Showing results for "An Eye for an Eye" in Performing Arts

This 16-episode collection includes the greatest comedy teams of the Golden Age of Radio and includes Dean Martin and Jerry Lewis, Abbott and Costello, George Burns and Gracie Allen, Fibber McGee and Molly, Baby Snooks and Daddy, Edgar Bergen and Charlie McCarthy, and Phil Harris and Alice Faye. You’ll laugh till your sides ache at these great comedy duos!

Benny’s radio and television shows entertained audiences for more than three decades and is generally regarded as the high-water mark in twentieth century American comedy.

Comedy Ventriloquist Steve Hewlett drops his dummy for Chats with his favourite Comedy & Variety Performers from Theatre, Comedy Clubs, Cruise Ships, Circus, Radio and Television.

After 20 years as a struggling variety turn and then a prolific scriptwriter and television star, comic genius Marty Feldman found screen stardom with his very first Hollywood role in Mel Brooks’s Young Frankenstein. With his wife, Lauretta, as the power behind the throne, his rise, fall and decline is relayed through bittersweet memories of the past and intoxicated infidelities in the present.

On March 19, 1928, Freeman Gosden and Charles Correll introduced Amos ‘n’ Andy, which went on to become one of the most popular and longest-running programs in radio history. During the height of its popularity, almost the entire country listened to the 15-minute, Monday-through-Friday adventures of Amos ‘n’ Andy. Department stores piped in the broadcasts so shoppers wouldn’t miss an episode, and movie theaters scheduled their features to end just prior to the start of Amos ‘n’ Andy so they too could pipe it in.

Just a guy off the block that's having too much to say about nothing and having the time of is life while doing it.

Freeman Gosden and Charles Correll made their radio debut on January 12, 1926, as the comedic blackface characters Sam 'n' Henry. On March 19, 1928, they introduced Amos 'n' Andy, which went on to become one of the most popular and longest-running programs in radio history. During the height of its popularity, almost the entire country tuned in to their adventures.

Chris Doelle has always been a fan of lame, corny jokes and has become known as quite the jokester online. His hashtag #lamejokesrule has grown into an online phenomenon prompting the release of this book. His first joke book, Lame Jokes Rule: Volume I, was a big success, and after only a little prodding, Chris created this book, volume II.

Chris Doelle has always been a fan of lame, corny jokes and has become known as quite the jokester online. His hashtag #lamejokesrule has grown into an online phenomenon prompting the release of this audiobook. This collection of one-liners, rib-ticklers, and belly laughs are just a sampling of what you can get by following Chris online via his many social media profiles.

The best comedy-novelty band of all time was at its peak when The Spike Jones Show (officially The Spotlight Revue, better known as The Coke Show) debuted on CBS, Friday, October 3, 1947. The show premiered in San Francisco where Spike and his City Slickers’ wacky Musical Depreciation Revue was holding forth at the Curran Theatre. The guest list here includes musical humorist Victor Borge (savaging “Clair de Lune” on the premiere), Tex Williams (doing his signature “Smoke Smoke Smoke”), Mel Torme and Frankie Laine.

Many of the episodes on this volume were broadcast from Hollywood, but the program (which finally became The Spike Jones Show when it moved to a Sunday evening time slot in January 1949) traveled extensively in its last season—New Orleans, Jacksonville, Charlotte, Richmond, Philadelphia, Washington, New York, Boston, Chicago, Des Moines, and San Francisco.

Spike Jones and his City Slickers enjoyed perhaps their finest hour in March 1948, when they performed in Washington, DC at the request of President Harry Truman. They do a slam-bang up job on “I’m Just Wild About Harry” on the opening show in this volume, in anticipation of their visit. Getting The Spike Jones Show on the air took a lot of advance planning from week to week, with schedule and location dictated by the band’s lucrative road show and its cross-country tours of one-night stands.

This volume of The Spike Jones Show features episodes emanating from Las Vegas, Pueblo, Colorado, and Calipatria, California—where Spike grew up and started his first band—but most of the programs here were broadcast from Hollywood. The guest list reflects the change in locale. Frank Sinatra, Gene Kelly, Peter Lorre (vocalizing “My Old Flame” with impressionist Paul Frees in tow), Don Ameche (doing “Quartet from Rigor Mortis”), Dinah Shore and Fred Astaire (performing “Cheek to Cheek”), Jerry Colonna, and Basil Rathbone are among those heard here.

When real-life husband and wife George Burns and Gracie Allen worked together in vaudeville, George was the comic and his wife Gracie had the straight lines. They switched their roles upon discovering that Gracie’s delivery got a bigger laugh than George’s punch lines. The duo became a big hit on vaudeville and in films so when radio beckoned, they delivered. Their first regular radio work were as supporting players on CBS’s The Guy Lombardo Show in the 1930s. When Lombardo switched to NBC, George and Gracie took over the show. Enjoy sixteen of their greatest radio broadcasts.

Fibber McGee & Molly had a long and successful run on radio from 1935 to 1959, featuring its creators and stars, married couple Jim and Marian Jordan. Living in the fictional Midwestern city of Wistful Vista, Fibber was an American teller of tall tales and a braggart, usually to the exasperation of his long-suffering wife, Molly, who tried to keep him out of trouble.

Throckmorton P. Gildersleeve was a popular character appearing each week on the Fibber McGee and Molly radio show. On August 31, 1941, Gildersleeve landed his own situation comedy, The Great Gildersleeve, becoming radio's first spin-off. Gildersleeve moved from the town of Wistful Vista, where Fibber McGee and Molly lived, to Summerfield, where he oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie and Leroy Forrester.

The Aldrich Family was a popular situation comedy that was heard on radio and seen in films, on television, and in comic books. Teenager Henry Aldrich, the creation of playwright Clifford Goldsmith, was an endearingly bumbling kid growing awkwardly into adolescence. Episodes revolved around Henry's misadventures with girls, his family, and his friends.

Ozzie Nelson was Red Skelton's bandleader on the popular radio series The Red Skelton Show. Ozzie's wife, Harriet Hilliard, was Skelton's singer. When Skelton was drafted in March 1944, Ozzie was prompted to create his own family sitcom radio series. The Adventures of Ozzie & Harriet launched on CBS radio on October 8, 1944 and made a midseason switch to NBC in 1949. It starred Ozzie as the head of the Nelson household, which included his wife, Harriet, and their two boys, David and Ricky.