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Weaving a vibrant tapestry of fact and fiction, Into the Wilderness sweeps us into another time and place...and into the heart of a forbidden, incandescent affair between a spinster Englishwoman and an American frontiersman. Here is an epic of romance and history that will captivate readers from the start.

So many stories begin the same way: With a prophecy. A chosen one. And the inevitable quest to slay a villain, save the kingdom, and fulfill a grand destiny. But this is not that kind of story. It does begin with a prophecy: A child will rise to defeat the Eternal Khan, a cruel immortal god-king, and save the kingdom. And that prophecy did anoint a hero, Jian, raised since birth in luxury and splendor, and celebrated before he has won a single battle.

Born from Bukowski's columns, the LA underground press of the 1960s, Bukowski defined his early alter ego, Hank Chinaski, as a self-described dirty old man who eyes his defeatist attitude about himself with his clarity to see humor and holiness in others. Addictive and instructive listening, Bukowski delivers the humanity and intelligence of all the unseen. Filled with his usual obsessions - sex, booze, gambling - Notes features Bukowski's offbeat insights into politics and literature, and his tortured, violent relationships.

¿Qué impulsa a un hombre a bajarse anticipadamente de un tren y ocultarse en un pueblo de mala muerte? ¿Quiere recomenzar su vida o pretende acabar con ella? Tal vez esté huyendo de alguien, o de algo, o incluso de sí mismo, y el destino le ha traído a Pozonegro, un antiguo centro hullero que ahora agoniza. Por delante de su casa pasan trenes que pueden ser salvación o condena, mientras los perseguidores estrechan el cerco. La perdición parece estar más próxima cada día.

Cuentos de toda la carrera narrativa de Ignacio Padilla, reunidos por primera vez en un solo volumen. «Padilla es un narrador de imaginación deslumbrante; un erudito que se vale de malabares y juegos de palabras para filtrar, de contrabando, sus abundantes conocimientos. Por añadidura, el mejor estilista de su generación.»

Five years after they thought they’d said goodbye forever, a group of sorority sisters find themselves back at the University of Alabama for Rush Week. Some return to rekindle their friendships, and others to keep long silent secrets from being exhumed. Unbeknownst to them at the time, the infamous “Spill Book” they wrote confessions in as a trust (hazing) exercise over the years was placed into a time capsule—now it’s been stolen, and the anonymous thief is threatening to expose them all on Bid Day.

The pale-skinned, black-eyed baby is a bad omen. That’s one thing the people on the old plantation are sure of. The other is that Miss Rue - midwife, healer, crafter of curses - will know what to do. But for once Rue doesn’t know. Times have changed since her mother, Miss May Belle, held the power to influence the life and death of her fellow slaves. Freedom has come. The master’s Big House lies in ruins. But this new world brings new dangers, and Rue’s old magic may be no match for them.

When Faye Travers is called upon to appraise the estate of a family in her small New Hampshire town, she isn't surprised to discover a forgotten cache of valuable Native American artifacts. However, she stops dead in her tracks when she finds in the collection a rare drum, ornamented with symbols she doesn't recognize and dressed in red tassels and a beaded belt and skirt, especially since, without touching the instrument, she hears it sound.

Dumpty: The Age of Trump in Verse is a satirical poetry collection from award-winning actor and best-selling author John Lithgow. Chronicling the last few raucous years in American politics, Lithgow takes listeners verse by verse through the history of Donald Trump's presidency.

Sheriff Walt Longmire is enjoying a celebratory beer after a weapons certification at the Wyoming Law Enforcement Academy when a younger sheriff confronts him with a photograph of 25 armed men standing in front of a Challenger steam locomotive. It takes him back to when, fresh from the battlefields of Vietnam, then-deputy Walt accompanied his mentor Lucian to the annual Wyoming Sheriff's Association junket held on the excursion train known as the Western Star, which ran the length of Wyoming from Cheyenne to Evanston and back.

