Showing results by author "Philip Gwynne Jones" in Mystery

A game of blackmail and betrayal is played among the backstreets and canals of Venice.... Carnevale is in full swing, the streets and waterways of Venice are crowded with masked revellers and Nathan Sutherland's birthday is about to be ruined. A night at the opera at La Fenice is always a memorable experience - and this time it will be so for all the wrong reasons as the curtain call is interrupted by a fatal stabbing. But why is the dead man carrying one of Nathan's business cards in his wallet?

Venice, June 2020. The city has returned to the Venetians during a merciful pause in the Covid pandemic, and few overseas visitors are to be seen. Yet Dominic Vicari, a British private investigator haunted by loss, has travelled across Europe to the tiny island of San Francesco del Deserto. The ancient monastery there, it is said, was founded by St Francis himself in the 13th century. Its population now consists of five Franciscan brothers and three pilgrims on retreat. Or, rather, two pilgrims and a dead man.

On the Day of the Dead, the citizens of Venice make their way to the cemetery island of San Michele to pay their respects to the departed. When an empty coffin is unearthed in the English section of the graveyard, a day of quiet reflection for Nathan Sutherland becomes a journey into the dark past of a noble Venetian family. A British journalist, investigating the events of 40 years previously, disappears. A young tourist - with an unhealthy interest in Venice's abandoned islands- is found drowned in the icy lagoon. A terrible secret is about to be brought to light.

A game of cross and double-cross in Venice, one of the most beautiful cities on earth. From his office on the Street of the Assassins, Nathan Sutherland enjoys a steady but unexciting life translating Italian DIY manuals. All this changes dramatically when he is offered a large sum of money to look after a small package containing an extremely valuable antique prayer book illustrated by a Venetian master. But is it a stolen masterpiece - or a brilliant fake?

Battered by floods and crushed by overtourism, the city of Venice faces an uncertain future. The election of a new Mayor, therefore, has never felt more important. As the candidates jostle for position and alliances are made and promises broken, Andrea Mazzon, a controversial writer and historian, emerges as a strong candidate. Nathan Sutherland, meanwhile, has more important things on his mind as he investigates the case of an elderly British academic who has disappeared whilst researching the fate of his grandfather during the Great War.

Murder is the deadliest art...An invitation to an exclusive event during the Venetian Biennale gives Honorary Consul Nathan Sutherland the perfect chance to drink prosecco in the sunshine and meet some of the greats of the art world. And then a world-famous critic is decapitated by one of the installations in the British Pavilion. A terrible accident, it seems, until a postcard is discovered in the victim's pocket: an image of Judith beheading Holofernes.

Newlyweds Nathan Sutherland and Federica Ravagnan are looking forward to weeks of sunshine and relaxation on the island of Pellestrina, in a cottage belonging to Federica's late father, Elio. The weather is idyllic, the views across the lagoon are spectacular and the seafood is the best in Venice. But when the body of an eminent Venetian lawyer is dredged up by a fishing boat, members of the close-knit island community start to take an unhealthy interest in the two honeymooners, and whispers and rumours begin to circulate about Elio's association with a recently-deceased gang boss.

It's the night of 12th November 2019. The worst flooding in 50 years hits the city of Venice. 85 per cent of La Serenissima is underwater. Gale force winds roar across the lagoon and along the narrow streets. And the body of Dr Jennifer Whiteread—a young British art historian, specialising in the depiction of angels in Venetian painting—is found floating in a flooded antique bookshop on the Street of the Assassins. As the local police struggle to restore order to a city on its knees, Nathan Sutherland sets out into the dark streets in an attempt to discover the truth.

Acireale is a coastal town on the southern slopes of Mount Etna in Sicily, facing out towards the Ionian Sea. Nearby are the seaside towns of Acitrezza and Acicastello that look out upon the three great sea stacks that, legend has it, were the great rocks hurled at Odysseus by the monstrous Cyclops. Twenty kilometres away lies the city of Catania, with its baroque historic centre and altogether grittier suburbs. It's an area of extraordinary natural beauty, rich in folklore, which also just happens to have some of the best food in Italy. It might also be a good place for a murder. . .

Der Karneval in Venedig ist in vollem Gange. Doch anstatt sich der ausgelassenen Menge anzuschließen, feiert Nathan Sutherland, britischer Honorarkonsul in Venedig, seinen Geburtstag lieber im La Fenice. Ein Abend in einem der berühmtesten Opernhäuser der Welt ist immer ein Ereignis. Diesmal allerdings aus den falschen Gründen: Ein Opernbesucher wird während der Aufführung erstochen. Warum trägt der Tote eine von Nathans Visitenkarten in seinem Portemonnaie? Das Geheimnis um den ermordeten Fremden bringt Nathan auf die Spur einer verschollenen Oper von Monteverdi.

Als britischer Honorarkonsul in Venedig ist Nathan Sutherland zur Biennale geladen. Die Chance auf Trubel und Prosecco lässt er sich nicht entgehen. Doch während Nathan durch die Ausstellungsräume schlendert und sich über moderne Kunst wundert, kommt es zu einem dramatischen Vorfall: Ein Kunstkritiker wird von der Glaskonstruktion eines britischen Künstlers enthauptet. Unfall oder Mordkomplott? In der Tasche des Opfers findet sich eine Postkarte mit einem Kunstwerk von Artemisia Gentileschi: Judith enthauptet Holofernes.

Als britischer Ehrenkonsul in Venedig hat Nathan Sutherland nicht gerade den aufregendsten Job der Welt: Er schlägt sich mit verlorenen Pässen und Wegbeschreibungen herum. Gesellschaft leisten ihm seine grantige Katze und das Porträt Ihrer Majestät. Daneben genießt er das venezianische Leben: Aperol am Canale, Tramezzini in der Trattoria. Dann geschieht etwas Unvorhergesehenes: Ein Unbekannter spielt Nathan ein Päckchen zu: ein Buch mit augenscheinlich originalen Illustrationen des Künstlers Giovanni Bellini aus dem 15. Jahrhundert.