Showing results for "Cinderella" in Regency

Persephone Blackwell prefers digging in the dirt for old bones and secret treasure to anything Society might have to offer. When her godfather, the Duke of Pendleton, decides to host a Festival of Antiquaries, she jumps at the chance to take part—especially since it's the best way to save her oldest friend, Henry Talbot, who is being framed for treason. She has not yet found the evidence that he has sent home hidden inside Egyptian forgeries—but she does find something else: Conall Hunter, the Earl of Northwyck.

Charlotte Browne could just kick herself. What on earth possessed her to tell the Duke of Rockford that she is a lady? But something about the duke’s handsomeness and kind intelligence makes Charlotte blurt out the teeniest, tiniest falsehood. Now it’s too late to admit she’s just plain Charlotte of no particular importance—with cinder-stained hands, a wretched stepfather, and no prospects for marriage.

Effie has most inconveniently fallen in love with the dashing Mr Benedict Ashbrooke. There's only one problem: Effie is a housemaid, and a housemaid cannot marry a gentleman. It seems that Effie is out of luck until she stumbles into the faerie realm of Lord Blackthorn, who is only too eager to help Effie win Mr Ashbrooke's heart. All he asks in return is that Effie sew ten thousand stitches onto his favourite jacket.

London, 1832: Isabelle Lira may be in distress, but she's no damsel. Since her father’s death, his former partners have sought to oust her from their joint equity business. Her only choice is to marry—and fast—to a powerful ally outside the respected Berab family’s sphere of influence. Only finding the right spouse will require casting a wide net. So she’ll host a series of festivals, to which every eligible Jewish man is invited.

Tristan Turner, Viscount Elton, is haunted by a night he cannot remember. Abandoned by his beloved sister, Tristan finds himself in a world devoid of love and acceptance, a world without hope. All that is left are the hushed whispers of London society about the madness that drove his parents into an early grave. A madness that taints his own blood. Until fate intervenes...and his path crosses that of a young lady.

The Weatherford Ball is the last chance Julia Beaumont has to escape the clutches of her horrid stepmother. Any potential husband will do-rich, poor, even a reasonably well-groomed walrus. But all of Julia's matrimonial chances are completely obliterated...thanks to the actions of an infuriating and utterly rakish duke. Gregory Carter, Duke of Ashworth, would never risk his cherished bachelorhood by flirting with marriage-starved debutantes. But one look at the luscious and refreshingly clever Julia, and he simply can't resist a stolen kiss-scandal be damned.

Lady Tamsin Bell, daughter of a duke, has everything a lady could want. She has a fine house in London, exquisite ball gowns, and a generous dowry. But she doesn't have Captain Henry Talbot. When artifacts from her private collection start to go missing, Tamsin is on the hunt—and Henry has no choice but to go with her. Because he's always been aware of Tamsin. When he was fighting war at sea, she was all that he could think of. But now that he's back, he's not good enough for her. No matter how tempting she is.

When Mr. Darcy races to London to save Lydia from ruin, Elizabeth Bennet's future is thrown into uncertainty with the unexpected death of her father. Desperate for a new start, Elizabeth accepts a position as governess to the Countess of Bremont and her ward, Madeleine. But the Countess proves to be crueler than Elizabeth could have imagined, and she finds herself trapped and powerless alongside Madeleine.

Lydia Drake presents Book 2 in the Cinderella and the Duke series. Contains mature themes.

Humble and beautiful, Isabelle Sanders sacrifices all to take care of the village orphans, much to her proud mother’s disdain. When the pompous Lord Miles Spencer and his troops parade the street each day, Isabelle’s wards eagerly wave, but the young soldier shows nothing but contempt for the poor urchins–until he sees their keeper.