1932: Located on the banks of the Gilead River in Minnesota, Lincoln School is home to hundreds of Native American boys and girls who have been separated from their families. The only two white boys in the school are orphan brothers Odie and Albert, who, under the watchful eyes of the cruel superintendent Mrs. Brickman, are often in trouble for misdeeds both real and imagined. The two boys' best friend is Mose, a mute Native American who is also the strongest kid in school. And they find another ally in Cora Frost, a widowed teacher who is raising her little girl, Emmy, by herself.

Charles Bukowski turns to the bottle in this revelatory collection of poetry and prose that includes some of the writer’s best and most lasting work. A self-proclaimed “dirty old man”, Bukowski used alcohol as muse and as fuel, a conflicted relationship responsible for some of his darkest moments, as well as some of his most joyful and inspired. In On Drinking, Bukowski expert Abel Debritto has collected the writer’s most profound, funny, and memorable work on his ups and downs with the hard stuff.

On a hot day in 1960s Maine, six-year-old Joe watches his little sister, Ruthie, sitting on her favourite rock at the edge of the blueberry fields, while their family, Mi’kmaq people from Nova Scotia, pick fruit. That afternoon, Ruthie vanishes without a trace. As the last person to see her, Joe will be forever haunted by grief, guilt, and the agony of imagining how his life could have been.

Lydia Quixano Pérez lives in the Mexican city of Acapulco. She runs a bookstore. She has a son, Luca, the love of her life, and a wonderful husband who is a journalist. And while there are cracks beginning to show in Acapulco because of the drug cartels, her life is, by and large, fairly comfortable. When Lydia’s husband’s tell-all profile of Javier, the jefe of the newest drug cartel that has gruesomely taken over the city, is published, none of their lives will ever be the same.

Southern belle BeBe Loudermilk has lost all her worldly possessions, thanks to a brief but disastrous relationship with the gorgeous Reddy, an "investment counselor" who turns out to be a con man. All that's left is a ramshackle 1950s motel on Tybee Island, an eccentric beach town that calls itself a drinking village with a fishing problem.

Lakshmi, called Lucky, is an unemployed millennial programmer. She likes to dance and have a drink or two, and she makes art on commission. Fifty bucks gets you high-resolution digital images of anything you want (orcs, mermaids, cos-playing couples in sexy boudoir scenes) and a nice frameable print. Lucky's husband, Krishna, is an editor for a greeting card company. Both are secretly gay.

Patricia Highsmith's first novel was picked up by Hitchcock and was a world-wide success. Her second novel was meant to tell everything about her true inside and dare what no-one had dared to write before: a lesbian love-story with a happy ending. But when she eventually relented to publish it under a pseudonym, it was a decision that would shape her life more than she could have guessed at the time. Henceforth she would vent her inner life either encoded in her future novels or—unbeknownst to most—in the 18 diaries and 38 notebooks she kept throughout her life.

From the night she is rescued as a baby out of the flames of a sinking ship, to the day she joins a pair of daredevil pilots looping and diving over the rugged forests of her childhood, to the thrill of flying Spitfires during the war, the life of Marian Graves has always been marked by a lust for freedom and danger. In 1950, she embarks on her life's dream - to fly a Great Circle around the globe, pole to pole. But after a crash landing, she finds herself stranded on the Antarctic ice without enough fuel.

A group of friends decamps from 1920s Paris for the Festival of San Fermin in Pamplona, Spain. Jake is in love with the aristocratic Bret Ashley, but Bret’s wandering eye lands on a young matador. In the week of drinking, bullfighting, and jealousy that follows, friendships will be upended and hopes for love dashed.

Her beginning may be our end.... Deep in the humid Mississippi bayou, a half-wild child is dragged from the murky waters. She has no memories and no family and is covered in mysterious markings. Adopted by the policeman who rescued her, Luce Boudreau follows him onto the force, determined to prove herself in the eyes of those who are still suspicious.