Showing results for "Reality TV" in Film & TV

In the spring of 2006, a new kind of show premiered on Bravo: The Real Housewives of Orange County. Its stars were tanned, taut, and bedazzled; their homes were echoey California villas; and their drama was gossip-fueled, wine-drenched, and absolutely exquisite. Fifteen seasons on, RHOC is an institution, along with The Real Housewives of New York, Atlanta, New Jersey, Miami, Potomac, and more.

Reality TV's influence is seismic: twenty-five years ago, the concept didn't exist. Yet today, it is one of the most powerful cultural forces on earth; a multi-billion-dollar machine. Despite that, it is often derided as "trash"; a cultural McDonalds not worthy of examination. The truth is that reality TV offers a profound insight into who we are as human beings, questioning the very nature of what we deem to be entertaining. Writer, broadcaster and reality TV-obsessive Jacques Peretti goes behind the scenes of a world that has entranced and consumed him for two decades.

In the tradition of Neil Postman's masterpiece Amusing Ourselves to Death, Audience of One shows how American media have shaped American society and politics, by interweaving two crucial stories. The first story follows the evolution of television from the three-network era of the 20th century, which joined millions of Americans in a shared monoculture, into today's zillion-channel, internet-atomized universe, which sliced and diced them into fractious, alienated subcultures. The second story is a cultural critique of Donald Trump.

What do we see when we watch reality television? Sociologist and TV lover Danielle J. Lindemann takes a long, hard look in the “funhouse mirror” of this genre, from countless rose ceremonies on The Bachelor to the White House and more (so much more!). Beginning with the first episodes of The Real World, reality TV has not only remade our entertainment and cultural landscape—it also uniquely refracts our everyday experiences and social topography.

Making films about club kids, royalty, hustlers, and televangelists, and working with icons such as such as Britney Spears, Tammy Faye Bakker, and RuPaul, the book is packed with glorious insider gossip and amazing celebrity stories. These are the riotous tales behind the shows that would make screen-agers of us all.

When former government staffer Alisha Aitken-Radburn was given a 'villain edit' on her first season of The Bachelor, she wasn't entirely surprised – there are only a handful of character tropes producers can manipulate into storylines. But the backlash on social media was unexpectedly intense, and Alisha found her sense of identity completely rocked by a single comment: 'You are a bad person'. Determined to shake the 'villain' label, she returned to reality TV screens, and this time, she got a different edit.

Tyra Banks’s America’s Next Top Model was a cultural phenomenon with more than six million weekly viewers at its peak. Over its fifteen-year run, the show captured the glitz of the early aughts as well as its most toxic attitudes—from the glamorous but often questionable photo shoots to the cutting feedback from its highly respected if out-of-touch judges. Watching ANTM now, it feels impossible to imagine a show like this airing today, and as its fans have grown up, they’ve also begun to reckon with the enduring ways that the show has affected their body image and self-esteem.

For 15 years and 35 seasons, the Bachelor franchise has been a mainstay in American TV viewers' lives. Since it premiered in 2002, the show's popularity and relevance has only grown - more than eight million viewers tuned in to see the conclusion of the most recent season of The Bachelor. The iconic reality television show's reach and influence into the cultural zeitgeist is undeniable. Bachelor Nation is the first behind-the-scenes, unauthorized look into the reality television phenomenon.

Science fiction often takes its inspiration from the latest science . . . and our oldest questions. After all, the two are inextricably linked. At a time when advances in artificial intelligence are genuinely leading us closer to a computer that thinks like a human, we can’t help but wonder: What makes a person a person? Countless writers and filmmakers have created futuristic scenarios to explore this issue and others like it. But these scenarios may not be so futuristic after all.

Despite the high number of programs and their evident popularity, paranormal reality television has to date received little critical attention. Ghost Channels provides an overview of the paranormal reality television genre, its development, and its place in television history. Conducting in-depth analyses of over thirty paranormal television series, author Amy Lawrence suggests these programs reveal much about Americans' contemporary fears.

In Lucas Mann's trademark vein—fiercely intelligent, self-deprecating, brilliantly observed, idiosyncratic, personal, funny, and infuriating—Captive Audience is an appreciation of reality television wrapped inside a love letter to his wife, with whom he shares the guilty pleasure of watching "real" people bare their souls in search of celebrity.

In Fooling with the Amish, Dirk Eitzen examines the fakery in Amish Mafia and how actual viewers of the show responded to it to discover answers to two questions that have long puzzled media scholars: What is it about the so-called reality of reality shows that appeals to and gratifies viewers? How and why are people taken in by falsehoods in the media? Eitzen's ultimate answer to these questions is that, in taking liberties with facts, Amish Mafia works very much like gossip.

The author of the acclaimed Advice for Future Corpses (and Those Who Love Them) brings “her singular sensibility, her genius for language, her love of our deeply imperfect world” (Karen Karbo, author of In Praise of Difficult Women) to this insightful exploration of reality TV and the shifting definitions of truth in America.

On the surface, Iron Man appears to be a straightforward superhero, another rich guy fighting crime with fancy gadgets. But beneath the shiny armor and flashy technology lies Tony Stark, brilliant inventor and eccentric playboy, struggling to balance his desires, addictions, and relationships with his duties as the Armored Avenger. Iron Man and Philosophy explores the many philosophical issues that emerge from the essential conflicts found in the decades of Iron Man stories in comics and movies.

This book examines order and time in the classic noir film Touch of Evil.