Showing results for "Flora" in Americas

Essa é a história de como o Rio de Janeiro pegou fogo. De como centenas de milhares de jovens se levantaram nos anos 70 e 80, e como o Exército brasileiro olhou para aquilo e tremeu na base. Essa é a história da ditadura brasileira como você nunca ouviu. E essa também é a história de uma família preta no Brasil do século XX, tentando sobreviver e ser feliz.

“My life’s done a somersault,” wrote Mário de Andrade in a letter, on the verge of taking a leap. After years of dreaming about Amazonia, and almost fifty years before Bruce Chatwin ventured into one of the most remote regions of South America in In Patagonia, Andrade, the queer mixed-race “pope” of Brazilian modernism and author of the epic novel Macunaíma, finally embarks on a three-month steamboat voyage up the great river and into one of the most dangerous and breathtakingly beautiful corners of the world.

Black Flora is the first book to feature profiles of contemporary Black experts innovating in the world of flowers. Author and longtime gardener, Teresa Speight, offers a beautiful intersection of flowers and community. This book is a homecoming, one that unearths the floral legacies of the past and present, while providing a source of inspiration for younger generations of plant-lovers seeking examples of successful Black floral artists and entrepreneurs.

In Voices from Hudson Bay Cree elders recall the daily lives and experiences of the men and women who lived and worked at the Hudson’s Bay Company post at York Factory in Manitoba. Their stories, their memories of family, community, and daily life, define their past and provide insights into a way of life that has largely disappeared in northern Canada. The era the elders describe, from the end of World War I to the closing of York Factory in 1957, saw dramatic changes—both positive and negative—to Indigenous life in the North.

No es vano decir que la historia es de los sobrevivientes y no propiamente de los historiadores. Y en este caso, en el libro de la periodista Olga Behar, él y los sobrevivientes de la historia son –desde la profundidad de la primera persona y de los protagonistas mismos– quienes fueron cómplices y por serlo, causaron y causan en Colombia el proceso horrendo del paramilitarismo, del despojo de las tierras, de la agresión interminable a un campesinado inerme