It takes a family to raise a theatre company, so we gathered Stirling Players family members, Erik Strauts, Bronwyn Chapple, Anita Zamberlan Canala, and Probir Dutt, to take is into some of its rich heritage and interesting moments. The SA Drink of the Week is from Howard Vineyard, which supports the work of Stirling Players. And in the Musical Pilgrimage, we hear an original composition by Stirling Players committee member, Probir Dutt. Join us for this milestone episode as we blend history, music, and community conversation, marking eleven years of showcasing the passions that shape South Australia. You can navigate episodes using chapter markers in your podcast app. Not a fan of one segment? You can click next to jump to the next chapter in the show. We’re here to serve! The Adelaide Show Podcast: Awarded Silver for Best Interview Podcast in Australia at the 2021 Australian Podcast Awards and named as Finalist for Best News and Current Affairs Podcast in the 2018 Australian Podcast Awards. And please consider becoming part of our podcast by joining our Inner Circle. It’s an email list. Join it and you might get an email on a Sunday or Monday seeking question ideas, guest ideas and requests for other bits of feedback about YOUR podcast, The Adelaide Show. Email us directly and we’ll add you to the list: podcast@theadelaideshow.com.au If you enjoy the show, please leave us a 5-star review in iTunes or other podcast sites, or buy some great merch from our Red Bubble store – The Adelaide Show Shop. We’d greatly appreciate it. And please talk about us and share our episodes on social media, it really helps build our community. Oh, and here’s our index of all episode in one concisepage Running Sheet: The Hills Are Alive With The Sound Of Theatre 00:00:00 Intro Introduction 00:02:20 SA Drink Of The Week The SA Drink Of The Week this week is a 2022 Shiraz from Howard Vineyard. For the record, the General Manager and Head Winemaker at Howard Vineyard, Tom Northcott, was a guest in episode 161 A Night At The Manchen, and his 2010 Amos Cabernet Franc was our SA Drink Of The Year in 2013. 00:07:50 From The Stirling Players – Erik Strauts, Bronwyn Chapple, Anita Zamberlan Canala, and Probir Dutt The Stirling Players is a prominent amateur theatre group based in the Adelaide Hills, with a rich history marked by significant achievements and contributions to the local arts scene. As the group approaches opening night of its first ever “cross species” production, a play called Sylvia about the relationship between a man and his dog and the rift that creates in the relationship with his human wife, we’ve gathered backstage while people scurry about us, bumping in the set and running some of the final rehearsals. To take the story of Stirling Players out for walkies, we have the director of Sylvia, Erik Strauts, committee member and theatre stalwart, Bronwyn Chapple, actor who plays Kate in Sylvia, Anita Zamberlan Canala, and fellow committee member and composer, Probir Dutt. Sylvia runs September 13-28, 2024. Tickets here. Your new president, Tim Williams, opens the current edition of your newsletter saying, “Did you know that producing a play is absolutely simple?” If I hadn’t read past that, I would have thought that bothering to come up the hill for this chat was much ado about nothing. However, he does go on to give context. What is the first reaction that runs through your minds when you hear that provocative claim? Erik, to give us an idea of what the arc of a production is like, how long it takes from conception to birth – when did you get an inkling that this could be a good Stirling Players production? Sarah Jessica Parker of Sex And The City fame was one of the first actors to play Syliva, the dog. How on earth do you direct a human to be a dog in a way that holds the narrative together without breaking that all important suspension of disbelief among audience members? The play did get some very warm reviews during its run off and on Broadway in the 1990s but it also got criticised for its portrayal of women. Were those criticisms valid, or did they misunderstand the show, and if they were valid, have you had to modify aspects of the play or its staging? Bronwyn, you’re a part of the furniture at the Stirling Players (and I mean that in a nice way) and I believe you’ve also maintained a collection of production posters and cast notes, so I wonder if you can recall other productions from the company’s past, where you’ve taken on unconventional material? Let’s dart back to the beginning of Stirling Players. It was 1972, I believe. What came first – the desire to have a theatre company or the desire to save the Stirling Institute building? I do like the creative spark that lives in this company because it was only a few years old when it started the Hills Festival of One Act Plays in 1976. , the Stirling Players initiated the Hills Festival of One Act ...
