Showing results for "Chambers" in Anthologies

An excellent collection of creepy ghost stories from some of the most notable names of early horror fiction, including: “The Willows” by Algernon Blackwood, “The Shadows On The Wall” by Mary E. Wilkins Freeman, “The Messenger” by Robert W.Chambers, “Lazarus” by Leonid Andreyev, “The Beast With Five Fingers” by W.F. Harvey, “The Mass Of Shadows” by Anatole France, “What Was It” by Fitz-James O’brien, “The Middle Toe Of The Right Foot” by Ambrose Bierce, “The Shell Of Sense” by Olivia Howard Dunbar, and more!

Carcosa is a fictional land that first appeared in Bierce’s 1886 story “An Inhabitant of Carcosa” (included in this collection), and later is appeared Robert W. Chambers’s The King in Yellow. It has since been used by many other fantasy and horror writers and poets. This collection explores Carcosa and other fictional cities found in nineteenth-century poetry and short stories. The works of these classic and innovative writers are given new life, and a new generation of listeners will have the chance to voyage to Carcosa … and beyond.

Ghosts, ghouls, witches, and other unearthly creatures promise to chill the blood and raise the hair of even the most courageous listener. Volume Two in this series presents more classic horror to enjoy beyond the spooky season. Brought to you by the slightly unhinged Utah Audiobook Narrators.

From its launch in 1920 until its demise in 1951, the magazine Black Mask published pulp crime fiction. The first hard-boiled detective stories appeared on its pages. Dashiell Hammett and Raymond Chandler, Erle Stanley Gardner and John D. MacDonald got their start in Black Mask. The urban crime stories that appeared in Black Mask helped to shape American culture. Modern computer games, films, and television are rooted in the fiction popularized by “the seminal and venerated mystery pulp magazine” ( Booklist).

As the Century draws to a close it shows no sign of its literary talents diminishing. Authors stride into stories with a confidence and knowledge that now speak of a gilded age. We are challenged on many levels but always, always the story delivers a literary triumph.

Ever listened to an audiobook that sucks you in? Thirteen short stories of the strange and unusual that will follow you. The Black Book is a cursed audiobook as if out of some Lovecraftian horror. The audiobook that is the basis for the upcoming feature film by Rutledge Productions of the same name. Innocuous items causing disappearances, the perils of the dark web, warnings against going out in the woods at night, or the hazards of dating; these stories pull you right into the narration.

Todos los relatos del Rey de amarillo están conectados por un símbolo, por una maldad difícil de comprender: En la corte del dragón - vas a sentir un escalofrío cuando una voz de ninguna parte empiece a susurrar a tu alma La demoiselle d'Ys - Si Jeane te invita a ir a su castillo, quizás te lo deberías pensar... a lo mejor no te conviene El símbolo amarillo - ¿pueden los espíritus de un cementerio influenciar el arte de un pintor? La máscara - ¿cómo se podría conseguir una escultura absolutamente perfecta?

From The King in Yellow, by Robert W. Chambers, and set in the Latin Quarter of Paris, artist Jack Trent lives with his model Sylvia. The story takes place during the Seige of Paris in 1870, ending with the Germans shelling the Latin Quarter, and Trent arriving home to see a child scrawling "Here fell the first shell".

From The King in Yellow, this tale narrated by Mark Alexander begins: "The street is not fashionable, neither is it shabby. It is a pariah among streets - a street without a Quarter. It is generally understood to lie outside the pale of the aristocratic Avenue de l'Observatoire. The students of the Montparnasse Quarter consider it swell and will have none of it. The Latin Quarter, from the Luxembourg, its northern frontier, sneers at its respectability and regards with disfavour the correctly costumed students who haunt it. Few strangers go into it."

This collection includes five of the greatest stories of American classic horror. The richest of language is used to create extraordinary atmosphere - gloom, darkness, solitude, despair - and the relentless feeling of impending doom. Includes: "The Oval Portrait", by Edgar Allan Poe; "Ethan Brand", by Nathaniel Hawthorne; "The Yellow Sign", by Robert W. Chambers; "The Upper Berth", by F. Marion Crawford; and "An Occurrence at Owl Creek Bridge", by Ambrose Bierce.

A short story based upon the comings and goings at Table 7, in a trendy Valletta cafe.

Hope is the light that burns brightest when times are dark and breathes life into what is best within us. Here are 24 stories that will make you laugh, cry, question, and ultimately believe in better tomorrows. The writers met on Zoom during COVID and are all members of the same writing meetup group.

"The Profit’s Paradise" is a story from The King in Yellow narrated by Mark Turetsky, a collection of eight dreamlike poems by Robert W Chambers.

From The King in Yellow by Robert W. Chambers, this story is set in the Latin Quarter of Paris, where a young artist falls in love with a nameless girl. He has no name, so he names her by the street. Rue Barree in English translates to Road Closed. Are there connotations here, or not?

This short story from The King in Yellow, by Robert W. Chambers, skilfully narrated by Mark Turetsky, concerns an artist, Severn, who lives alone in the Latin Quarter of Paris who befriends a stray cat. Not an ordinary cat, but a pampered cat with a mysterious and lovely owner.

Robert W. Chanbers' The King in Yellow, a collection of short stories, is considered one of the most important works of American supernatural fiction. Within the collection is "The Prophets' Paradise," a dream-like narrative of prose and poetry. Featuring personifications of Love and Truth, the story's structure has a palindrome-like quality with internal repetition. Romantic in tone and ambiguous in theme, "The Prophets' Paradise" is one of Chambers' more experimental pieces.