On "Universality and Truth" and "Pan-Relationalism," which are lectures 3-5 in Richard Rorty's Pragmatism As Anti-Authoritarianism.

How do we justify democracy? Rorty says we don't have to refer to transcendent Truth or Good to do this. He also denies the disinction between essential and accidental properties, and in fact between substance and property: Everything is just described in terms of its relations to other things, and which relations are important are not intrinsic to the thing, but a matter of a speaker's purposes.

Get more at partiallyexaminedlife.com. Visit partiallyexaminedlife.com/support to get ad-free episodes and bonus content.

If you like our podcast, try the Constant Wonder podcast.

In light of the new film Trap, we look at this writer/director's oeuvre. Was he a bright light (The Sixth Sense) that at one point went out (certainly by The Happening), and has that light gone back on as he's regained full control in his most recent films (Knock at the Cabin, The Visit, et al.)? Is he a genius, overrated, or somehow both?

Mark, Lawrence, Sarahlyn and Al disagree both about Trap and about the overall Shyamalan experience.

For more, visit prettymuchpop.com. Hear bonus content at patreon.com/prettymuchpop or by subscribing via Apple Podcasts to the Mark Lintertainment Channel.

Sponsors: Get 10% off your first month of online therapy at betterhelp.com/pretty. Try a new podcast: Today In History With the Retrospectors at podfollow.com/retrospectors.

Amy started out as an NYC punk fan, was in the "cow punk" band Last Roundup with her brother, and then in a vocal trio called The Shams that released an album and an EP around 1993. She finally emerged as a full front-person as a solo artist in 1997; she's since released nine solo albums plus three more with her husband Wreckless Eric, who now serves as her producer.

We discuss "Bricks" from Hang In There With Me (2024), "Genovese Bag" by Amy Rigby and Wreckless Eric from A Working Museum (2012), and "Beer and Kisses" from Diary of a Mod Housewife (1997). End song: "Dancing with Joey Ramone" from Little Fugitive (2005). Intro: "Dark Angel" by The Shams from Quilt (1993). More at amyrigby.com.

Hear more Nakedly Examined Music. Support us on Patreon.

Sponsors: Get 10% off your first month of online therapy at betterhelp.com/nakedly.