Showing titles in History & Criticism

Weaving together more than a hundred interviews with Davis's bandmates, family members, friends, and peers, this book powerfully reconstructs Davis's extraordinary life and career. Washita Love Child thoroughly and finally restores the "red dirt boogie brother" to his rightful place in rock history, cementing his legacy for generations to come.

In this beautifully crafted book, Freddy Cristobal Dominguez makes a provocative case for Dylan as a historian, offering a deep consideration of the musician's historical influences and practices. Utilizing interviews, speeches, and the close analysis of lyrics and live performances, Bob Dylan in the Attic is the first book to consider Dylan's work from the point of view of historiography.

¿Quiénes fueron las pioneras del rock argentino? ¿Cuál fue la tradición rockera femenina que se fue gestando desde los años 60 hasta nuestros días? ¿Por qué la historia casi no las registra? Romina Zanellato, periodista especializada en música y feminismo, se propone narrar por primera vez en forma integral la participación de las mujeres en el rock argentino, aquellas que estuvieron allí desde el principio, y las opresiones que sufrieron para poder hacer su música.

Fascinating, far-reaching, and definitive, THE LAST GREAT DREAM is the ultimate guide to a generation-defining countercultural movement, an Underground 101 course for newcomers and aficionados alike.

Schwarze Messen, Satanismus, Teufelskult - das Satanische hat im Rock 'n' Roll seit jeher einen festen Platz. Jedenfalls warnen konservative Kräfte bereits seit den 1950er Jahren vor dem teuflischen Einfluss der Rockmusik auf Jugend, Kultur und Gesellschaft. Seit den 1970er Jahren kultivierte der Heavy Metal ganz bewusst sein Image als "Teufelsmusik" und zieht bis heute vielfältige kreative Impulse aus dem Satanischen. Der Teufel selbst begegnet in Musik, Texten und Artworks als schillerndes, vielschichtig besetztes Symbol.

Prophet Singer: The Voice and Vision of Woody Guthrie examines the cultural and political significance of lyrics by beloved songwriter and activist Woodrow Wilson "Woody" Guthrie. The audiobook traces how Guthrie documented the history of America's poor and disadvantaged through lyrics about topics as diverse as the Dust Bowl and the poll tax. Divided into chapters covering specific historical topics such as race relations and lynchings, famous outlaws, and the Great Depression.

A meditation on music as a non-sensory experience.

More is at stake in the music we listen to or perform than most people are aware. In this vivacious and challenging work, Dr. Peter Kwasniewski—a philosopher, theologian, composer, conductor, and singer—explains why the great classical music of Western civilization is morally and intellectually good for us, as well as why certain other forms of music can actually be harmful.

Keith Hatschek tells the story of three determined artists: Louis Armstrong, Dave Brubeck, and Iola Brubeck and the stand they took against segregation by writing and performing a jazz musical titled The Real Ambassadors. First conceived by the Brubecks in 1956, the musical's journey to the stage for its 1962 premiere tracks extraordinary twists and turns across the backdrop of the civil rights movement.

Imagine a world where Beatlemania was against the law - recordings scratched onto medical X-rays, merchant sailors bringing home contraband LPs, spotty broadcasts taped from western AM radio late in the night. This was no fantasy world populated by Blue Meanies, but by the USSR, where a vast nation of music fans risked repression to hear the defining band of the British Invasion. The music of John, Paul, George, and Ringo played a part in waking up an entire generation of Soviet youth, opening their eyes to seventy years of bland official culture and rigid authoritarianism.

From the Stooges and MC to Grand Funk Railroad and Ted Nugent, to the White Stripes, Eminem, and Kid Rock, and whole casts of other great bands and performers, Detroit has always produced louder, more rumbling, more subversive rock music than any city in the world. In Detroit Rock City, listeners get to hear the stories straight from the participants themselves: the singers, the guitar slingers, the fans, the reporters, the promoters, even the guys who hand-made amps to be louder and crunchier than the competition’s.

Die größte Challenge ihres Lebens: Eva Ries und der Wu-Tang Clan. Sie sind unangepasst, wütend und stets auf Ärger aus – und sie erfinden den Hip-Hop neu. Von Beginn an lehren die Members des Wu-Tang Clan, allen voran der völlig irrationale Ol' Dirty Bastard, jeden das Fürchten. Doch die junge Musikmanagerin Eva Ries lässt sich davon nicht abschrecken. In New York City erarbeitet sie sich den Respekt des Clans und gehört über zwanzig Jahre lang zum engsten Kreis der größten Hip-Hop-Band der Welt.

The Allman Brothers Band and Lynyrd Skynyrd helped usher in a new kind of southern music from Jacksonville, Florida. Together, they and fellow bands like Blackfoot, 38 Special, and Molly Hatchet would reset the course of '70s rock. Yet Jacksonville seemed an unlikely hotbed for a new musical movement. Michael FitzGerald blends eyewitness detail with in-depth history to tell the story of how the River City bred this generation of legendary musicians.

Few rock bands were as successful as the Scorpions by the mid '80s - headlining arenas/stadiums worldwide. German Metal Machine: Scorpions in the '70s is the first-ever book to focus solely on this period of the band. Interviews include such former members as Michael Schenker, Uli Jon Roth, Francis Buchholz, and Herman Rarebell, longtime Scorpions producer Dieter Dierks, plus members of other bands that are major admirers,

The only hip hop book series that explains the culture fully in the fewest words! Whether you are a fan of hip hop or you are just curious about it, you will not have to look further after finding Eric Reese's The History of Hip Hop. This concise but in-depth audiobook explores all the distinguishing traits of what is not only a genre of music but a lifestyle. Reese traces the history of hip hop from its beginnings in the 1970s and reveals how it changed in the next decades until it became a worldwide phenomenon.

In 2003, Robert Morgan released what would become a future classic for more than a million people, a unique book entitled Then Sings My Soul. This collection of the world’s greatest hymns and the stories behind them stirred an entire generation to better understand the heritage of our faith through song. Now, in the long-awaited third volume of this series, Morgan expands his material to include the great history of worship, the first biblical hymns, biographical sketches of the most interesting composers, and almost 60 generations of hymn singing.

Music plays such an important part in everyone’s life, but how much do we know about the history of music? How did music shape our civilization, and how was music itself shaped by the Catholic Church? Susan Treacy, an experienced professor of music, is an excellent guide to the history of music. Every Catholic should own at least one book on music.

Quincy Troupe's account of his friendship with Miles Davis is a revealing portrait of a great musician and an intimate study of a unique relationship. It is also an engrossing chronicle of the author's own development, both artistically and personally. A keen and critical observer, Troupe captures and conveys the power of Miles' presence, the mesmerizing force of his personality, and the restless energy that lay at the root of his creativity.

One of rock music's most fascinating personalities, Neil Young has persistently charted his own career, ignoring pop fashions, creating innovative music ranging from folk classics like "Heart of Gold" to rock-and-roll anthems like "Down By the River". Don't Be Denied charts Neil Young's formative years, from his high school days in Winnipeg, Manitoba, through his adventures in Toronto's Yorkville district to his ultimate successes with Buffalo Springfield, Crazy Horse, Crosby Stills Nash and Young, and as a solo performer.

For more than 20 years, music critic Bernard Holland reviewed the most celebrated artists of the 20th century. He reported both sides of the culture war between an honored past and radical change. Throughout his writings, Holland discusses what classical music really is, destroys the myth of high and low art, and defines the job of the music critic. Along the way, the listener will chat with Herbert von Karajan, take a plane trip with Yo-Yo Ma, and walk the slow walk with Robert Wilson.