Tim gets echoey in his new house as he and Jay talk documentaries, history rhyming, and the life you make when you're trying to make something else.

Some of the films we mention in this episode: One Day in September, American Movie, Coven, Buena Vista Social Club, Who Took Johnny, Liberated, Abducted in Plain Sight, Love Me, Karl Marx City.

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Opening music: "Let's Start at the Beginning," Lee Rosevere
Closing music: "Découvre moi," Marc Senet & Simon Grivot

In this episode, Tim and Jay talk about two seemingly opposite films, the primarily French-language Beau Travail and the German-language Run, Lola, Run. But maybe the themes and questions aren't as far apart as we initially thought!

We discuss free will, choice, human nature, and a bit of slow cinema.

Some of the films we discuss in this episode are: Beau Travail; Run, Lola, Run; Silent Light, The Hurt Locker, Zero Dark Thirty, Uncut Gems, Good Time, The Butterfly Effect, Fight Club, High Life, Rosetta; Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles.

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Opening music: "Let's Start at the Beginning," Lee Rosevere
Closing music: "Découvre moi," Marc Senet & Simon Grivot

In this episode, we get existential, philosophical, and humanistic with Boise-based filmmaker (and NBFF alum) Collin Insley. We work through the implications of Being John Malkovich and Charlie Kaufman's filmography for fame, identity, and what it means to be human. Also puppetry.

Collin's film Scam Likely is here.

Some of the films we mention in this episode: Burn After Reading, Magnolia, Being John Malkovich, Rounders, Con-Air, Beau is Afraid, Synechdoche, NY, I'm Thinking of Ending Things, Eternal Sunshine of the Spotless Mind, Adaptation, and Anomalisa.

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Opening music: "Let's Start at the Beginning," Lee Rosevere
Closing music: "Découvre moi," Marc Senet & Simon Grivot