Showing results by author "Christina Jones" in Multicultural

Losing everything doesn't have to be the end. Sometimes, it's a chance to find something different.

If there’s any one thing Pierre and Logan have in common, it’s their ability to invite snap judgements based on shallow views of who they are. Logan is the privileged only daughter of a respected family whose legacy runs long and deep. Pierre is the moody, orphaned son of big screen royalty who couldn’t possibly live up to the prestige of his pedigree. Or maybe not.

There’s no such thing as a right time to fall in love. It happens, or it doesn’t. Possible to fake, but not force. Impossible to simply wish away. This is the path that Rob and Iris find themselves on. He’s adjusting to cross-country move, a new job, and an existence that doesn’t include the woman he thought he’d spend his life with.

Hailey Freeman goes to Blackwood with a specific mission - at least on the surface. When a sudden tragedy thrusts her into chaos, she expects to find herself mired in confusion, bereft, while she figures out how to pick up the pieces. Instead, she finds comfort, clarity, and - baffling - familiarity in the arms of Ellis Boyd. A stranger. A stranger who can’t help wondering if he knows Hailey somehow, met her somewhere, another time that they just can’t remember—the only explanation for their swift, consuming connection. At least, the only one that makes sense.

Sometimes, the worst lies are the ones we tell ourselves. They build and build into a façade of transparency and false truth that we present to the world...until it comes crashing down because of that one person who sees right into you. “Just one more time.” “It’s not even like that.” “I’m not tripping about it.” “I’m fine. Really.”

Dawn Oliver - daughter of theater royalty, talented in her own right, and, according to the internet...a complete and total fraud. All she wants is a fair chance to prove herself - no nepotism, no social media campaigns, no sponsors. Just pure talent, which she has in spades, if she can just get someone to believe in her. The way Patrick Bell does.

After her latest ill-fated attempt to find a forever relationship of her own, Tori Kennedy is content with connecting the dots for others, bringing them together in pursuit of lifetime love. Fresh off of the demise of her marriage, she decides to take advantage of an opportunity to do something a little—okay, a lot—crazy, and heavily fueled by an overload of emotions.

It's looking like Anika might be alone for the holidays...unless the very last person she'd ever want to spend them with can convince her otherwise.

Plant. Water. Fertilize. Grow.

Not a phenomenon Tempest could typically claim, but certainly the catalyst for where she’s landed. Not in peril, or pain, but in dire need of the very normalcy she’s often emulated, but never been able to obtain. Now...there’s nothing in her way, except all those years of being everything except what she now has to become.

Broken. A word typically ascribed to fragmented, useless things - not people. A word most would easily impose upon a woman like Dacia, knowing she’s been through the kind of things that are meant to leave a person fragmented. A word that comes with pre-conceived notions, judgements...limitations. None of which she embraces, or accepts.