Showing results for "Alice" in World Literature

Over the course of three years, Alice Oswald recorded conversations with people who live and work on the River Dart in Devon. Using these records and voices as a sort of poetic census, she creates in Dart a narrative of the river, tracking its life from source to sea.

All the delightful and bizarre inhabitants of Wonderland are here: the White Rabbit and the Cheshire Cat, the hooka-smoking Caterpillar and the Mad Hatter, the March Hare and the Ugly Duchess... and, of course, Alice herself - growing alternately taller and smaller, attending demented tea parties and eccentric croquet games, and observing everything with clarity and rational amazement.

After fifty years in London, Alice wants to live out her days in the land of her birth. Her three children are divided on whether she stays or goes. In the wake of their father's death, the imagined stability of the family begins to buckle. Meanwhile youngest daughter Melissa is forging a new life but has never let go of a love she lost. Michael too remains haunted by the failed perfection of their past, even within the sturdy walls of his marriage to the sparkling Nicole.

Only weeks since her release from Borstal, Alice is a candidate for the position of junior nurse at Sacred Heart Hospital for All Ailments. With guidance from the working nurse's manual, and some tricks she picked up in prison, Alice brings support to the thousands of patients littering the hospital’s corridors and concrete courtyard. In the process, she attracts the attention of a lovesick patient, Teddy Bunt, apprentice to the nefarious ‘Gentleman Squad’ of the Karachi police.

One of the finest German medieval epic poems, The Lay of the Nibelungs is perhaps best known now as one of the principal sources for Wagner’s four-part music drama The Ring of the Nibelung. It is easy to see how Wagner was enthralled by the story and the poetry for the power of the tale drives the narrative: intense love, loyalty, jealousy, murder, duty, honour and massacre are all interwoven into a classic.

Quand Tass était enfant, les adultes lui ont raconté l’histoire de sa terre à plusieurs reprises et dans différentes versions. Malgré tous ces récits, elle n’a jamais bien su où commençait l’histoire des siens. Comme elle n’a jamais réussi à expliquer la Nouvelle-Calédonie – par où commencer ? – à Thomas, son compagnon en métropole. Aujourd’hui, elle est revenue à Nouméa et a repris son poste de professeure. Dans une de ses classes, il y a des jumeaux kanaks aux curieux tatouages et qu’elle s’agace de trouver intrigants.

Un roman poignant et lumineux qui raconte le deuil, la solidarité et l'espoir, incarné avec justesse et sensibilité par Alice de Ferran Astrid a tout perdu. À quarante ans, plus rien ne la retient, alors elle part. Elle achète sans l'avoir visitée une maison isolée dans la région montagneuse et sauvage du Mercantour. Parmi ses bagages, un carton marqué d'une croix rouge, ce qu'il lui reste de sa vie passée. Soraya a tout laissé derrière elle. Sa Syrie natale, sa famille, ses amis, son insouciance. Elle traverse la montagne pour rejoindre la frontière française en se cachant de la police.

As Hitler's murderous reign inches steadily towards a disastrous end, the intricate web of secrets woven by each character begins to unravel. Oskar, handsome but terrifying, is on the verge of madness. What torments him so? What dark secrets are buried deep within Kara's loving heart? Anka's affection for her husband Ludwig is all but gone. Will he turn to the ever-open arms of a secret life? And . . . What about Abram? Will he find a way to keep his vow to God? Will he ever be with his family again?

Hide Karl in plain sight. That was the idea. It was meant to be foolproof. Who would think of finding an Aryan-looking Jewish child in the household of a high-ranking Nazi officer? What could possibly go wrong? When four-year-old Karl, Kara's son, suddenly disappears, Kara's worst fear becomes her painful reality. Has someone seen through her cover? When four-year-old Karl, Kara's son, suddenly disappears, Kara's worst fear becomes her painful reality. Has someone seen through her cover?

Ocean Yoon has never felt very Korean, even if she is descended from a long line of haenyeo, Jeju Island’s beloved female divers. She doesn’t like soju, constantly misses cultural references, and despite her love of the game, people still say that she doesn’t play Hwatu like a Korean. Ocean’s also persona non grata at the Alliance, Korea’s solar system-dominating space agency, since a mission went awry and she earned a reputation for being a little too quick with her gun.

