Showing results for "Billie" in Literary Fiction

In 1972, the town of DeClare, Oklahoma, was consumed by the terrifying murder of Gaylene Harjo and the disappearance of her baby, Nicky Jack. When the child's pajama bottoms were found on the banks of Willow Creek, everyone feared Nicky Jack was dead, although his body was never found.

Luttie McFee's history has taught her to avoid attachments...to people, to places, and to almost everything. With her mother long dead and her father long gone to find his fortune in Las Vegas, 15-year-old Luttie lives in the god-forsaken town of Yankton, South Dakota, with her nine-year-old brother, Fate, and Floy Satterfield, the 300-pound ex-girlfriend of her father.

"Billie, ma Billie, cette princesse à l'enfance fracassée qui se fraye un chemin dans la vie avec un fusil de chasse dans une main et "On ne badine pas avec l'amour" dans l'autre est la plus jolie chose qui me soit arrivée depuis que j'écris." A. G.

Evie and Thomas experience a very different war. Frustrated by life as a privileged young lady, Evie longs to play a greater part in the conflict - but how? - and as Thomas struggles with the unimaginable realities of war, he also faces personal battles back home, where War Office regulations on press reporting cause trouble at his father's newspaper business. Through their letters Evie and Thomas share their greatest hopes and fears - and grow ever fonder from afar. Can love flourish amid the horror of the First World War, or will fate intervene?

1940. Guernsey is first bombed, then occupied, by the Germans. A year earlier, young, naive and recently married Helene waves good-bye to her husband, who has enlisted in the British army. Protected only by her father and Nanna, Helene must carve out a life on the island for the length of the war. Forty years later, her daughter Roz begins a search for the truth about her father and stumbles into the secret history of her mother's life.

When Olivia moves to Port Townsend, her marriage is floundering, and her life is in pieces. She doesn’t know if things with her husband Mark are truly over, or quite why the phone call she longs for on her daughter’s birthday will never come. Joining a letter-writing club seems like a harmless decision. But when she meets Ned, an ex-soldier badly wounded in Afghanistan, this unlooked-for friendship revives unexpected emotions and memories she’d rather forget.

Nicole Sutton’s world has been turned upside down. Sixteen and suffering the fallout of a devastating family tragedy, she is forced to move away from her London home to the quiet town of Henley - and a new life she never wanted nor expected. In the dusty cellar of her strange new house, Nicole stumbles upon a worn old journal left behind by a previous occupant. Inside, through the eyes of a soldier named Mac, she finds herself drawn into a brutally honest memoir of the horrors of war and Auschwitz - and of the life and love Mac had to leave behind.

In Elizabethan London, young Emilia Bassano is a ward of English aristocrats. Her education has endowed her with a sharp wit and a gift for storytelling, but still she is allowed no voice of her own. Forced to become a mistress to the Lord Chamberlain, who oversees the theatre, Emilia discovers the power of stories to beguile audiences. Secretly, she forms a plan to bring a play of her own to the stage – by paying an actor named William Shakespeare to front her work.

The story of a woman's life, from childhood to death, somewhere in provincial France, from the 1950s to just shy of 2025. She has doting parents, does well at school, finds a loving husband after one abortive attempt at passion, buys a big house with a moonlit terrace, makes decent money, has children, changes jobs, retires, grows old and dies. All in the comfort that the middle classes have grown accustomed to. But she's bored.

Adaptation is everything. Inge Lohmark is well aware of that; after all, she's been teaching biology for more than 30 years. But nothing will change the fact that her school is going to be closed in four years: in this dwindling town in the eastern German countryside, there are fewer and fewer children. Inge's husband, who was a cattle inseminator before the reunification, is now breeding ostriches. Their daughter, Claudia, emigrated to the U.S. years ago and has no intention of having children. Everyone is resisting the course of nature that Inge teaches every day in class.

Adolf Hitler's secret mistress, an upstanding member of the British aristocracy, gives birth to a daughter. The child is whisked away at infancy and raised as an orphan. She is protected from the truth concerning her origins, but that doesn't prevent the remnants of Hitler's scattered empire from seeking her out as part of a plot to reignite their dream of conquering Europe. Enter into our drama the starchy, conservative Jean Hastie, an art historian and official for the Scottish National Trust.

The crew of the ship tell preposterous stories. Stories of dry land, of other ships that sail the ocean. Of vast cities populated by people. Odd visions. Blasphemies that would get a person tossed into the ocean. Still...those on the crew talk in hushed tones. Something about the ocean is haunted, and it has something to do with this ship in particular.