enemies for years. One a gangland family, the other travellers, they resort to violence to solve problems between them. So when Frankie Mitchell fell for Jed O'Hara, it was only going to be a matter of time before all hell broke loose. Clever, ruthlessly attractive to women and slippery as a snake, Jed O'Hara has Frankie exactly where he wants her - pregnant and estranged from her family. Even Eddie Mitchell, Frankie's terrifying father, is no threat - he's in prison awaiting trial for murder.

Jean Swinney is a feature writer on a local paper, disappointed in love and - on the brink of 40 - living a limited existence with her truculent mother: a small life from which there is no likelihood of escape. When a young Swiss woman, Gretchen Tilbury, contacts the paper to claim that her daughter is the result of a virgin birth, it is down to Jean to discover whether she is a miracle or a fraud. But the more Jean investigates, the more her life becomes strangely (and not unpleasantly) intertwined with that of the Tilburys.

Bringing 16th century Languedoc vividly to life, Kate Mosse's The Burning Chambers is a gripping story of love and betrayal, mysteries and secrets; of war and adventure, conspiracies and divided loyalties....

A collection of short stories, The Bloody Chamber and Other Stories was first published in 1979 and awarded the Cheltenham Festival Literary Prize. This Audible exclusive adaptation is narrated by legendary actors, Richard Armitage and Emilia Fox, who take on different chapters of the audiobook. Among these are 'The Bloody Chamber', 'The Courtship of Mr Lyon', 'The Tiger's Bride', 'Puss in Boots', 'The Erl-King', 'The Snow Child', 'The Lady of the House of Love', 'The Werewolf' and 'Wolf-Alice'.

Abigail Jex never expected to see any of the Radleys again. They were extraordinary, captivating creatures transplanted from a bohemian corner of North London to outer suburbia, and the young Abigail found herself drawn into their magic circle: the eccentric Frances, her new best friend; Frances' mother, the liberated, headstrong Lexi; and of course the brilliant, beautiful Rad. Abigail thought she'd banished the ghost of her life with them and the catastrophe that ended it, but 13 years later a chance encounter forces her to acknowledge that the spell is far from broken.

Angela Carter was one of the most important writers of the 20th century. A pioneer of British magical realism, her work was described by Salman Rushdie as 'without rival and without equal'. Her radical, inventive novels influenced countless writers, while her dark, sensual short fiction turned traditional fables inside out, giving women the power over their desires and fates. Susannah Clapp, Angela Carter's literary executor and friend, introduces the productions and offers fascinating insights into Angela Carter's life and work.

When aspiring novelist Christopher Flinders drops out of university to write his masterpiece (in between shifts as a fish delivery man and builder's mate), his family is sceptical. But when he is taken up by the London editor Owen Goddard and his charming wife, Diana, it seems success is just around the corner. Christopher's life has so far been rather short of charm - growing up in an unlovely suburb, with unambitious parents and a semi-vagrant brother - and he is captivated by his generous and cultured mentors.

Summer, 1987. On the sweltering streets of the dying New England mill town of Swift River, sixteen-year-old Diamond Newbury is desperately lonely. It's been seven years since her father disappeared, and while her mother is determined to move on, Diamond can't distance herself from his memory. When Diamond receives a letter from a relative she has never met, she unearths long-buried secrets of her father's past and discovers a family and heritage she never knew she was missing. The more she learns, however, the harder it becomes to reconcile her old life with the one she wants to lead.

It was only supposed to be one weekend. Now I'm serving this young muscle god's every desire, and I can't get enough. Was it too soon to call it love? Is that even what this was? This unstoppable tangle of dominance, compassion, and lust between us? He was the one thing in my numb, lonely world that made me feel beautiful, wanted, and alive. I knew it was wrong to live out all of my secret sexual fantasies with him, but he wanted it just as badly as I did, and didn't we both deserve to get what we needed?

A famous writing duo returns with another part of the most unpredictable thriller series. FBI agent Aloysius Pendergast hasn't come back from his latest mission. What's more, Constance was kidnapped from his New York residence. But in the world of agent Pendergast, nothing is what it seems. Constance, in love with Pendergast, will become painfully aware of that truth, as well as Diogenes, Aloysius' brother, whom she hates. Will these two be joined again by some shared business? Is Pendergast still alive? The answers to these nagging questions are hidden in the obsidian chamber.

The perfect afterlife or a never-ending nightmare? Isobel has it all: a steady relationship, the immaculate home and her dream job. Life, and even death, is completely under her control. For Isobel's generation death no longer means oblivion, thanks to firms like her employer, Oakley Associates. Isobel is their top Heaven Architect, crafting perfect afterlives for her clients: artificial paradises of the mind built from the memories they treasure most. Then Isobel meets handsome client Jarek....

From the Streets of Chambers Lane follows the intriguing story of the Mendoza family's unexpected loss of their youngest son and sibling Michael. Dealing with spiritual struggles and disillusionment as well as familial rivalries and quirky social interactions, the novella introduces the listener to each diverse family member's perspective of the tragic event while personalizing their cultural past and fears of the unknown future.

Renaissance Venice is a furnace of ideas and ambition. Artists flock here, not just for wealth and fame, but for revolutionary colour. Yet artist Giorgione 'Zorzo' Barbarelli's career hangs in the balance. Competition is fierce, and his debts are piling up. When Zorzo hears a rumour of a mysterious, other-worldly new pigment, brought to Venice by the richest man in Europe, he sets out to acquire the colour and secure his name in history. Winning a commission to paint a portrait of the man's wife, Sybille, Zorzo thinks he has found a way into the merchant's favour.

"Cody Davis is gonna make a sinner out of me." Yes, I know exactly who he is. The wounded soldier at the end of Willow Street. Intimidating. Devastatingly handsome. Muscular body chiseled from stone. Deep dark eyes that dare you to come near. Attitude for days. And I just became his caregiver. Everyone warned me to stay away from him - including my father, the respected minister of our small town of Spruce. But clearly, I'm too stubborn to heed good advice, especially when Cody Davis is as frustratingly attractive - and persistent - as they come.

As the Century draws to a close it shows no sign of its literary talents diminishing. Authors stride into stories with a confidence and knowledge that now speak of a gilded age. We are challenged on many levels but always, always the story delivers a literary triumph.

Northanger Abbey is one of Jane Austen’s first novels, though it was not published until after her death, and contains some of her most biting satire. Catherine Morland, the novel’s naive and provincial heroine, has formed her idea of the world from Gothic novels, full of gloomy Italian castles, long-kept secrets, and dastardly villains. However, when she travels to the city of Bath and encounters a wider society, she will discover that all her reading has ill-prepared her for the real world.