Spoilerpiece Theatre

By: Evan Crean Megan Kearns and David Riedel
  • Summary

  • Boston film critics Evan Crean, Megan Kearns, and David Riedel help you decide what to watch by sharing spoiler-filled reviews of the latest blockbusters and independent films, across genres, including films by women, nonbinary, LGBTQ+, and BIPOC filmmakers. Opening music: "My Life as a God" by Augean Stables. Closing music: "Pants Party" by Oilhead. Show edited by Otto Klammer. Logo design by Rita Csizmadia.
    Copyright CJR Productions 2022
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Episodes
  • Episode 551: "Dog Man" and "Love Me"
    Jan 31 2025

    Evan and Dave are a duo this week. Dave took his children to see the ridiculous animated movie DOG MAN, which he - surprisingly? - liked. And both Evan and Dave took in LOVE ME, a romantic drama in which Kristen Stewart and Steven Yeun play a buoy and a satellite falling in love long after every lifeform on Earth has gone extinct. Over on Patreon, we discuss the 2006 Tony Scott film DÉJÀ VU with Denzel Washington.

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    43 mins
  • Episode 550: "Rocky's" and "Inheritance"
    Jan 24 2025

    This week we watch two films, the indie comedy-drama ROCKY’S (2:26), about five friends in their mid-20s who come together for a funeral, but first regroup in the parking lot of the 24-hour deli they loitered around in high school. Then it’s INHERITANCE (23:11), a spy thriller with Phoebe Dynevor and Rhys Ifans as an estranged daughter and father caught in a conspiracy. (Please excuse Dave’s room noise when the podcast begins; his space heater ran for a few minutes.) Over on Patreon, we talk about the 1989 Nicole Kidman thriller DEAD CALM.

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    58 mins
  • Episode 549: "Wolf Man," "Night Call," and "Back in Action"
    Jan 17 2025

    This week Megan saw WOLF MAN (2:20), director and co-writer Leigh Whannell’s latest trip down the horror highway, starring Christopher Abbott and Julia Garner. Megan likes this new take on Universal’s legendary Wolf Man…until she doesn’t. A good start, a meh finish. Then Evan and Dave join in when the conversation turns to NIGHT CALL (16:17), Michiel Blanchart's tense and nimble French-language thriller about a locksmith (Jonathan Feltre) who has the misfortune of opening a door…TO CRIME! (See what we did there?) A seemingly innocent call makes a normal shift turn nightmarish as lead character Mady is conned into opening the door, is chased by criminals, chased by more criminals, chased by cops…you get the idea. We all enjoyed this clever, fast-paced, and frenetic thriller. Then we all weigh in on Cameron Diaz’s first screen role since 2014, the Netflix spy thriller BACK IN ACTION (44:21), directed by Seth Gordon. Don’t let the lazy title fool you: The screenplay is just as lazy as the title! Ho ho! Not for nothing, this movie throws in just about every action trope known to humankind, but it doesn’t do anything particularly well. Good thing Diaz cranks the charm to 100, and she has an easy chemistry with her equally charming co-star Jamie Foxx. But otherwise…bleh. Over on Patreon, we talk about Max Eggers and Sam Eggers's 2024 horror flick THE FRONT ROOM, starring Brandy.

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    1 hr and 9 mins

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