In this episode we dive into Robert Eggers' contemporary take on the classic Dracula tale, Nosferatu. We discuss the film's homage to the 1922 F.W. Murnau film, its modern cinematic techniques, and the chilling performances by Lily Rose Depp, Nicholas Hoult, and Bill Skarsgård. Paul also shares his recent trip to Prague, where the movie was filmed, adding a personal touch with anecdotes about the city's Christmas markets and his own unsettling dreams. Tune in for a deep analysis of the film's cinematography, editing, and the passionate work of the cast and crew.

00:00 Introduction and Greetings

00:26 Discussing Nosferatu and Prague

01:13 Paul’s Prague Experience

08:40 Comparing Nosferatu Versions

10:09 Thoughts on Robert Eggers' Films

15:53 Cinematography and Editing

17:52 Nicholas Holt's Performance

22:57 Supporting Characters and Performances

26:20 A Night at a Prague Theater

27:26 Bill Skarsgård's Performance

28:25 Vampire Movie Tropes

31:50 Lily Rose Depp and Character Dynamics

35:02 Willem Dafoe's Role

42:53 Cinematography and Editing

51:30 Final Thoughts and Reflections

In this episode Paul announces his exciting new role as a director, co-directing a play with Heather Miles. The discussion then ventures into Paul's experiences and the learning curve in directing. Then we get into a detailed critique of 'Gladiator 2,' discussing characters, plot, CGI elements, and specific performances. We also touch upon other movies like 'Napoleon' and explore the intricacies of big-budget filmmaking and character development.

In this episode we delve into 'The Outrun,' starring Saoirse Ronan. Paul explains how he stumbled upon the film on IMDb and why he was drawn to it. We discuss the film's portrayal of addiction, highlighting Nora Fingscheid's direction and the non-linear storytelling, which effectively represents the protagonist's struggles with alcoholism. We also analyze Saoirse Ronan's compelling performance and the technical choices made in the film, including the use of hair color to denote time shifts. We talk about the film's subtle yet powerful storytelling and praise its non-judgmental approach to difficult subjects.