Showing titles in Linguistics

> Is Shakespeare Dead? is a short, semi-autobiographical work by American humorist Samuel Clemens, better known as Mark Twain. It explores the controversy over the authorship of the Shakespearean literary canon via satire, anecdote, and extensive quotation of contemporary authors on the subject. The original publication spans only 150 pages, and the formatting leaves roughly half of each page blank. The spine is thread bound. It was published in April of 1909 by Harper & Brothers.

All they could hear was the wind, and the waves crashing on to the rocks. All they could see was the night. They could not see the ship, broken in two. They could not see the people holding on to the dark wet rock, slowly dying of cold. And they could not hear the cries for help - only the wind. How could they save the people on the rock? Was their wooden boat stronger than the iron ship?

A collection of short stories from such favorites as Wilkie Collins, Sir Arthur Conan Doyle, and Rudyard Kipling are joined by others written anonymously in this anthology which will have you scratching your head and listening just a bit longer to discover the key to the mysteries.

Jennie Gerhardt is the tragic story of an innocent, caring, beautiful young girl from an extremely poor family who throughout her life is drawn into affairs with two different men from a much higher social class. How members of her family, the family of one of the wealthy men, and society in general react to her situation is the basis of this classic story.

In Don't Believe a Word trained linguist David Shariatmadari takes us on a mind-boggling journey through the science of language, urging us to abandon our dearly held beliefs in a bid to uncover the (far more interesting) truth about what we do with words. Exploding nine widely held myths about language while introducing us to some of the fundamental insights of modern linguistics, with David Shariatmadari as our energetic guide we can marvel at the beauty and quirkiness of humanity's greatest achievement.

Roger Fouts fulfilled humankind's age-old dream of talking to animals by pioneering communication with chimpanzees through sign language. Now, in Next of Kin, Fouts tells the dramatic story of his odyssey from novice researcher to celebrity scientist and caretaker of a family of chimpanzees, to his impassioned awakening as a crusader for the rights of animals.

An insider’s tour through the construction of invented languages from the bestselling author and creator of languages for Legendary's Dune, the HBO series Game of Thrones and the Syfy series Defiance.

In this autobiographical narrative, the author sleeps under the stars, views the beautiful French countryside, and mingles with its local populace - all with a donkey as his chief companion.

Words matter. They wound, they inflate, they define, they demean. They have nuance and power. "Effortless", "Sassy", "Ambitious", "Aggressive": What subtle digs and sneaky implications are conveyed when women are described with words like these? Words are made into weapons, warnings, praise, and blame, bearing an outsized influence on women's lives - to say nothing of our moods.

The action is set during World War I. While John Clayton, Lord Greystoke (Tarzan), is away from his plantation home in British East Africa, it is destroyed by invading German troops from Tanganyika. On his return, he discovers among many burned bodies one that appears to be the corpse of his wife, Jane Porter Clayton. Another fatality is the Waziri warrior Wasimbu, left crucified by the Germans. Maddened, the ape-man seeks revenge not only on the perpetrators of the tragedy, but all Germans, and he sets out for the battlefront of the war in East Africa.

Bobby, a sparky, silver-haired Skye terrier, adopts Auld Jock, a worn-out simple shepherd, as his master. Jock is let go by the farmer and dies in poverty, having suffered one winter too many. The farmer tries to reclaim Bobby as a pet for his daughter, but the dog owes allegiance only to Auld Jock, guarding his grave in Greyfriars Kirkyard. His devotion changes the lives of those around him and ultimately the conditions of the poor in Edinburgh. Bobby's loyalty is eventually rewarded, and he becomes a famous dog indeed!

L. Frank Baum called this and The Wizard of Oz his two best books! A magic umbrella transports Trot, Buttonbright, and Cap'n Bill to an island in the sky inhabited by the Blues, the Pinks, and the evil Boolooroo.

Twelve billionaires rule the United States, while those called freemen are forced to serve the rich. But that was 60 years ago, before the Scarlet Plague. In this post-apocalyptic novella, a ragged and tattered old man tells his progeny of what life was like before The Scarlet Plague appeared - and wiped out civilization as they knew it.

Language is a wild animal: rough, ambiguous, inconsistent in countless ways. But that just makes it all the more tempting to tame it. Many have tried, from sticklers for supposedly correct grammar to inventors of supposedly perfect languages; from software engineers working on machine translation to governments that see language management as politics by another means. But when you enter the lair of a wild beast, you can be lucky to escape with your wits. Join Lane Greene on a journey of discovery into the deep strangeness of language.

Since dyslexia was first described in the British Medical Journal in 1896, there has been debate about the definitions and diagnostic procedures used, with some casting doubt on its very existence. However, there is now a considerable body of research regarding the nature and characteristics of this relatively common learning disorder. The contemporary view of dyslexia has emerged from a century of research in medicine, psychology, and more recently, neuroscience, and we now understand enough about this learning disorder to guide policy and practice.

When Mike Jackson's father suffers a serious financial setback, all Mike's hopes of "Varsity Blue" and a career playing his beloved cricket are dashed. Instead, he must go out and earn his living - in the alien world of the New Asiatic Bank, under the management of his nemesis Mr. John Bickersdyke. At first, all seems black; but then Mike finds that he has an ally, in the immaculate form of the irrepressible Psmith, who is likewise sentenced to a career in commerce. And Psmith has plans for the reform of Mr Bickersdyke....

Hanney, an expatriated Scot, returns from a long stay in South Africa to his flat in London. One night he is buttonholed by an American who appears to know of an anarchist plot to destabilise Europe, and claims to be in fear for his life. Hannay lets the American hide in his flat, and returns later to find that another man has been found shot dead in the same building, apparently a suicide. Four days later Hannay finds the American stabbed to death...

What makes us human? Why are we the only animals who wear clothes, drive cars, trawl the internet, and fly helicopters on Mars? It’s all because we’ve learnt to talk, yet remarkably, we still don’t know how we did it. Speech! suggests an answer that’s been hiding in plain sight - the simple yet radical shift that turned our analog grunts and shrieks into words. But, its consequences are far from simple: being able to share ideas through language was an evolutionary tipping point - it allowed us to link up our minds.

All humans, but no other species, have the capacity to create and understand language. It provides structure to our thoughts, allowing us to plan, communicate, and create new ideas, without limit. Yet we have only finite experiences, and our languages have finite stores of words. Where does our linguistic creativity come from? How does the endless scope of language emerge from our limited selves? Drawing on research from neuroscience, psychology, and linguistics, David Adger takes the listener on a journey to the hidden structure behind all we say (or sign) and understand.

"La Dame aux camélias" raconte l'histoire des amants maudits, Marguerite et Armand, que les jugements moraux et la maladie vont détruire : le roman d'un désastre amoureux où les sentiments sont bafoués au profit de la bienséance sociale. Alexandre Dumas fils s'est inspiré de sa maîtresse, la courtisane Marie Duplessis, pour créer la dame aux camélias, héroïne romanesque s'il en est, et également héroïne d'opéra à partir de 1853, quand Verdi adaptera son histoire sous le nom de "La Traviata".