Isor n'est pas comme les autres. Une existence en huis clos s'est construite autour de cette petite fille mutique rejetant les normes. Puis un jour, elle rencontre Lucien, un voisin septuagénaire. Entre ces âmes farouches, l'alchimie opère immédiatement. Quelques années plus tard, lorsqu'un accident vient bouleverser la vie qu'ils s'étaient inventée, Isor s'enfuit. En chemin, elle va enfin rencontrer un monde assez vaste pour elle. "La Colère et l'Envie" est le portrait d'une enfant qui n'entre pas dans les cases.

Wynema Harjo is an idealistic young Muscogee woman who finds meaning as a teacher for the young people of her village. After the Wounded Knee Massacre and the subsequent Ghost Dance movement, Wynema feels a need to take further action, and she and her husband adopt a Lakota girl. As the years roll by and injustices mount, Wynema and a fellow teacher, Genevieve Weir, consider the repercussions of the oppression that surrounds them—and wonder how their society might eventually be improved.

A happily married woman's perfect life shatters when her husband turns up dead hundreds of miles away from where he should have been, and she suddenly discovers there was a part of him about which she knew nothing.

Alice a quatorze ans quand elle est internée dans un hôpital psychiatrique. Elle pèse 36 kg, se nourrit de trois pommes par jour, et abrite dans sa tête une bête, Sissi, qui lui dicte des ordres. Comment peut-on être si malade à cet âge et surtout, peut-on s’en sortir ?

2019. Kate fuit Londres pour se réfugier dans une maison délabrée dont elle a hérité. Avec son lierre dégringolant et son jardin envahi par les mauvaises herbes, ce havre de paix la protège de son compagnon violent. Kate sent toutefois qu'un secret s'y tapit... 1942. Alors que la Seconde Guerre mondiale fait rage, Violet est cloîtrée dans le grand domaine familial, étouffée par les conventions sociales. Elle vit avec le souvenir de sa mère, dont il ne lui reste qu'un mystérieux médaillon et une inscription étrange sur le mur de sa chambre.

Acrobata é um livro de poemas que pode ser lido como um romance. Ao trazer a experiência da vida para a escrita, os versos descrevem momentos marcados pela mudança — como o nascimento de um filho, a morte de alguém próximo e a adaptação a uma nova cidade. O inesperado surge tanto no corte dos versos quanto nas diferentes vozes, entreouvidas ou lidas, que se entrelaçam com a do eu lírico. Um poema puxa o outro em surpreendentes trocas de assuntos, cenas e situações.

The first genocide of the 20th century, though not well known, was committed by Germans between 1904-1907 in the country we know today as Namibia, where they exterminated thousands of Herero and Nama people and subjected the surviving indigenous men, women, and children to forced labor. The perception of Africans as subhuman - lacking any kind of civilization, history, or meaningful religion - and the resulting justification for the violence against them is what author Elizabeth R. Baer refers to as the "genocidal gaze", an attitude that was later perpetuated by the Nazis.

African American literature is the body of literature produced in the United States by writers of African descent. It begins with the works of such late 18th-century writers as Phillis Wheatley. Before the high point of enslaved people narratives, African-American literature was dominated by autobiographical spiritual narratives. The genre known as slave narratives in the 19th century were accounts by people who had generally escaped from slavery, about their journeys to freedom and ways they claimed their lives.

Quarantine is an adaptation for the theater by E. Thomalen of Albert Camus' The Plague translated by Stuart Gilbert. It is a play in four acts and begins with the observation of rats dying, ending with "freedom" because of the lifting of the quarantine. Not everyone finds freedom to his liking. The characters capture the angst, boredom, grief, heroism, spiritual questioning, villainy, courage and longing brought on by the quarantine and the plague.

Lewis Vickers, a young American languishing in South America because he is “wanted” for a crime that was the result of an accident, comes across another American—Hobart Lee who greatly resembles him. That man dies and Vickers, to get back to the United States, decides to impersonate him. He is taken to the family group upon his arrival in New York City and soon finds himself embroiled in a situation he cannot just walk away from—no matter how badly he wants to. Who was this “Bob” Lee and why does his cousin seem to hate him so?