Showing results by author "Roddy Doyle" in Historical Fiction

Drinking pals back in their Dublin days, Davy rarely sees Joe for a pint anymore - maybe one or two when Davy’s over from England to check in on his elderly father. But tonight, one pint will turn to three and then five as Joe recounts a secret, leading the two men on a bender back to the haunts of their youth. Joe has left his wife and family for another woman, Jessica. Davy knows her too, or he should - she was the girl of their dreams all those years ago, the girl with the cello in George’s Pub.

Born in the slums of Dublin in 1901, his father a one-legged whore-house bouncer and settler of scores, Henry Smart has to grow up fast. By the time he can walk he's out robbing, begging, often cold, always hungry, but a prince of the streets. At 14, already six-foot-two, Henry's in the General Post Office on Easter Monday 1916, a soldier in the Irish Citizen Army, fighting for freedom.

In these 10 beautifully moving short stories, mostly written over the last year, Booker Prize winner Roddy Doyle paints a collective portrait of our strange times. A man abroad wanders the stag-and-hen-strewn streets of Newcastle, as news of the virus at home asks him to question his next move. An exhausted nurse struggles to let go, having lost a much-loved patient in isolation. A middle-aged son, barred from his mother's funeral, wakes to an oncoming hangover of regret.

The sequel to A Star Called Henry, sees our hero, Henry Smart, arrive in New York in 1924. This being Prohibition, Henry ends up bootlegging hooch for the speak-easies of the Lower East Side. But when this catches the attention of the mobsters who run the district, Henry realises it's time to leave. In Chicago, Henry discovers music. Furious, happy music played by a man with a trumpet and bleeding lips called Louis Armstrong.

It is time to leave, for another America: Chicago is wild and new, and newest of all is the music. Furious, wild, happy music played by a man with a trumpet and bleeding lips called Louis Armstrong. His music is everywhere, coming from every open door, every phonograph. But Armstrong is a prisoner of his colour; there are places a black man cannot go, things he cannot do. Armstrong needs a man, a white man, and the man he chooses is Henry Smart.

Patrick Clarke is a 10-year-old boy trying to make sense of his world. He is confused. His Ma and Da fight too much. School seems like a joke. And love, though it has a good reputation, seems pretty cruel. Paddy sees everything, but has trouble understanding it all. His story is an exuberant romp through the triumphs, indignities, and troublemaking detours of an Irish childhood.