Showing titles in Drama

Oedipus the King is the story of a man whose life is destroyed by his own good intentions. When a terrible secret from his past is brought to the light of day, the consequences are chilling - and ineluctable.

First published in 1711, An Essay on Criticism was one of Pope's earliest major poems. As the title suggests, it is an exploration of what Pope considered to be the essential aspects of good critical writing.

Director David Fishelson transforms Dostoyevsky's The Brothers Karamazov and The Idiot into spellbinding drama that illuminates both titanic novels. In The Brothers Karamazov, the passionate brothers spring to life, led by their roué of a father ¿ who entertains himself by drinking, womanizing, and pitting his three sons against each other. The men have plenty to fight over, including the alluring Grushenka.

Oedipus Rex, by Sophocles, is a tragedy that has been enjoyed for centuries. This drama is an absolute must for any scholar, student, drama lover, or classical literature fan. Here, you will find the unabridged and complete version of the work.

Steven Adler examines the dynamic life and workings of the theatre company responsible for some of the world's most compelling performances and influential productions of the last 40 years, including Marat/Sade, A Midsummer Night's Dream, Les Misérables, Les Liaisons Dangereuses, and Nicholas Nickleby.

In this lively study of both modern film and stage productions of Shakespeare, Samuel Crowl provides fascinating insights into the ways in which these productions have been influenced by one another as well as by contemporary developments in critical approaches to Shakespeare's plays. Written in a style which places a premium on capturing the vivid and often dazzling moments of stage and film performances of Shakespeare, Crowl's study will be of interest to the avid film and theatergoer as well as to the scholar and student.

Gulliver is washed from his ship and lands on an island inhibitated by very tiny people. Tony Church, Derek Hart, and John Wood perform Part I of Gulliver's Travels.

After Zeus has learned that Prometheus stole his sovereign property, fire, and conveyed it to mankind, he orders Hephaistos, under the direction of Power and Force, to bind his adversary to an arduous crag of most difficult remoteness on the earth. As the Titan responds to this punishment, the reader is inspired with the fire of individual affirmation, devoted indomitably to life and liberty.

Die "Metamorphosen" - Verwandlungsgeschichten - des Publius Ovidius Naso gehören zum Grundbestand abendländischer Kultur...

Join "The Knave" and Sir Walter on a wild tale of mistaken identity, kidnapping, bowling, and a rug that, in faith, really tied the room together - in a sidesplitting Shakespearean comedy of errors and ninepins, told in five glorious acts of iambic pentameter and impeccable period prose.

The St. Charles Players present a unique telling of Henry James' classic tale of relationships and their imperfections, in a new multi-cast dramatization performed in exciting Radio Theatre style.

David Weir explores the conflicting attitudes towards modernity present in decadent culture by examining the difference between aesthetic decadence - the excess of artifice - and social decadence, which involves excess in a variety of forms, whether perversely pleasurable or gratuitously cruel. Such contrariness between aesthetic and social decadence led some of its practitioners to substitute art for life and to stress the importance of taste over morality, a maneuver with far-reaching consequences.

The St. Charles Players present a unique telling of Jules Verne's classic underwater adventure, in a new multi-cast dramatization performed in exciting Radio Theatre style.

America a Prophecy (1793) is the first book in Blake’s Continental Prophecies - the other two being Europe a Prophecy (1794) and The Song of Los (1795). The poem was engraved on 18 plates with illustrations by Blake, and survives in 14 known copies. Written during a time of great political and social upheaval, Blake uses his own complex invented mythology to explore the human need to resist tyranny. His verse is rich in metaphor, powerful, and apocalyptic in scope.

The Persians: A Translation from Aeschylus There is no drama where the total multiplicity of horror in defeat is more cogently presented than in the Persians by Aeschylus, who fought in the Athenian triumph at Salamis, where the Persian fleet was rammed and wrecked.

Spektakl MHAT im. Gorkogo. 20 fevralja 1598 g. Uzhe mesjac, kak Boris Godunov zatvorilsja vmeste so svoej sestroj v monastyre, pokinuv «vse mirskoe» i otkazyvajas' prinjat' moskovskij prestol. Narod ob#jasnjaet otkaz Godunova venchat'sja na carstvo v nuzhnom dlja Borisa duhe: «Ego strashit sijanie prestola».

In 17th-century Sicily, a clever valet named Mascarille tries to help his boss, Lélie, win the girl of his dreams – only to find that Lélie is a monumental dunce who ruins every one of his intricate schemes. Undaunted, Mascarille invents progressively wilder plots, only to see his best-laid plans go very awry in Molière’s The Bungler, translated by Richard Wilbur.

Chekhov's masterful last play, The Cherry Orchard, is a work of timeless, bittersweet beauty about the fading fortunes of an aristocratic Russian family and their struggle to maintain their status in a changing world. Alternately touching and farcical, this subtle, intelligent play stars the incomparable Marsha Mason.

In this allegorical play, the eccentric Captain Shorover's home hosts a cast, each of whom represents some evil in the modern world.

Prince Kreon, enforcing an arbitrary mandate, is enraged that Antigone would abide by a natural law of sisterly respect in contradiction of his will. As neither can be reconciled with the other's acts, the drama grows devoutly tenebrous. This translation is iambic, as is most of the text in Greek.